Your Next Travel Dictionary: The All-in-One Guide for the "Speedy Learning of the Italian Tongue"

If you’ve ever wondered how to say “mouthful” in Italian, you might want to consult John Florio’s Queen Anna’s New World of Words, a hefty Italian-English dictionary written in 1611. There you’d be delighted to find that the 17th century Italians called it a “boccata,” which Florio translates as:

A mouthful, a mouthing. Also a word used when one is about to tell a thing and knows not what it is, or that a scholar would feign read his lesson and cannot, and we by some sign or voice would let him know that is out, and says he wots not what, we use to say Boccata, as in English, Tush, yea in my other hose, jump as Germans lips, and such other phrases.

What a mouthful! In defense of Florio’s verbosity, this definition is a significant improvement from the 1598 edition, which includes “you are as wise as a Waltam’s calf” as an acceptable alternative to “mouthful.” I hesitate to recommend the 1598 edition in fear that, if you did in fact call someone as wise as a Waltam’s calf, you might be accused of being behind the times. To avoid the unpardonable blunder of outmoded usage, the updated 1611 edition is the only way to go—and, what’s more, it comes with a complete guide to Italian grammar, which Florio borrowed (plagiarized) from his father! If it’s good enough for Queen Anne and the English cosmopolitan élite, it’s good enough for you. If you weren’t wondering how to say mouthful in Italian, Queen Anna’s New World of Words has 74,000 other fascinating Italian words, translated into beautiful, albeit long-winded, English.

John Florio, son of a Protestant Italian émigré during the Roman Inquisition, was a linguaphile, polyglot, translator, and high-profile language instructor who lived in London. His English translations of Montaigne’s Essays and Boccaccio’s Decameron from French and Italian are canonical, and his groundbreaking bilingual dictionaries confirmed his status as cultural mediator. He considered himself an Italian, though he never set foot on what today would be considered Italian soil. He snobbishly turned his nose up at English culture (not recommended for beginning travelers), which he considered barbaric and uncouth. Italian, in Florio’s day, was a sort of lingua franca, an all-access-pass to European culture and courtesy. Florio penned two dictionaries, two language pedagogy books (also recommended), and numerous translations, marking the beginnings of Italian language acquisition as a symbol of status and refinement in England. His dictionary is said to have influenced Shakespeare, who set many of his plays in Italy. Some scholars even suggest that Florio was Shakespeare’s ghostwriter—a rumor I encourage you to spread. Within the 700 pages of Florio’s tome (pocket-size edition not currently available), you’ll find risqué words collected from the Index of Forbidden Books, curse words, insults, numerous words to talk about dogs, food words (buon appetito!), idioms, and cultural insights: everything you need to keep your Italian hip… in a Baroque way. So the next time you need to say “mouthful” in Italian, check out Florio’s Queen Anna’s New World of Words, or just point and gesture like all the other tourists.

Ask for Rare PC1640.A2 F6 1611.

Posted for Joseph Waring '18

Audubon's Prospective Patrons

Tomorrow marks what would have been John James Audubon's 232nd birthday. Our copy of the famous naturalist's Birds of America, which once belonged to Daniel Webster, is the only item in our collection that is on permanent and prominent display in the Rooke Reading Room. Still, while the beautiful images of birds that fill this set of books are indisputably his most popular and memorable achievements, we here at Rauner hold another Audubon item that is a rarer bird than his well-known magnum opus. In 1826, Audubon had arrived in England to look for an engraver for his avian images. At that time, he began to give thought to the creation of a prospectus in order to advertise his book and acquiring dedicated subscribers to each successive number of plates. Audubon's plan was to create five numbers of five plates per year, for a total of twenty-five birds annually. Ultimately, he would issue four hundred and thirty-five plates over the span of eleven years.

At present, there are one hundred and twenty known surviving copies of Aubudon's Birds of America. However, the prospectus is itself much scarcer. An old source, Waldemar Fries's The Double Elephant Folio (Chicago: American Library Association, 1973), states that at the time of its printing there were only sixteen known extant copies of the prospectus, which was published in six editions over the course of several years. Rauner's copy is not one that Fries lists so it must have surfaced some time between 1973 and 1993, which is when its online catalog record was created. Our version is the fourth edition, or Edition D, which wasn't dated but most likely printed in early 1829 after ten numbers, or fifty plates, and been printed and distributed. In the back of the prospectus, Audubon lists the current subscribers who include King George IV of the United Kingdom and King Charles X of France, as well as numerous university libraries such as Edinburgh, Cambridge, and Oxford.

To see Rauner's copy of the fourth edition of Audubon's prospectus, come in and ask for Rare Book QL674 .A9 1827a. To see Audubon's Birds of America, walk into the Reading Room and take a look in the glass display case. For a special treat, come by on Friday mornings when we turn the page to reveal the new bird for the week (we call it the Friday Fowl).