Friday, November 12, 2010

Printed at the Sign of "The Penguins"

The cover for "Aurora Australis," which includes a blue landscape illustration.We have plenty of contemporary artists' books in Rauner that make inventive use of ordinary objects, but it's much rarer to find an older book bound with materials as strange as packing crates and harness leather. Aurora Australis, an anthology of poems, essays, and illustrations about life in Antarctica, has an excellent reason for its odd binding -- it was printed by the members of Ernest Shackleton's 1907-1909 Nimrod Expedition in the middle of an Antarctic winter.

Pressed for space in its small ship, the expedition brought along an iron handpress, an etching press, paper, ink, and type, but planned to improvise a binding from the lightweight wood boards of the expedition's packing crates. The editor was Shackleton himself, and the printers were two sailors who had had only three weeks training in presswork and lithography. The end result is both charmingly quirky and astonishingly professional given the conditions in the hut where the press was set up. As one sailor described:
Dust from the stove fills the air and settles on the paper as it is being printed.... It is too cold to keep the printer's ink fluid; it gets sticky and freezes... the printers were called away while the candle was burning, and... when they returned they found that the plate had overheated and melted the inking roller of gelitinous substance. I believe it was the only one on the Continent and had to be re-cast somehow.
In all, about 90 copies of Aurora Australis were printed, bound, and distributed to the members of Shackleton's expedition. Rauner's is affectionately known as the "Oatmeal Copy" for the label which is partially visible on the inside board cover.

A printed page from "Aurora Australis."The inside board cover of "Aurora Australis."

Ask for Stefansson G850 1907 .A8 to see Aurora Australis for yourself. Also, make sure to take a look at an historical introduction to the text in our facsimile copy: Stefansson G850 1907 .A8 1986.

Posted for Anne Peale '11

Tuesday, November 9, 2010

Freshman Caps

A photograph of two men looking at a book together. They are both wearing caps with the year 1952 on them.Had you been a College freshman 99 years ago, you would at this moment be purchasing your freshman cap, a newly instituted requirement intended to make it easier to identify members of the entering class.

On October 26, 1911, The Dartmouth proclaimed:
Freshman caps will henceforth add a touch of the picturesque and a deeper hue to Dartmouth's campus.  The custom just initiated is worthy of continuing down the long years of the history of the College until it becomes a tradition as fixed and revered as the traditions that cluster about the old pine or the senior fence.
It is curious how few years are required to establish a new custom and to give it all the authority of a habit handed down from antiquity.  Four years hence, when all the classes now present in College have graduated, the freshman cap will have become a permanent feature of Dartmouth undergraduate life, and the ordinary student will associate its origin with the Indians, Eleazar Wheelock, the "Dartmouth Song," and the founding of the College.
A photograph of a crowd of men. In the middle, a young man is stuck in a stock and holding a sign reading "I wouldn't wear my beanie."
In actuality, the freshman cap tradition lasted not quite sixty years.  The style of cap, or beanie, changed somewhat over the years, as did the consequences of not wearing it.  In the 1950s a Dartmouth Night tug-of-war with the sophomore class determined whether freshmen could stop wearing the caps or had to keep wearing them until mid-November.  The class of 1973 was the last class, as far as we know, to wear the beanies.

Ask for Realia 93 to examine our collection of distinctive headgear.
A pile of five hats, most with years on them.