Early ski jump and toboggan hill, ca, 1910
(Iconog. 1604)
When Fred Harris, founder of the Dartmouth Outing Club, pitched his idea for a winter sports club in a 1909 letter in The D, ski jumping was definitely on his mind. Having jumped at Montreal's winter carnival, he envisioned thousands of spectators coming to Dartmouth to watch jumping. In fact, ski jumping was an event at the very first Dartmouth Winter Carnival, on a hill constructed of pine limbs and snow.
Ski jumping poster 1931
Poster collection
Dartmouth's big jump made its debut 90 years ago, at the 1922 Winter Carnival. It's 85 foot tall steel trestle was constructed by the Boston Bridge Company for $5,000, and the landing area abutted the golf course's 13th green. Almost immediately, Harris' dream came true. For decades, Dartmouth would be the center of east coast ski jumping, drawing the huge crowds he had imagined. (Harris probably did not imagine the occasional conflict between golfers and winter sports enthusiasts over damaging the fairways when plowing snow for more parking for ski jump spectators!)
Ski jump profile, ca. 1923
(Dartmouth Outing Club Records, DO-1 (8852)
Ski Jump and the 13th green, ca. 1925
by Paul J. Weber
(Ski jump photofile)
Over the years, the big jump was enlarged and improved, drew jumpers from all over the world, and hosted many intercollegiate championships. In 1980, the NCAA discontinued ski jumping as a sport. The following year, Dartmouth was the only winter carnival with ski jumping on its schedule, and the competition was designated the Eastern Collegiate Jumping Championship.
Ski jumping remained active at Dartmouth for many years even after the NCAA's decision, but in the spring of 1993, the decision was made to dismantle the big jump, its silhouette having graced the golf course for 70 years.
Really? Pat the Bunny? In Special Collections?
Yes, we really did just acquire the first edition of Dorothy Kunhardt's toddler classic Pat the Bunny (New York: Simon and Schuster, 1940). The book is in remarkably good condition considering that most copies are lovingly destroyed by one-year olds playing peek-a-boo, feeling Daddy's scratchy face and fitting their fingers through Mummy's ring. Our copy still has its original box and all of its gimmicks in working order.
If you are not familiar with the book, it is designed to be read aloud to very young children who can follow along using other senses--they are invited to look at mirrors and pictures, feel textured surfaces, and even sniff the pages.
We acquired the book to be used alongside our strong children's book collections, but also because many of features of modern artists' books, which are sometimes more playthings than texts, were first employed in children's books.
