tag:blogger.com,1999:blog-63539026020017192262024-03-18T09:59:24.063-04:00Rauner Special Collections LibraryRauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.comBlogger1188125tag:blogger.com,1999:blog-6353902602001719226.post-62375290705835647692024-03-15T08:41:00.002-04:002024-03-15T08:41:34.668-04:00Writing "The Blues"<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ekVxTLY-SjQCOoJ_QbfdSgima1QZI4SKBanaIUQbGfDWcZGEPIQPg27SXtuCYY0Heb8C6VeyuU_SY__R_MIpLPATHRh1JTwGqS7bFGjvConEHIo8gX50rcLvFiz-frxa3h9BoRv7u5SszZGIm_EQWkhyYubT-xYBygIIVA8ALPeVjKERe5u9OIVGAg/s2141/BluesLetterBlog.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="First page of Lizzie Jackson's letter" border="0" data-original-height="2141" data-original-width="1640" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi-ekVxTLY-SjQCOoJ_QbfdSgima1QZI4SKBanaIUQbGfDWcZGEPIQPg27SXtuCYY0Heb8C6VeyuU_SY__R_MIpLPATHRh1JTwGqS7bFGjvConEHIo8gX50rcLvFiz-frxa3h9BoRv7u5SszZGIm_EQWkhyYubT-xYBygIIVA8ALPeVjKERe5u9OIVGAg/w245-h320/BluesLetterBlog.jpg" width="245" /></a>Lizzie Jackson, in this letter from February 1853, paints an accurate depiction of someone suffering from depression. Interestingly, though, she never names her affliction as depression. She calls it “the blues”--even putting it in quotes. Still, she describes the slower perception of time in a way that those who have experienced depression will understand all too well:<div><br /></div><blockquote style="border: medium; margin: 0px 0px 0px 40px; padding: 0px;"><div style="text-align: left;">“The days appear like weeks to me, and Sunday, I thought night never would come. I have wished a few times that I was with my dear Nat, I have thought of nothing since you left but you, I would give any thing that is have to be with you to night.”</div></blockquote><div><br />She also describes her low energy level and unwillingness to do certain activities: “I would write more if I could interest you but I know I could not do that when I have the ‘blues’.”</div><div><br />In the 19th century, the “blues” originated with an English phrase “the blue devils,” referring to the symptoms of withdrawal from alcohol. Soon after, the phrase was shortened to “the blues” and associated with sadness and the state of depression and feeling upset, which is the way that Lizzie uses it. A century later, a musical genre would come to be called “the blues” because of the melancholic songs at its heart.</div><div><br />In the 1850s, though, there was an extreme stigma around “the blues” and mental illness. Mental illness was viewed as untreatable and more of a spiritual problem, a perception that was reinforced by the devilish history of the phrase. Society at the time would place people in asylums or call people possessed. With that sort of social stigma, would you want to admit if you were feeling depressed? Lizzie certainly feels the need to hide her depressive state and expresses this need for secrecy, ending her letter with a strict command: “Come home soon. Give my love to Pa, Ma, and all of the family. Let no one see this.” She then goes so far as to not fully sign her name, instead using only the first letter of her first and last name, “L— J—”, to provide her with some anonymity.</div><div><br />While the stigma around depression and mental health has decreased significantly, the need to hide how one truly feels still pervades our culture. According to the most recent data from the World Health Organization, about 280 million people worldwide suffer from depression. Lizzie writes to her husband because she needs support during this time. Let’s do what we can to support those around us, and reach out to those who are close to us when we need help.</div><div><br />To see this letter, ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/13838">MS-1106, Box 1, Folder 3</a>.</div><div><br /></div><span><a name='more'></a></span><div><br /></div><div>Also, if you or someone you know might be suffering from depression or any other mental illness and need support, here are some numbers that can help:</div><div><br />988 : Suicide and Crisis Lifeline</div><div><br /> 1-800-662-4357 : Substance Abuse and Mental Health Administration Helpline</div><div><br />1-800-273-8255 : National Suicide Prevention Lifeline</div><div><br />1-877-870-4673 : Samaritans</div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-30883802620188039802024-03-08T10:55:00.010-05:002024-03-08T17:05:40.980-05:00Jamaican Pepper and Turkish Figs<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-Ncx8-tTHgg08_U-zd2LsZVbgTpc4t1fBDNePQwHoimiV4q5bMzdhKG3JZiMt8AZLYli81mz0mUZTaRtgCPHbDHs_lOthXgIZfkLkG41NOclA9-jLAa47yMWjgIPo13nbREXwMEbtCay7pSjk7nR19FNqiPbOx68MiVr5HxHokmMK98zW_Rs_t2tcg/s3753/Groceryblog.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: .2em; margin-right: 1em;"><img alt="Front page of the 1726-27 grocer's invoice" border="0" data-original-height="3753" data-original-width="2304" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjK-Ncx8-tTHgg08_U-zd2LsZVbgTpc4t1fBDNePQwHoimiV4q5bMzdhKG3JZiMt8AZLYli81mz0mUZTaRtgCPHbDHs_lOthXgIZfkLkG41NOclA9-jLAa47yMWjgIPo13nbREXwMEbtCay7pSjk7nR19FNqiPbOx68MiVr5HxHokmMK98zW_Rs_t2tcg/w123-h200/Groceryblog.jpeg" width="123" /></a>We recently acquired two humble yet fascinating little manuscripts that shed an impressive amount of light on the capitalistic and exploitative foundations of British colonialism: early 18th-century London grocery bills. Both of these folio pages supply a wealth of information about what England was bringing home from its colonies abroad for Great Britain's upper class. At the top of both invoices, grocer John Cosins boasts that he "sells the best coffee, tea, chocolate, [with] all sorts of Grocery at reasonable rates."<br /><br />In this circumstance, these superior groceries had been sold to Sir Thomas Sebright, 4th Baronet of Beechwood Park, in the late 1720s. Sebright was an English politician and landowner whose father-in-law was the Lord Mayor of London. Sebright was also implicated in the notorious "South Sea Bubble" stock market crash; he and other politicians had received gifts of stock in the South Sea Company, which had artificially inflated its value through similar schemes.<br /><br />Despite his questionable ethics, Sebright seems to be doing quite well for himself years later as he enjoys the fruits of other's labor: pepper from Jamaica, figs from Turkey, and Asian spices like cloves and nutmeg. To have a look at a colonizer's shopping list, inquire at Rauner's reference desk. These items haven't been catalogued yet but soon will be.Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-63644909831807772752024-03-01T16:39:00.001-05:002024-03-01T16:39:18.740-05:00In March the Wind Blows Down the Door...<div><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgggrqL2ewvuRxWcTO2dGLmShbVDwb5a9cMlBsl9SFiWxJYp8KYHwGvwd1H3qsQBXcdQ65tWO502x_hqTxt26Ny4LeGUDgAtTsuVG-X-5FBdtVMjJvnQ-vnrlXvHJDzyNnOYfFfebFNKjGSgCiiTnB5ZgrOAk4Ped1zVcC6o6wA_RyHGpiBePpAOXK-Dg/s3631/IMG_5378.