
"Being Brave Abroad" and "Back Home" by Edward Gorey feature four captioned cartoons each. The pictures show snapshot moments of white elites navigating the world around them. In "Being Brave Abroad," under the caption, "Ordering the spécialité de maison without even asking what it is," one image shows a man and woman in a sea-side restaurant being served a plate of black sludge with red tentacles creeping out of it. Gorey's mockery becomes evident when one notices the small shelf of human skulls behind the couple. The joke takes on two forms: one that a member of the upper class would laud themselves for simply trying something new without asking what it is; and the other, that maybe this couple should have asked, in case the skulls are a product of the dish.

Time gives us a lens to see the absurdity and deeply problematic delusion of the upper class "living the fine life," and Gorey's illustrations provide that same lens. The ability to compare Gorey's perspective positioned within the pages of the magazine, and ours, outside of the magazine and the time that bore it, can allow us to better understand how we can push against the pictures of perfection in our own magazines. Or, simply enjoy wondering what the editors were thinking in including cartoons that mock their own magazine.
To become a Sophisticated Traveler yourself--or to enjoy mocking one--ask for Illus G675bei and Illus G675bac.
Posted for Lucy Morris '14
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