Remembering Pearl Harbor

Seventy years ago, the weeks following December 7, 1941, were filled with a good deal of uncertainty and anxiety for the entire nation and the world, including members of the Dartmouth community.  On campus, discussion and debate continued between the interventionists and the pacifists and all of those in between. For Takanobu "Nobu" Mitsui, a member of the class of 1943, and the elder son of a prominent Japanese industrialist and Dartmouth alumnus, life was exceedingly more disquieting. Mr. Mitsui wanted to stay and complete his education at Dartmouth, following in his father’s footsteps and to be followed by his younger brother Mori '58.

History reveals that, thanks to the sponsorship and oversight of his family, several alumni, members of the administration and classmates, he was able to remain in Hanover, all the while under the watchful eye of President Hopkins and the State Department.

The archives contain multiple sources that give us glimpses of Mr. Mitsui's experiences here in the days following Pearl Harbor, as well as the care and concern shown by some members of the Dartmouth community. However, despite the safe harbor provided to him, Dartmouth was not immune to negative outside influences. Racist anti-Japanese sentiments filtered into Hanover and the campus, via the news media, propaganda and blackballing in fraternities.

To read Mr. Mitsui's memoir, ask for Alumni M697a; to read the translations of Mr. Mitsui's memoir completed by Edward Rasmussen '42, ask for MS-1069; to see Rauner's collection of World War II ephemera, ask for MS-1198. Mr. Mitsui's alumni file is also available.

I saw the best minds of my generation destroyed by madness...

While processing the poet Richard Eberhart's papers we came across this mimeo of Allen Ginsberg's "Howl." It turns out to be the true first printing of "Howl" preceding Lawrence Ferlinghetti's City Lights edition and produced in a run of only 25.  It was typed by poet Robert Creeley and run off by Kenneth Rexroth's wife (and Creeley's lover), Marthe.

This particular copy is, arguably, the most important printed copy of "Howl" ever produced. Why? It was sent to Eberhart on May 18, 1956, while Eberhart was teaching at Princeton and preparing an article for the New York Times to be called "West Coast Rhythms." The article was on the emerging poetry scene of the west coast and San Francisco in particular. Eberhart had recently visited San Francisco to complete research for his article. While there, he heard Ginsberg read "Howl" and discussed his impressions of it with the poet himself. He told Ginsberg he thought it was an angry poem – destructive and not offering any solutions.

A few weeks later, knowing Eberhart was preparing his New York Times article, Ginsberg sent him a 34-page handwritten letter explaining "Howl" which filled a notebook (sadly, Dartmouth holds the envelope in which the letter and mimeo were sent as well as supporting letters by Ginsberg, but the 34-page notebook itself is held by another institution. See Rauner Presses P364to for the published letter). In the letter, Ginsberg laid out his case for "Howl" and countered Eberhart's impression of the poem.

Accompanying the letter and buttressing Ginsberg's arguments was this mimeographed copy of "Howl" containing several small corrections in Ginsberg's hand. The copy provided Eberhart with the ability to read "Howl" while he was preparing his seminal article. The mimeo itself had been run off for students in a class he was guest teaching at San Francisco State. He also sent several copies to influential gatekeepers in the poetry establishment, as well as friends and fellow poets.

Ginsberg was successful in his lobbying efforts and on September 2, 1956, Eberhart wrote a favorable article on the San Francisco scene highlighting Ginsberg and "Howl" in the article.

In a December 20, 1956 follow-up letter sent to Eberhart, Ginsberg credits this article with "breaking the ice" in regard to getting what would become known as the "Beats" published. Eberhart's article, along with a federal censorship charge and trial against the City Lights edition of "Howl," would catapult Ginsberg and his fellow poets into the public consciousness. Riding this wave of publicity Viking Press, who had been dragging its feet with publishing Kerouac's On the Road, moved ahead with publication. The rest, as they say, is history.

Rauner also holds a remarkable first printing (with a run of 1000) of the City Light's edition of Howl in which Ginsberg heavily and creatively inscribes the title page to Eberhart. Ginsberg also fills in the expurgated words that were left out of the first edition to placate potential censors.

To see the mimeographed version of "Howl" or to see other items from the Papers of Richard Eberhart ask for MS-1082. To see the first City Lights edition of Howl ask for Eberhart PS3513.I74 H6.

Aires of History

The Dartmouth Aires were
originally an octet
formed as an offshoot
of the Glee Club.

Last night the Dartmouth Aires made it to the finale of "The Sing-Off" on NBC, finishing in second place. As great as it was to see them on national television over these past weeks, we've equally enjoyed seeing them perform on campus and even right here in Rauner (they loved Webster Hall's acoustics!). We're proud of the Aires and are pleased to hold their records -- in both senses of the word.