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3631" data-original-width="2578" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgggrqL2ewvuRxWcTO2dGLmShbVDwb5a9cMlBsl9SFiWxJYp8KYHwGvwd1H3qsQBXcdQ65tWO502x_hqTxt26Ny4LeGUDgAtTsuVG-X-5FBdtVMjJvnQ-vnrlXvHJDzyNnOYfFfebFNKjGSgCiiTnB5ZgrOAk4Ped1zVcC6o6wA_RyHGpiBePpAOXK-Dg/s320/IMG_5378.JPG" width="227" /></a></div>Happy March! We're getting impatient for spring around here and are celebrating the changing seasons with a look at one of the smaller books in our Maurice Sendak collection. <i>Chicken Soup with Rice</i> is a children's book of months, part of the miniature Nutshell Library set. Not quite four inches tall, it lays out each month with a rhyme leading back to the eponymous dish. Here's this month's:<p></p>In March the wind<br />blows down the door<br />and spills my soup<br />upon the floor.<br /></div><div style="text-align: left;">It laps it up <br />and roars for more.<br />Blowing once<br />blowing twice<br />blowing chicken soup<br />with rice. </div><p>The Morton E. Wise Collection of Maurice Sendak was presented to the library in 2007 for the tenth anniversary of Dartmouth's Roth Center for Jewish Life. To check out this particular treasure, ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991007482239705706">Illus S467nuts</a>.<br /></p><p><br /></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com1tag:blogger.com,1999:blog-6353902602001719226.post-56265996630947288552024-02-23T15:22:00.004-05:002024-02-23T15:26:22.310-05:00Perfection through Portraiture<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgBTClMd4VigtSLvffJd1hV7RA-I6PmwIcU87RJ4sR57qIYWE9SJbSrK1FtDzMjXgVp_4yhkUsHP7mbdJTr94Wu5C6q65R8l7gfE6pzscb_2pjg6fvA-jZgkQ_X6OLpRqwXKnkut4W7jXdTdgDbZHgzt0N8ANcr84Ke-LpHdd8rNif5SLmSzZfZ1Kc1g/s4032/1-Fulvio-Title%20Page.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="The title page to the Illustrium Imagines." border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgBTClMd4VigtSLvffJd1hV7RA-I6PmwIcU87RJ4sR57qIYWE9SJbSrK1FtDzMjXgVp_4yhkUsHP7mbdJTr94Wu5C6q65R8l7gfE6pzscb_2pjg6fvA-jZgkQ_X6OLpRqwXKnkut4W7jXdTdgDbZHgzt0N8ANcr84Ke-LpHdd8rNif5SLmSzZfZ1Kc1g/w150-h200/1-Fulvio-Title%20Page.jpg" width="150" /></a>Can we become more virtuous just by looking at portraits of illustrious people? Yes, we can! This is the claim of 16th century portrait books like the Illustrium Imagines (Images of the Illustrious), published at Rome in 1517. The printer’s preface points out that the noble Romans had portraits of illustrious people “in the halls and even in the very doors” so that “by constant recollection of them, not only in thought but by sight, their minds were encouraged and supported to emulate their glory.” Portrait books offered readers an edifying gallery of portraits in the palm of their hands.<br /><br /><div>The portraits in the Illustrium Imagines are mostly based on coins – making it the earliest illustrated printed book about ancient coins. It is probably the work of Andrea Fulvio, an antiquarian and Latin teacher active in Rome.<br /><br /></div><div>The book’s layout is striking. Ornate woodcut frames surround and “support” coins depicting Roman emperors and members of their families. Brief biographical, historical, or antiquarian notices accompany each coin. Though mostly dedicated to Roman emperors, the Illustrium Imagines includes Byzantine and medieval rulers, but their likenesses are almost entirely imaginary and suggest that medieval coins, despite being nearer in time to Fulvio’s day, were less readily available to collectors.<br /><br /><br /><div class="separator" style="clear: both; text-align: center;"><div class="separator"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamP-3srlFBr9wH25-hO6Sf8GvLtQ7isl2eGJbfNuhoxn_yG4icm7vs8u2vaT1YnbqRSIRjNq0JJ1oe7yTAP06lOVlSGuxhBnlU_aR_oQmuiSMQgknVLMS-60Mtt82_bbj8pwIrA2iYL08a6lQO_DaMrX0RdYigRfjYD1piEL46MUM3VahytH8nM_RJQ/s4032/2-Fulvio-Tiberius.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgamP-3srlFBr9wH25-hO6Sf8GvLtQ7isl2eGJbfNuhoxn_yG4icm7vs8u2vaT1YnbqRSIRjNq0JJ1oe7yTAP06lOVlSGuxhBnlU_aR_oQmuiSMQgknVLMS-60Mtt82_bbj8pwIrA2iYL08a6lQO_DaMrX0RdYigRfjYD1piEL46MUM3VahytH8nM_RJQ/w150-h200/2-Fulvio-Tiberius.jpg" width="150" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0TzqzoJQFTJ9Q9eo7yAa1xThkldQhVu7aOqO3v9tcpEXGSbdA8wNxnuFBVGVFuz5jn8lOA0egPodHX2R8Rz7eJgfKOplVbn87iSR1avMJWwvwd6vtiJrFtqe6viRbFrpHeM9urqJkG3NsO13EOvbnpPySptcrwblAuoWOVlv2aQo04Sm0J-4oXxYyjw/s642/3-Gold_Aureus_of_Tiberius.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="642" data-original-width="640" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh0TzqzoJQFTJ9Q9eo7yAa1xThkldQhVu7aOqO3v9tcpEXGSbdA8wNxnuFBVGVFuz5jn8lOA0egPodHX2R8Rz7eJgfKOplVbn87iSR1avMJWwvwd6vtiJrFtqe6viRbFrpHeM9urqJkG3NsO13EOvbnpPySptcrwblAuoWOVlv2aQo04Sm0J-4oXxYyjw/w199-h200/3-Gold_Aureus_of_Tiberius.jpg" width="199" /></a></div></div><br /><div style="text-align: center;"><span>[The emperor Tiberius depicted in the Illustrium Imagines and a gold aureus issued in 16 CE (image courtesy of the American Numismatic Society).]</span></div><br />The portrait artist (both Ugo da Carpi and Giovanni Battista Palumba have been proposed) has crammed many details into the tiny portraits: craggy wrinkles, exquisitely coiffed hair, and fierce or benign gazes. The inscriptions around edge of the coins, like the coins themselves, are sometimes genuine.<div><br /><div style="text-align: left;">The Illustrium Imagines was widely imitated. Johann Huttich’s Imperatorum et Caesarum Vitae cum Imaginibus ad Vivam Effigiem (Lives of the Emperors and Caesars with Lifelike Portraits, published in Strasbourg in 1534; an earlier edition was printed in 1525) copied many portraits from the Illustrium Imagines, including those of Emperor Galba and his wife. Fulvio's version is below on the left, and Huttich's on the right.</div><div style="text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqcYr7pVDjltMH3kT2e3KTl9UN9TCMzbfCw7MGHaQYZP_cZEzizbbAE364vhM4On0Uz-mrhdARcZJmLyKvpCg-pb0ER-R-Jv_8ZppqRuq2s6hF122T6CWhMX5C2hZMVVyraSugSrp6Sljn88VLAzmMORcLRjJdUM8Hn3jnYop82kQDXpMjnharxwJBg/s4032/4-Fulvio-Galba%20and%20His%20Wife.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img alt="Fulvio's portraits of the emperor Galba and his wife." border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkqcYr7pVDjltMH3kT2e3KTl9UN9TCMzbfCw7MGHaQYZP_cZEzizbbAE364vhM4On0Uz-mrhdARcZJmLyKvpCg-pb0ER-R-Jv_8ZppqRuq2s6hF122T6CWhMX5C2hZMVVyraSugSrp6Sljn88VLAzmMORcLRjJdUM8Hn3jnYop82kQDXpMjnharxwJBg/w200-h150/4-Fulvio-Galba%20and%20His%20Wife.jpg" width="200" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuijATnmbwVIeqhYxFzQhGRMvqddidwJPv_F2Wczv3LAoQpFdKjTYCSuS4hMT4JnXPOR1UxHKLktcG_ZGMSwhxHyy3aBC25dQVgBOfD-8BUWjpKRdUbpgNI8WVMtMJK9CjAYZr9NoQ9ZZscrWA6jd7Cernee-h8Zah-WhnoyaSTtlH2jyWuT0C5zY94w/s4032/5-Huttich-Galba,%20Wife,%20Father.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuijATnmbwVIeqhYxFzQhGRMvqddidwJPv_F2Wczv3LAoQpFdKjTYCSuS4hMT4JnXPOR1UxHKLktcG_ZGMSwhxHyy3aBC25dQVgBOfD-8BUWjpKRdUbpgNI8WVMtMJK9CjAYZr9NoQ9ZZscrWA6jd7Cernee-h8Zah-WhnoyaSTtlH2jyWuT0C5zY94w/w200-h150/5-Huttich-Galba,%20Wife,%20Father.jpg" title="Huttich’s depiction of Galba, his father, and his wife." width="200" /></a></div><div style="text-align: left;"><br /></div><div style="text-align: left;">But Huttich also corrected many of Fulvio’s errors, added coins to which he had access, and included blanks in cases where he had no coins at hand, such as the empty space shown below where the emperor Leo's image should be. Book owners could draw in their own if they had them.