
This description is from Dartmouth MALS student Alex Corey, who has just published an essay on The Red Man’s Rebuke, "Fair Material," in the Winter 2010 issue of the MALS Quarterly. The following is an excerpt:
The birch bark pages are the vessel for a fiery political argument, written from the perspective of a Native American spokesman and targeting a clearly white American audience. This first sentence makes it clear that the booklets are meant as political protests against the Columbian Exposition. Pokagon’s booklets go on to lay bare, in their 16 pages, the violent and unjust treatment of the Native Americans by white America.

I shall forthwith grant these red men of America great power, and delegate them to cast you out of Paradise, and hurl you headlong through its outer gates into the endless abyss beneath—far beyond, where darkness meets with light, there to dwell, and thus shut you out from my presence and the presence of angels and the light of heaven forever, and ever.You can read the rest of Alex Corey's essay in the Winter 2010 edition of The MALS Quarterly and see the original birch bark book by asking for Rauner Presses E58p.
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