You can listen to their recordings and view their organizational records, which include musical scores, photos, correspondence, posters, songbooks, recordings of performances, and other miscellanea (ask for DO-75). We also have a vertical file and photo files, which give a sense of the evolution of the group. Initially an octet formed from the Dartmouth Glee Club in the 1940s, the Aires went on to perform around the world, record numerous albums, and delight fans everywhere. Congratulations, Aires -- our pride in you is, well, undying.

"In the May Flower"

Pictured here is a Geneva Bible once owned by one of the founders of Plymouth Colony. It resides in a custom box that proudly proclaims the bible was "brought to New England in the May Flower by John Alden 1620."  While it is probably true that it belonged to Alden (the family's genealogy is inserted in the bible), the book in question never could have made the trip on the Mayflower with him.

The Geneva Bible was the most important Protestant English translation of its era and was used by the early settlers of Plymouth. The popularity of the translation led to many reprints in protestant countries. This copy claims on the title page of the New Testament, that it was published in London in 1599. But the colophon at the end clearly indicates that the bible was printed in Amsterdam in 1633, 13 years after the Mayflower sailed.

You can see it by asking for Rare BS170 1633.

Pictures of Hell

Very few people today would read Dante's Divine Comedy as literal truth, but Renaissance commentaries, especially those that emerged from Florence and Venice, often treated the poem as a divinely inspired work. A close reading of Dante could reveal the structure of the heavens and hell. The following images come from Alessandro Vellvtello's "Descriptione de lo Inferno" in Dante con l'espositioni di Christoforo Landino, et d'Alessandro Vellvtello (Venice: Appresso Giouamnattista, Marchio Sessa, et fratelli, 1578).

You can see the book by asking for Rare PQ4302.B78.

Romaunt of the Rose

This Thursday, November 17th, Stephen Nichols of the Johns Hopkins University will give a lecture, "Dartmouth's Rose Undying," on our 14th-century manuscript of the Roman de la Rose. We are pretty infatuated with this manuscript, and have blogged about it in the past. The lecture is free and open to the public and a reception will follow where you can see the manuscript in the flesh.

In addition to our manuscript copy, we have many editions of Chaucer's translation, The Romaunt of the Rose. We have several 16th-century editions, and this one from 1687 with an interesting commentary:

In this Book the Authour hath many glaunces at the Hypocrisie of the Clergy; whereby he got himself such hatred amongst them that Gerson, Chancellour of Paris, writeth thus of him: saith he, There was one called Johannes Meldinensis, who wrote a Book called, The Romaunt of the Rose; which Book if I only had, and that there were no more in the World, if I might have five hundred pound for the same, I would rather burn it than take the Money. He sayeth more, That if he thought the Authour thereof did not repent him for that Book before he dyed, he would vouchsafe to pray for him no more than he would for Judas that betrayed Christ.

To take a look, ask for Val 823 C39 I16.  The Manuscript is Codex MS 003206.

For Gallant and Meritorious Service

On September 29, 1864, Samuel Augustus Duncan, Dartmouth '58, then a Lieutenant Colonel in command of the Color Troops of the 4th Brigade of the 3rd Division of the XVIII Corps, led his men on a heroic and tragic charge up New Market Heights.

New Market Heights is a hill about 8 miles south east of Richmond, Virginia. On that morning in 1864 the top of the hill was fortified and held by General John Gregg of the Confederate Army. Gregg’s 2,000 men were part of a set of strategic fortifications put in place by General Robert E. Lee to keep the Union Army from reaching Richmond. These fortifications had been frustrating attempts by General Ulysses S. Grant's Army of the Potomac to push the confederates southward.

Colonel Duncan’s brigade in conjunction with the 6th Brigade, both under the command of General Paine, was to spearhead the attack. The African American soldiers were chosen for this task because General Butler, an advocate for the use of Colored Troops, wanted to prove to the world that they would and could fight.

The confederate forces were well aware of the, supposed, surprise attack on their stronghold. They waited until Duncan and his men, who had made their way to the hill over swampy ground in the dark, were well entangled in the abates (sharpened sticks driven into the ground as a defense) before opening fire. The officers and color bearers were quickly eliminated as they made easy targets. Duncan himself was wounded four times. His men suffered 452 casualties including 63 killed. After two days of fighting the Union troops finally drove the Confederate forces from the hill.

In a letter home to his mother from the hospital on October 6, 1864, Duncan describes his wounds and recovery. But he also speaks proudly of his men, "You will see that they all [the New York papers]—the Herald even—praise the Colored Troops of Genl. Paine’s command for what they did on the 29th."

Duncan was honored for "gallant and meritorious service." He went on to become a patent lawyer after the war. Samuel A. Duncan died in 1895 at the age of 69.

Ask for the Samuel Duncan papers, MS-541.