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw5ug0BDjlBmYCJT7ngNw-ARR_hU69WuErFRT_JdndVoDTEQhGS4sjeicXeqrB-0D_c8p6858GMZPF4E55Dnhyphenhyphen5rp79TF1vBNMxqlDb017sX0nFRLejeDpu0mVLowpMsACdGetengZ8f4-KzoW-5lc-w76FzftzWcPBmeg5X7kR30BgipJcqEcBMHBSQ/s4032/6-Huttich-Leo%20Blank.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgw5ug0BDjlBmYCJT7ngNw-ARR_hU69WuErFRT_JdndVoDTEQhGS4sjeicXeqrB-0D_c8p6858GMZPF4E55Dnhyphenhyphen5rp79TF1vBNMxqlDb017sX0nFRLejeDpu0mVLowpMsACdGetengZ8f4-KzoW-5lc-w76FzftzWcPBmeg5X7kR30BgipJcqEcBMHBSQ/w200-h150/6-Huttich-Leo%20Blank.jpg" title="Page from Huttich showing a blank space where Leo's portrait should be." width="200" /></a></div><div><br /></div><div>In the second half of the 16th century, the formula of coin with text was still popular. The French printer Guillaume Rouillé published his Promptuarium Iconum Insigniorum (Treasury of Portraits of Distinguished People) in 1553 (often reprinted; our copy is from 1578). Less concerned with historical accuracy – there are coins depicting Theseus and the Minotaur, for example, as seen below on the left – Rouillé’s work includes historical and contemporary people of note, like modern kings and men of letters. The images below on the right are his renditions of Renaissance luminaries Erasmus and Guillaume Budé.</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><img alt="Rouillé's images of Theseus and the Minotaur" border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWghrGvcXMGpcCddCVGVwsG_pkJpWpjAJRG6Ih50Yw5Ol5_95VcCiDAgjJSnLh2eMtj2c1hA8AAO5nR4KlK5hvX1ubdFycr7izK1ZP2RQHChOEDj8t3l0yXXEXwyCRA1oXheK7rVFwvnoZlxbIJ0AifCMWOs547xHJ7foAyHvlMLzicv4ByNlXqkML5w/w150-h200/7-Rouille%CC%81-Theseus%20and%20Minotaur.jpg" width="150" /> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzgmumMVxox1w0NhS2Gbtrg2k6MqX59gYW7nFWpgTuaLJduBFeds-wJKKi_6X-UO-BYnAo0LI7gkfnYovOvvCHjCgh_6HJ-mv-SflwUfqfSitZfbDgXi5LHeY8zXEmf-oR51Y0N1ZLmnkkzFTuO6_OsHTPJ0DEAG6VjgQhK2wmai_pWd4yGAlh_Re1Fw/s4032/8-Rouille%CC%81-Erasmus%20and%20Bude%CC%81.jpg" style="clear: left; display: inline; margin-bottom: 1em; margin-right: 1em;"><img alt="Rouillé's renditions of Renaissance luminaries Erasmus and Guillaume Budé" border="0" data-original-height="4032" data-original-width="3024" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzgmumMVxox1w0NhS2Gbtrg2k6MqX59gYW7nFWpgTuaLJduBFeds-wJKKi_6X-UO-BYnAo0LI7gkfnYovOvvCHjCgh_6HJ-mv-SflwUfqfSitZfbDgXi5LHeY8zXEmf-oR51Y0N1ZLmnkkzFTuO6_OsHTPJ0DEAG6VjgQhK2wmai_pWd4yGAlh_Re1Fw/w150-h200/8-Rouille%CC%81-Erasmus%20and%20Bude%CC%81.jpg" width="150" /></a></div><br />Fulvio’s and Huttich books held great value for those interested in ancient coins. Rouillé’s has more of a general appeal. But perhaps the most important reason for the success of their books, and Rouillé’s, is the human desire to see (or imagine) what illustrious people looked like. And, of course, to make ourselves more virtuous.
<br /><br />In his preface to the reader, Rouillé suggests that the edifying effect of gazing upon such illustrious people could even result in the reader himself being immortalized in print: “Conduct yourself in this way,” he writes, “so that through the exceptional praises of your virtues, your likeness too might be deemed worthy of a distinguished place in future editions of this book.”<br /><br />To see the Fulvio, ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033942424705706">Rare N7585 .F8 1517</a>; the Huttich, <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033942424605706">Rare</a><a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033942424605706">DG203 .H8 1534</a>; and the Rouillé, <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991025456029705706">Bryant CJ5569 . R73</a>.<br /><br />Further reading:<br /><br />Cunnally, John. Images of the Illustrious: The Numismatic Presence in the Renaissance (Princeton 1999).<br /><br />Haskell, Francis. History and Its Images: Art and the Interpretation of the Past (New Haven 1993).<br /><br />Madigan, Brian. Andrea Fulvio’s Illustrium imagines and the Beginnings of Classical Archaeology (Leiden 2022).<br /><br />Pelc, Milan. Illustrium Imagines: Das Porträtbuch der Renaissance (Leiden 2002)<br /><br />Stahl, Alan. “Numismatics in the Renaissance.” Princeton University Library Chronicle 69.2 (2008), 217-240.<br /><br />Weiss, Roberto. “The Study of Ancient Numismatics during the Renaissance.” Numismatic Chronicle 7.7 (1968), 177-187.<br /><br /><i>Published for Daniel Abosso, Subject Librarian (Baker-Berry Library).</i></div></div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-56092458968741289652024-02-16T12:52:00.000-05:002024-02-16T12:52:00.223-05:00Breaking Bread: The Development of Kosher and Halal Dining at Dartmouth<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitGdBh0KPCa8e3Cbf_8JxW4WtmrqViuI-q0cEQdPql6ZrI8e_JoHUYUh-M7E7QXD5XBoCk0Dox6AZScZC3LVQnqcqsxt-atIXpfTSXz6zygSZcNKMyFnlX7U4v-M0oJ79fgqRP_I_pzNS7XMwOz1Oljhl4_0Ct9wpOKnywiLRP5vbp_HGOizewHBgfTQ/s3300/DDA3_pavilion_001.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Brightly colored brochure advertising the Pavilion station and showing its location on a map" border="0" data-original-height="2550" data-original-width="3300" height="154" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitGdBh0KPCa8e3Cbf_8JxW4WtmrqViuI-q0cEQdPql6ZrI8e_JoHUYUh-M7E7QXD5XBoCk0Dox6AZScZC3LVQnqcqsxt-atIXpfTSXz6zygSZcNKMyFnlX7U4v-M0oJ79fgqRP_I_pzNS7XMwOz1Oljhl4_0Ct9wpOKnywiLRP5vbp_HGOizewHBgfTQ/w200-h154/DDA3_pavilion_001.jpg" width="200" /></a><p></p><blockquote>“[A] joint Halal-Kosher dining venture on campus … would significantly advance Dartmouth’s vision for its future.” </blockquote><p>1999 was an important year in the history of food inclusivity at Dartmouth. President emeritus James Wright and the Board of Trustees introduced the Student Life Initiative (SLI) in February of 1999. The main goal of this initiative was to make Dartmouth’s campus more socially inclusive and welcoming, and administrative leaders found that centralizing dining and renovating campus dining facilities would help them achieve this objective. Jewish and Muslim student leaders similarly determined that the creation of a Halal-Kosher dining facility would advance the SLI’s inclusivity mission.</p><p>Jewish and Muslim students in the late 20th and early 21st centuries began working together to research the logistics for creating a Kosher-Halal-friendly dining option. They eventually formed a committee, which included the President of Dartmouth Hillel, the President of the Al-Nur Muslim Student Association, and former Dartmouth Rabbi Edward Boraz. This committee collaborated with Dartmouth Dining Services (DDS) to determine what was possible for the future of a more inclusive dining experience. The committee finalized their research in a report titled “The College Committee’s Report on Kosher and Halal Dining.”