

In other cases, rare editions, valuable in their own right, take on a magical quality because of a simple bookplate or signature. Here is Henry James' copy of the first edition of Swift's Gulliver's Travels (London: Benj. Motte, 1726), and William Morris' copy of The Story of the Moste Noble and Worthy Kynge Arthur (London: Wyllyam Copland, 1557). While it is easy to think of Morris enjoying Malory, it is more challenging to imagine how Dickens read Bunyan or James dealt with Swift.
You can see them all by asking for Val 826D55 FB9 (Bunyan) Rare PR3724.G7 1726c (Swift), and Rare PR2043.W5 1557 (Malory).
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