When Giorgio Vasari set out to illustrate his Le vite de' piv eccellenti pittori, scvltori, e architettor (Fiorenza: Appresso i Giunti, 1568) he aimed for authenticity in his depiction of each of the artists represented. But there were a handful for whom Vasari had no reliable likeness to draw on. He placed blank medallion frames at the heads of each of their entries. Was he giving a future reader an opportunity to complete his work once a reliable image had been found? Or, by acknowledging his own ignorance, were the blanks there to bolster the integrity of the rest of his work?
In our copy, a 16th or 17th century artist took advantage of the several of Vasari's blanks and has provided beautiful pen and ink sketches to "finish" the work. This copy was owned by an 17th centry art historian, so perhaps he had access to likenesses Vasari did not and commissioned an artist to fill in the blanks.
Come see our improved Vasari by asking for Rare N6922.V2 1568.