<br /></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiYhDjjUy5-suG_6Oh6ZuDNZsDqpVNiy5FSi407kOQdaNV3RyLYScw84kTSEpTXxwoENJvm9AXn7fapnf9wicG8Y0U5KjF9v84bQGNjrz5rUVg1uMwI7g5PkHlIzptCgmBU-NjiOuU_eR-SVK4naBMB6ghUQPMkxglsZPrz5BJihDj9MrQfKBHraJd7Q/s3396/IMG_7406_cropped.jpeg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Final page of the committee report on Halal and Kosher dining, signed by three committee members" border="0" data-original-height="3396" data-original-width="2400" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiiYhDjjUy5-suG_6Oh6ZuDNZsDqpVNiy5FSi407kOQdaNV3RyLYScw84kTSEpTXxwoENJvm9AXn7fapnf9wicG8Y0U5KjF9v84bQGNjrz5rUVg1uMwI7g5PkHlIzptCgmBU-NjiOuU_eR-SVK4naBMB6ghUQPMkxglsZPrz5BJihDj9MrQfKBHraJd7Q/w141-h200/IMG_7406_cropped.jpeg" width="141" /></a><p>The committee determined that a “dedicated dining facility that would meet the needs of Muslim and Jewish students” would “[e]nable those with religious dietary requirements to feel more at home.” It would “creat[e] a better sense of inclusivity for those who wish to observe these [religious dietary] laws.” Other students who do not follow these requirements would also benefit. A Halal-Kosher facility would “[a]dd to the array of dining options and thus encourage the development of cross-cultural interaction among students.”<br /><br />In the late 90s and early 2000s, Kosher and Halal dining options at Dartmouth were flawed, limited, or non-existent. The student committee reported that “there [were] no Halal products presently available.” Committee leaders acknowledged the efforts of DDS and Hillel but relayed that “existing facilities [did] not satisfy orthodox standards of Kashrut.” Barring “religious holidays and Friday evening services, Kosher dining [at Dartmouth was] marginal at best.” Dartmouth offered “Kosher sandwiches and microwavable dinners,” but the use of non-Kosher products in microwaves “render[ed] both the microwave and food subsequently warmed in it to be unfit.”<br /><br />Students adhering to Kosher policies faced additional barriers during religious holidays, despite the Roth Center for Jewish Life serving Kosher-compliant food. Dartmouth Hillel, in response to the “increased demands for improved quality and greater supervision” of Kosher food, “retained Andrew Wiener Catering Service of Boston, an orthodox certified kosher caterer, to provide meals for Rosh Hashanah, Yom Kippur, and post-fast meals.” However, the “dramatic increase in costs” forced Dartmouth Hillel to “charge half of its cost to the students’ meal plans.” In other words, there were economic obstacles that made dining less accessible for students with certain dietary needs.<br /><br />Dartmouth administration, working towards inclusivity, began focusing on resolving these issues and accommodating more dietary needs. A Student Life Initiative planning document shared that in November 2000, the College announced that “‘Muslim and Jewish students forge[d] a ground-breaking agreement for a joint Halal-Kosher dining facility’ to be located in Thayer Hall.” This dining facility would later become known as the Pavilion, which still serves Kosher and Halal food options today. The SLI document also stated that College leaders advocated for this dining outlet’s placement in the Collis Center, Robinson Hall, or Thayer Hall: they found that it should reside in a “primary campus dining venue.” Administrators wanted those with these dietary requirements to feel fully integrated into the campus community. This indicates the College’s efforts to make dietary needs — and religious identities — welcome at Dartmouth.<br /><br />To read the “The College Committee’s Report on Kosher and Halal Dining,” visit Rauner Library and request “The College Committee's Report on Kosher & Halal Dining” in Box 30887 from collection DA-798. For access to the Student Life Initiative planning document, ask for folder “SLI Social Dining” from Box 30373 from collection DA-8.</p><p><i>Posted for Thomas Corrado '25, recipient of a <a href="https://exhibits.library.dartmouth.edu/s/HistoricalAccountability/page/fellowship" style="color: #328060; text-decoration: none;" target="_blank">Historical Accountability Student Research Fellowship </a>for
the 2024 Winter term. The Historical Accountability Student Research
Program provides funding for Dartmouth students to conduct research with
primary sources on a topic related to issues of inclusivity and
diversity in Dartmouth's past. For more information, visit the
program's <a href="http://dartgo.org/hasrp" style="color: #328060; text-decoration: none;" target="_blank">website</a>.</i></p><p></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-15524486499247372412024-02-09T14:32:00.003-05:002024-02-09T14:32:52.395-05:00Fill the Bowl Up?<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu4Z1WaXojrLua-G832356lAj7rdzUVPy2XCsRZCn8AYNLnPehrTLSFR_3OqTe1u6lVYOGTF4hmpPTValeKBBAoWIy6w7iKGh-UFaRs-lg3XMn_SnTP_CUliCZhnZHFJsva-Q6DPC8Irds6xGaxKlk8Rin0GK9N8Fh3aC5xTKsiHQb25SEB_gbxYLCww/s1000/Icon1647-0722-0000008A.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Glass beer mug with Dartmouth seal etching" border="0" data-original-height="1000" data-original-width="799" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhu4Z1WaXojrLua-G832356lAj7rdzUVPy2XCsRZCn8AYNLnPehrTLSFR_3OqTe1u6lVYOGTF4hmpPTValeKBBAoWIy6w7iKGh-UFaRs-lg3XMn_SnTP_CUliCZhnZHFJsva-Q6DPC8Irds6xGaxKlk8Rin0GK9N8Fh3aC5xTKsiHQb25SEB_gbxYLCww/w160-h200/Icon1647-0722-0000008A.jpg" width="160" /></a>"If every dormitory man had one identical piece of personal furniture, it was a beer mug."<p></p>In 1975, Norman Carpenter '53 was living in Minneapolis and working as an attorney when he decided to write back to his alma mater and raise the alarm about alcohol use at Dartmouth. Carpenter had been receiving treatment for alcoholism for nearly a year when he opened the 1975 Alumni Bulletin Newsletter. He noted with a new "sensitivity" that the commencement and reunion events seemed to all revolve around alcohol consumption. In response, Carpenter wrote to the alumni magazine to share his story and concern for the Dartmouth community's relationship with alcohol.<p>Carpenter conceded that there was no "hard evidence" that Dartmouth is where he developed a drinking problem. However, after starting treatment for alcoholism in 1974, Carpenter noted an outsized incidence rate of other Dartmouth men and spouses seeking treatment as well. Going back to his Dartmouth experience, Carpenter remembered efforts taken by the administration to limit alcohol use, like a restriction on cup size and restrictions on the times alcohol could be served in fraternities. Still, Carpenter claimed "the strong impression on an immature underclassmen was that acceptance on campus depended upon the ability to imbibe ethyl alcohol. Even among the less impressionable it must have seemed that drinking was integral to the social process, more especially at Dartmouth than at similar colleges." From there, the message of the letter was clear: "...if anything was missing at Dartmouth it was hard facts about alcohol."</p><p>While hard facts about alcohol were missing from Carpenter's Dartmouth experience, there was no shortage of drinking mythology to guide students' attitudes. In the alumni magazine, Carpenter's letter appears under the title "Fill the Bowl Up?," a reference that would have been instantly understood as a nod to alumnus Richard Hovey's song <i>Eleazar Wheelock</i>: </p><div style="text-align: center;">Eleazar Wheelock</div><div style="text-align: center;">Oh, Eleazar Wheelock was a</div><div style="text-align: center;">very pious man; He went into the</div><div style="text-align: center;">wilderness to teach the Indian,</div><div style="text-align: center;">With a gradus ad Parnassum, a Bible, and a drum,</div><div style="text-align: center;">And five hundred gallons of New England rum.</div><div style="text-align: center;">Fill the bowl up!</div><div style="text-align: center;">Fill the bowl up! Drink to Eleazar</div><div style="text-align: center;">And his primitive Alcazar</div><div style="text-align: center;">Where he mixed drinks for the heathen,</div><div style="text-align: center;">In the goodness of his soul.</div><p>In October 1976, the letter was reprinted in The Dartmouth under the name "No son-of-a-gun for beer," a nod to another quintessential Dartmouth drinking song:</p><p style="text-align: center;">A Son of a Gun<br />I wish I had a barrel of rum and<br />sugar, three hundred pound;<br />I'd put it in the College bell<br />and stir it 'round and 'round,<br />Let ev'ry honest fellow drink<br />his glass of hearty cheer,<br />For I'm a student of old<br />Dartmouth and a son of a gun for beer.</p><p style="text-align: left;">In the 1970s, these songs were popular and well-known. While historians agree that Wheelock arrived to Hanover with rum, there's no reason to believe he had 500 gallons. This type of embellishment reinforced Dartmouth's drinking mythology for nearly a century, and typified an environment where manliness was conflated with drinking.</p><p style="text-align: left;">After Norman Carpenter’s words were aired through <i>The Alumni Magazine</i> and <i>The Dartmouth</i>, a series of campus events highlighted discussions surrounding alcohol use and the role of fraternities on campus. The film <i>Animal House</i>, written by Dartmouth '63 Chris Miller, was released in 1978 and brought a national spotlight down on the fraternity system at Dartmouth. Only a week after <i>Animal House</i> aired on campus, Dartmouth faculty famously voted nearly unanimously to abolish Greek Life on campus. Spearheaded by English Professor James Epperson, charges were levied against the Greek system on the basis that fraternities perpetuated a culture of sexism, racism, homophobia, anti intellectualism, and alcohol abuse.</p><p style="text-align: left;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiJjINO8p4hy4SUEyXppW3SBkSJak-I8UDbDpVboMlXTENqrOjPo3uC6TnfkqZY8w6qKQWj1BJ_O06nUlGJazGAe8D2_6rVd4SVfTxi1UEuKN_GKBN4c2kPUApoc_RClfmAd_FG3pMz4YfVa-2dWEKEnQeECBdNQN1H77CUdLeJuIjCB0yIWQJSpvMZA/s2284/alcohol_conference_82_2.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="One side of a pamphlet for a 1982 "Alcohol at Dartmouth" conference. The cover shows an empty Dartmouth-branded plastic cup lying on the Green in front of Baker Tower." border="0" data-original-height="1638" data-original-width="2284" height="143" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjiJjINO8p4hy4SUEyXppW3SBkSJak-I8UDbDpVboMlXTENqrOjPo3uC6TnfkqZY8w6qKQWj1BJ_O06nUlGJazGAe8D2_6rVd4SVfTxi1UEuKN_GKBN4c2kPUApoc_RClfmAd_FG3pMz4YfVa-2dWEKEnQeECBdNQN1H77CUdLeJuIjCB0yIWQJSpvMZA/w200-h143/alcohol_conference_82_2.jpg" width="200" /></a></div>The Board of Trustees voted against abolishing the Greek system with the provision that fraternities clean up their act, and a slew of committees were established to study the role of Greek Life on campus. One such committee was the Alcohol Concerns Committee, chaired by Steve Nelson (director of Student Activities at Collis). In January 1982, the Alcohol Concerns Committee held a three-day alcohol awareness conference. As part of the coverage for the conference, <i>The Dartmouth</i> published a profile on Norman Carpenter, claiming that his letter was a "major impetus for the formation of the Alcohol Concerns Committee." One of the capstone events of this conference titled "Alcohol at Dartmouth" was a panel of Dartmouth alumni who were recovering alcoholics, including Norman Carpenter and Chair of the Dartmouth Board of Trustees Sandy McCullough. <div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcck2dCFYKQ06W3cEoIUezPCHLR-2Vnmku88vYpcgy7LdmVQDHrgJJObx0Ks-JFWJPFz9lvMlKbJ380ZismCgPdbBCQ3epvfXDKqLPAYck45VOs6ubwh_Pavpq54DMvr_J8MCJoGOk0uIlVjcIKiwM70-YXOYjaEqzrAJIsGwBZF-nsDPdKhMCO91xbA/s1994/alcohol_conference_82_1.jpg" style="clear: right; float: right; margin-bottom: 0.2em; margin-left: 1em;"><img alt="Detailed listing of events from the "Alcohol At Dartmouth" pamphlet." border="0" data-original-height="1386" data-original-width="1994" height="139" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjcck2dCFYKQ06W3cEoIUezPCHLR-2Vnmku88vYpcgy7LdmVQDHrgJJObx0Ks-JFWJPFz9lvMlKbJ380ZismCgPdbBCQ3epvfXDKqLPAYck45VOs6ubwh_Pavpq54DMvr_J8MCJoGOk0uIlVjcIKiwM70-YXOYjaEqzrAJIsGwBZF-nsDPdKhMCO91xbA/w200-h139/alcohol_conference_82_1.jpg" width="200" /></a></div><p></p><p style="text-align: left;">In Norman's original letter, he wrote that he had no intention to "embark on a messianic course to reform" Dartmouth. Instead, he opened his story to the community to ask if it's Dartmouth's responsibility to educate students about the dangers of alcohol abuse. Years later this aim was realized.</p><p style="text-align: left;">To read more about the Epperson proposal, request box 8181 from the Office of Residential Life records (DA-670). To read more about the history of alcohol use on campus, request Rauner Vertical Files "Drinking I" and "Drinking II" (DA-857).</p><p>Drinking Songs found on the Dartmouth Review Website "Lost Songs of
Old Dartmouth" (<a href="https://dartreview.com/lost-songs-of-older-dartmouth/">https://dartreview.com/lost-songs-of-older-dartmouth/</a>).</p><p><i>Posted for Spencer Mancuso '25, recipient of a <a href="https://exhibits.library.dartmouth.edu/s/HistoricalAccountability/page/fellowship" style="color: #328060; text-decoration: none;" target="_blank">Historical Accountability Student Research Fellowship </a>for
the 2024 Winter term. The Historical Accountability Student Research
Program provides funding for Dartmouth students to conduct research with
primary sources on a topic related to issues of inclusivity and
diversity in Dartmouth's past. For more information, visit the
program's <a href="http://dartgo.org/hasrp" style="color: #328060; text-decoration: none;" target="_blank">website</a>.</i> <br /></p><p style="text-align: left;"></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-85632538508263356672024-02-02T15:37:00.001-05:002024-02-02T15:37:39.985-05:00A Donkey in the Chapel and a Pig on the Train<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmqa9dl5UlVhyphenhyphenH53umcbT-R9q-ZZSsUa6u8jZKtCi7pLJ2pr3RjVl1Qt-OyXwRtowQgXt_4ANBfIs9Ep0IZ8CpWv8J0kDErb6kRKKv52rXmdfq4xGc8syC_1nQcYPdsFBw9ZR9nF4xyeedw0rytMoop2bWF6ghmJ1kLnVF0vOMWTfTuDWiIbJ8Xeg9yw/s693/IMG_0644%20(1).jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Newspapers illustration of donkey on stage with a student" border="0" data-original-height="693" data-original-width="592" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjmqa9dl5UlVhyphenhyphenH53umcbT-R9q-ZZSsUa6u8jZKtCi7pLJ2pr3RjVl1Qt-OyXwRtowQgXt_4ANBfIs9Ep0IZ8CpWv8J0kDErb6kRKKv52rXmdfq4xGc8syC_1nQcYPdsFBw9ZR9nF4xyeedw0rytMoop2bWF6ghmJ1kLnVF0vOMWTfTuDWiIbJ8Xeg9yw/w273-h320/IMG_0644%20(1).jpeg" width="273" /></a>No one knew how the donkey had gotten into the chapel. But there it was, standing near the center of the platform, tied securely.<p></p><p>This storied incident took place one afternoon in the spring of 1888. In those days, the Dartmouth chapel was reserved on Wednesdays for a mandatory, school-wide meeting to hear the seniors perform their original oratories. This particular Wednesday, a live donkey had joined in on the presentations.</p><p> Students could tell something was afoot even before they reached the chapel: as W. A. Charles, class of 1890, recounted, “cheers and loud laughter,” emanated from the hall. By the time W. A. Charles entered, the speakers and the English professor were seated on the platform, next to the animal. The only one missing was President Bartlett, who usually arrived at the last chime of the bell.</p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi33DtNlwUQU70DK3Iw0cNLzeawqt9STj_belzmPmYpQcZ2kyqy97i3-uRsX02X4jHSlDmLEjg2TGB5AOdH-ksbyT1GyNpgFpVfYgYghoSMH8gsNgm5nBqm7LPbVjB69Zk_GmWhPctgNV2tIPnnIM85ZuP7mkLDLScCW5yBFEk_hPmS7RGFc-zrnbmOw/s3091/IMG_0644.jpeg" style="clear: right; float: right; margin-bottom: .2em; margin-left: 1em;"><img alt="Newspaper article by W. A. Charles about Donkey on stage" border="0" data-original-height="3091" data-original-width="1214" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgi33DtNlwUQU70DK3Iw0cNLzeawqt9STj_belzmPmYpQcZ2kyqy97i3-uRsX02X4jHSlDmLEjg2TGB5AOdH-ksbyT1GyNpgFpVfYgYghoSMH8gsNgm5nBqm7LPbVjB69Zk_GmWhPctgNV2tIPnnIM85ZuP7mkLDLScCW5yBFEk_hPmS7RGFc-zrnbmOw/w126-h320/IMG_0644.jpeg" width="126" /></a>Word spread that the president was approaching the building, and the cheers died down. Bartlett entered, and the students stood, watching him ascend toward the podium. Then he caught sight of the donkey. There was a pause; a moment of hesitation. William A. Bartlett, class of 1882 (no obvious relation to the Dartmouth president), wrote, “The president and the animal regarded each other amicably.” Then, reports W. A. Charles, “the students broke into tumultuous yells and cheers.”<p></p><p>What happened next has been blurred by history. One version claims that the president said calmly, “Gentlemen, excuse me for disturbing your class meeting,” and then departed. As William Bartlett chronicles it, the president took the list of speakers in his hand and remarked, “As I call the names you may come up and stand beside your brother and declaim.” W. A. Charles’ remembers an entirely different version: in his account, the president held his hand for silence and then told the crowd, “I perceive one of the classes has lost a brother.” This, of course, provoked a “burst of applause” from the students.</p><p>Charles claimed that the speeches went on as usual, the seniors standing right next to the donkey: “whenever a hand was extended as a gesture, the donkey would stretch forth his head, apparently thinking he was to receive some food from the outstretched hand. The student would quickly withdraw his hand and sidestep a little, not knowing what the donkey would do, and of course at every opportunity the student body burst into wild laughter.” The speaker struggled through his oration, the donkey occasionally swished his tail or moved his head, the English professor sat quiet and sour, the audience eagerly awaited an occasion to erupt into giggles, and President Bartlett, by all accounts, never stopped smiling.</p><p>Over the next several decades, other animals would be roped into student pranks. According to <i>The Dartmouth</i>, a flock of turkeys was led into the chapel; horses, donkeys, and cows were left in Dartmouth hall; one skunk was hidden in an instructor’s desk; and another skunk–dubbed “Stinky”–was paraded around town, the pet of a student in the class of 1942.</p><p>The cleverest of animal “pranks” came in October of 1915. A group of Dartmouth students had been trying to find a cheap way to attend the upcoming away football game between Dartmouth and Amherst. According to the <i>Washington Evening Star</i>, the Interstate Commerce Commission “refused to allow students to ship themselves as livestock on freight trains,” which would have been cheaper than travel by passenger train.</p><p>But there was an exception for people caring for livestock. The students devised a plan to ship a small pig on a “special car” to Amherst, with “as many students as possible as caretakers.” If there was enough interest, wrote the <i>Washington Evening Star</i>, another pig would be bought and shipped in a second car.</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAv11KIIjeFATRarKeCyAs6SGdx_VYTJMYA6xbTrMQ_J77-jy_A4XBJuHkLDsMyI6ayp4gNCM3AxwoMpPllHHFMJqd-60UFyt6iFEOsaPvoNQQzrwFL0h8C_J73VUS-AUOC0CLK7IVY8xVBnQTUdJmvk3pkzEM1yU0HsQNl6JCUmPdcq3sHYkTCVBF_w/s1427/IMG_0645.jpeg" style="margin-left: 1em; margin-right: 1em;"><img alt=""Rooters to Ride as Caretakers for Pig," Washington Evening Star, October 27, 1915" border="0" data-original-height="1427" data-original-width="1244" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgAv11KIIjeFATRarKeCyAs6SGdx_VYTJMYA6xbTrMQ_J77-jy_A4XBJuHkLDsMyI6ayp4gNCM3AxwoMpPllHHFMJqd-60UFyt6iFEOsaPvoNQQzrwFL0h8C_J73VUS-AUOC0CLK7IVY8xVBnQTUdJmvk3pkzEM1yU0HsQNl6JCUmPdcq3sHYkTCVBF_w/w279-h320/IMG_0645.jpeg" width="279" /></a></div><br />No word on what happened to the pig when it reached Amherst, but I’d like to imagine it enjoyed the football game and was not part of the celebratory post-game feast: Dartmouth won, 26-0.<p></p><p>To read more, ask for the “<a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/728837">Student Episodes, Pranks, and Diversions</a>” vertical file.</p><p>Posted for Kira Parrish-Penny '24 <br /></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-10628894929292120402024-01-26T14:06:00.000-05:002024-01-26T14:06:03.169-05:00White Sheiks and Flappers<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7Jnb8WKlIxn4Tyk3m9WcnE74-Lk1oEUGmMpwoLmKuw7YDHxvPMxj6on4LiVg0z_iKdAbK91D6iEtzG9L-OCpTK8EnxGGO62gQwM4GsHBEtdWRB3oYOZWqWPKk5hxCPV3Pyt0Qk8So8ZNK-A6aDW6KA5lM4yhUEOZfmQ3kNe6qAxtdBRVVbMNAqQVQg/s2888/IMG_0004.jpeg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="First page of letter from Eastman to Wahsburn" border="0" data-original-height="2888" data-original-width="2194" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhF7Jnb8WKlIxn4Tyk3m9WcnE74-Lk1oEUGmMpwoLmKuw7YDHxvPMxj6on4LiVg0z_iKdAbK91D6iEtzG9L-OCpTK8EnxGGO62gQwM4GsHBEtdWRB3oYOZWqWPKk5hxCPV3Pyt0Qk8So8ZNK-A6aDW6KA5lM4yhUEOZfmQ3kNe6qAxtdBRVVbMNAqQVQg/w243-h320/IMG_0004.jpeg" width="243" /></a>Preparing for a visit from a delegation of the Osage Nation, we made a stunning discovery in our collection: a letter written in November, 1924, from the Osage reservation by Charles Eastman, Class of 1887, to Carl Washburn, Class of 1925. Eastman was a Dakota Sioux who became a physician after he left Dartmouth. He was a life-long advocate for Indigenous rights, and frequently acted as an intermediary between the U.S. Government and various tribal nations. In 1924, the Department of the Interior sent him to Oklahoma to report on the conditions of the Osage at the height of the oil boom.<p></p><p>His description mirrors the opening scenes of <i>Killers of the Flower Moon</i>. He describes the sudden influx of phenomenal wealth and its impact on the community. He is obsessed with the cars--limos everywhere and a car for every member of the family!</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHoriZjMF5IwL3T4yVFEliFWL8z4qC8Mhb2aKtjhxnz9S_3Nd5W3Uy0JJkBkJUFmZOdM0jFOGEKp6nkNuAPcdP_YVO7BB_pzrZ0K_ztrohskG7r2f1JorUCxvsovbNhC3s0fsT3tjAI5ndUudrnuiNHn4XWWp7QmPrsojfb6vwL0z7R4KVZRl7Pn7I1A/s1999/IMG_0006.jpeg" style="margin-left: 1em; margin-right: 1em;"><img alt="Black Gold letter excerpt" border="0" data-original-height="749" data-original-width="1999" height="120" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHoriZjMF5IwL3T4yVFEliFWL8z4qC8Mhb2aKtjhxnz9S_3Nd5W3Uy0JJkBkJUFmZOdM0jFOGEKp6nkNuAPcdP_YVO7BB_pzrZ0K_ztrohskG7r2f1JorUCxvsovbNhC3s0fsT3tjAI5ndUudrnuiNHn4XWWp7QmPrsojfb6vwL0z7R4KVZRl7Pn7I1A/w320-h120/IMG_0006.jpeg" width="320" /></a></div><br />He also visits Rosa Hoots, the Osage woman who owned and cared for that year's Kentucky Derby winner, the aptly named "Black Gold." Then there is his concern with the predatory behavior he sees: dope dealers and bootleggers everywhere, and "white sheiks and flappers" trying to marry into Osage families for their wealth.<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7btgDEE8lPhYgK9Nr-8CvGvRmJNnNAgDUwICUnITEPKOXT4OE3cO0nOqKVxHyNPWbWBeatEtiNnTROvjJtugPTCfEsXNWdsO1aS0WD3DZ9dKzcvNKH0v63TWV42gH3VdG5C-BcT7SMyU8kE5tbAcKtD6yWZ5o2L4k11mohpTmh6LSH0XEnvtMJxV1JA/s2038/IMG_0005.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="432" data-original-width="2038" height="68" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg7btgDEE8lPhYgK9Nr-8CvGvRmJNnNAgDUwICUnITEPKOXT4OE3cO0nOqKVxHyNPWbWBeatEtiNnTROvjJtugPTCfEsXNWdsO1aS0WD3DZ9dKzcvNKH0v63TWV42gH3VdG5C-BcT7SMyU8kE5tbAcKtD6yWZ5o2L4k11mohpTmh6LSH0XEnvtMJxV1JA/s320/IMG_0005.jpeg" width="320" /></a></div><br />Part of what makes the letter so great is its informal nature. Eastman was writing to a young friend who he had helped to get into Dartmouth. This is not his official government report, but an opportunity for Eastman to express his own amazement and concerns. If you have seen the movie or read the book, you have to take a look at this letter.<p></p><p>To see it, ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991011128669705706">MS 924110.1</a>.<br /></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-66213304198675236302024-01-19T15:34:00.009-05:002024-01-19T15:38:00.597-05:00A Medieval "Book of Roots"<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim5Lz4p0I_7shN4q8dwi75S06p54wGXr-T6QoaWwV1tPb1_Ur5lXiHwte66P5ZYow5SZRCdFkjEWT5n0Bc8qE8f9IgnZxBVW5cUpH-mP3qIxi3pskfOlDItRpH5cTiMjxmu2WqDPJCI9icmLTxuCfkjlgGlBjWzWQuop1Tk9ErEqjbL7nnuoq7udLeUA/s512/KimhiBlog1.jpeg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Original leaf written in Sephardic script on the right (ff. 264v) later replacement text written in Yemenite script on the left (ff. 265r)" border="0" data-original-height="384" data-original-width="512" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEim5Lz4p0I_7shN4q8dwi75S06p54wGXr-T6QoaWwV1tPb1_Ur5lXiHwte66P5ZYow5SZRCdFkjEWT5n0Bc8qE8f9IgnZxBVW5cUpH-mP3qIxi3pskfOlDItRpH5cTiMjxmu2WqDPJCI9icmLTxuCfkjlgGlBjWzWQuop1Tk9ErEqjbL7nnuoq7udLeUA/w200-h150/KimhiBlog1.jpeg" width="200" /></a>The Kimḥi family of Provence was a celebrated medieval Jewish family of biblical commentators and Hebrew grammarians. Rabbi Joseph Kimḥi and his two sons Moses and David were each renowned scholars in their own right, but Rabbi David Kimḥi (1160-1235 C.E., commonly known by his Hebrew acronym "Radak") was the most celebrated of all.<br /><br />Rauner recently acquired a manuscript of Kimḥi's Hebrew lexicon, <i>Sefer ha-Shorashim </i>(literally translated as "book of roots.") First composed in the late 12th-early 13th century, the Radak's <i>Sefer</i> was one of the most influential Hebrew dictionaries in the medieval period. The entries are arranged alphabetically around the three-letter <i>shorashim</i>, or "roots," common to most Hebrew words, with quotes from religious texts and explorations of etymology.<br /><br />Our handwritten copy of the <i>Sefer</i> was likely produced by a Sephardic Jewish scribe in Southern France or Northern Italy ca. 1370-1430 C.E., more than a century after Kimḥi’s death. Most of the pages are written in a consistent Sephardic semicursive script, on laid paper common in parts of France and Italy in the late 14th and early 15th centuries. It is possible that this scribe, like the Radak himself, was a descendant of Spanish Jews (Sephardim) who fled persecution and settled in the French region of Provence, which during the Kimḥis' time was a flourishing center of Torah scholarship known as Hachmei Provence.<br /><br />By the 16th century, our copy had found its way from Provence to Yemen, where a Yemenite Jewish scribe painstakingly copied missing leaves and added some of his own marginal notes to the Radak’s text. Subsequent Yemenite owners of this <i>Sefer</i> also proudly scrawled their names and statements of ownership on the first and last leaves of the tome. After all, to own such an old copy of this famous work would have been quite the status symbol, testifying to the owner's material wealth, as well as his intellectual gravitas.<br /><br />If you can read Hebrew but are still struggling to parse this 18th century inscription, there's a reason for that. It is partially written in Judeo-Arabic, a dialect of Arabic historically spoken by Jews in Arab countries, written using the Hebrew alphabet. Luckily, the dealer provided a translation of the message, which includes a fabulous book curse:<br /><br /><blockquote style="border: medium; margin: 0px 0px 0px 40px; padding: 0px; text-align: left;"><span style="font-family: inherit;">"I merited to purchase this Sefer ha-mikhlol through the labors of my hands. May the blessed Omnipresent give me the privilege to immerse myself in it—I, my descendants, and my descendants' descendants until the last generation. Amen, so may it be [His] will. He who takes it and does not return it—<b>may his name and memory be obliterated from the world, and may he be bitten by a snake.</b> But may the nation of God dwell in peace. [Signed] the humble Joseph, son of our teacher Shuker al-Sarem, may his Rock and Redeemer keep him and may his end be good."</span></blockquote><p> </p><div class="separator" style="clear: both; text-align: center;"><span style="font-family: inherit; margin-left: 1em; margin-right: 1em;"><img alt="Joseph ben Shuker al-Sarem's 18th century inscription wishing book thieves a snake bite." border="0" data-original-height="192" data-original-width="376" height="163" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEifzZrGFrC5qwUerkxAVcvXTP6pa8GRdJv93w20FuHuxkyIAATQYJjQMQiYuH4Au2OLJjOULn02-3uXlTKhIi16XB9krb91IzFtyhCZBqFhXoiMXtyHIKZBOS4CDngANakbIePjeLxATJn2iqvniWg6VFIRbdC5JFA7WOFyIO6l_ESB2oQyRg0b1ImBVw/w320-h163/KimhiBlog2.jpeg" width="320" /></span></div><div><br />To see our copy of the <i>Sefer ha-Shorashim</i>, come in and ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033941045605706">Codex 003515</a>.</div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-78365178957952111742024-01-12T10:20:00.002-05:002024-01-12T10:20:35.490-05:00Winter 23 Exhibit: The Whirligig of Time<a href="https://blogger.googleusercontent.com/img/a/AVvXsEi_LFr1faf3EMsc9FxOUGxzpMB72nGge04HDg1CbwJLPcrFYdrFAIbBsXgrTbSWtCVFwoPu1htEGf3QUP-nNOmunfLN-fzGg82XeZbE_BGpZ5A_MAIGFsJ5aGrbTppA7O1KOI62b6M4Gl_-ljQcKthq0hH45hNi3ccH_Mpqi_Wg5whsW-ssRWFjBy1gXA" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="" data-original-height="1356" data-original-width="1066" height="255" src="https://blogger.googleusercontent.com/img/a/AVvXsEi_LFr1faf3EMsc9FxOUGxzpMB72nGge04HDg1CbwJLPcrFYdrFAIbBsXgrTbSWtCVFwoPu1htEGf3QUP-nNOmunfLN-fzGg82XeZbE_BGpZ5A_MAIGFsJ5aGrbTppA7O1KOI62b6M4Gl_-ljQcKthq0hH45hNi3ccH_Mpqi_Wg5whsW-ssRWFjBy1gXA=w202-h255" width="202" /></a>Last year marked the 400th anniversary of the printing of William Shakespeare’s First Folio. To commemorate the occasion, students in Professor Matthew Ritger’s F23 ENGL 15 Shakespeare course curated seven mini-exhibitions that look through a variety of lenses at the connections between Shakespeare and Dartmouth College.<div><br />Their collaborative effort, titled “The Whirligig of Time: Shakespeare in the College Archive, 1623-2023,” is on display in the Class of 1965 Galleries here at Rauner through March 15, 2024. For more information, including a handlist of materials, exhibit case text, and a downloadable version of the exhibition poster designed by Sam Milnes, visit the <a href="https://www.dartmouth.edu/library/rauner/exhibits/whirligig-of-time.html">website.</a> If you'd like to see <a href="https://raunerlibrary.blogspot.com/2021/01/many-times-removed.html">Shakespeare's First Folio</a>, which isn't in the exhibit, come into the Reading Room and ask anyone at the reference desk.</div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-90694506340939621582024-01-02T13:26:00.000-05:002024-01-02T13:26:10.536-05:00Catching a Break<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpaekM3aBrjmtsiBMWfTDx-knTHQ92CXbuYqZkGQ2P5okxkBnpTC97KtTNZ5MLAooK8oy7pD8jnv0uCRCczgWYU2dHjQx-81YPXlbZOZ48rlpsgamhVw_WgzXO26a-RXxbngWA7I454CS1qkFWi4GOYIoTRWFKQ4_Vosr40dRV7dzitCE57b9rEgiIzQ/s2136/SalingerBlog1.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Rebound cover of Catcher in the Rye, red calfskin with gold tooling" border="0" data-original-height="2136" data-original-width="1405" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjpaekM3aBrjmtsiBMWfTDx-knTHQ92CXbuYqZkGQ2P5okxkBnpTC97KtTNZ5MLAooK8oy7pD8jnv0uCRCczgWYU2dHjQx-81YPXlbZOZ48rlpsgamhVw_WgzXO26a-RXxbngWA7I454CS1qkFWi4GOYIoTRWFKQ4_Vosr40dRV7dzitCE57b9rEgiIzQ/w131-h200/SalingerBlog1.jpg" width="131" /></a>On January 1, 1953, J. D. Salinger left New York City, where he was born and raised, and relocated to the small town of Cornish, New Hampshire. Coincidentally, New Year's Day was also his birthday. Salinger was known to be a private person and the enormous success of his novel <i>Catcher in the Rye</i> (1951) had brought him too much attention in his hometown. So, he escaped the big city to live in a tiny cabin with no heat or running water. Cornish already had a positive reputation among creatives; it had been the residence of sculptor Augustus Saint-Gaudens and the Cornish Artists' Colony before the collective's gradual dissolution in the early 20th century. Several months later, in April of 1953, a collection of his short stories, <i>Nine Stories</i>, was published. Salinger lived in Cornish until his death in 2010.<p></p><p>Here at Rauner, we have first editions of <i>Catcher in the Rye</i> and <i>Nine Stories</i>, both signed by Salinger in Hanover on December 17, 1953, nearly a year after he had made the switch to rural life. The circumstances surrounding the autographs are unclear, but we love to imagine this reclusive writer availing himself of our resources during his first year here in the Upper Valley. To see our copy of <i>Catcher in the Rye</i>, ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991003014679705706">Rare PS3537 .A426</a>. Our first edition of <i>Nine Stories</i> is <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991006014389705706">Rare PZ4 .S165 Ni 1953</a>.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2nM3eCBviBWJf8-ScmN2q0WQS98FMOb17S865DNqXVEh6UE5muEXApGEN2TU5GvKoLbr_eFz-8CYXVvbC-IoZCtozpHIy7xzksOOJvX0hXQfFAbSinrdboQwvk3ZAPauWNRKBatEtao6fzsYs__4MRpbZmMqg36qs38QsyWtpA_SWaoUbE24tltwjMQ/s1252/SalingerBlog2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="449" data-original-width="1252" height="72" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj2nM3eCBviBWJf8-ScmN2q0WQS98FMOb17S865DNqXVEh6UE5muEXApGEN2TU5GvKoLbr_eFz-8CYXVvbC-IoZCtozpHIy7xzksOOJvX0hXQfFAbSinrdboQwvk3ZAPauWNRKBatEtao6fzsYs__4MRpbZmMqg36qs38QsyWtpA_SWaoUbE24tltwjMQ/w200-h72/SalingerBlog2.jpg" width="200" /></a></div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-47524092026689865482023-12-21T11:42:00.003-05:002023-12-21T11:42:48.033-05:00Yule and Misrule<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtZAgqnUL0eObrHUijGABmQY6Z4jc30R0OGAGyO2QiuwK-KM3U1JVrrmMb13GvbJ4KhkRL7JIHJy0bXT4LfzAvFi26fC0lLtA1Yzyx_GCcBDyFhOfUT6rmwbDl94U681uEBLPFlBuyhjUV6-mAeeelwwcklzOvpoBbTavamPuom8VqY0vSvxVMU6OIug/s2249/IMG_7643.JPG" style="clear: left; float: left; margin-bottom: .2em; margin-right: 1em;"><img alt="Lankes woodcut of "Yule! Yule"" border="0" data-original-height="2249" data-original-width="1563" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtZAgqnUL0eObrHUijGABmQY6Z4jc30R0OGAGyO2QiuwK-KM3U1JVrrmMb13GvbJ4KhkRL7JIHJy0bXT4LfzAvFi26fC0lLtA1Yzyx_GCcBDyFhOfUT6rmwbDl94U681uEBLPFlBuyhjUV6-mAeeelwwcklzOvpoBbTavamPuom8VqY0vSvxVMU6OIug/w222-h320/IMG_7643.JPG" width="222" /></a>With the holidays incoming, we're taking a moment to share some festive illustrations from the papers of J.J. Lankes. Lankes was a 20th century American artist who worked primarily in woodcuts like the ones shown here, and illustrated the writing of authors such as Robert Frost. <p></p><p>Both of the prints selected here refer to older folk customs associated with the end of the year. The first shows a costumed procession, including a man on a hobby horse, playing music and holding up greenery, accompanied by the words "Yule! Yule"!" This might be a representation of a mummer's play or a wassailing group, both raucous theatrical performances conducted in England around Christmastime.</p><p>The other print we've pulled out today is "My Lord of Missrule." This little jester would have appointed, likely from the lower clergy, as a sort of officiant for the Feast of Fools, a medieval celebration conducted on the 1st of January.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSOCPXZYcRV2YSOiBIPQGWMxts8shPSSV8v-OJNn8iqUPACjpQ3B-cNZ8J3HdxleDyIWn1sUUpFpdgMcbE4FgDJxOZyEE6mohhKuKYy0248oTCvNTC7VkJ2_EOpcFrw2B-5CcoBAN3f2nyfxTYrvru_3fbuPDDQTWV04NqPITIn2JyZMrFuNaOsHlWXQ/s2122/IMG_7644.JPG" style="margin-left: 1em; margin-right: 1em;"><img alt="Lankes woodcut of "The Lord of Misrule"" border="0" data-original-height="829" data-original-width="2122" height="125" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSOCPXZYcRV2YSOiBIPQGWMxts8shPSSV8v-OJNn8iqUPACjpQ3B-cNZ8J3HdxleDyIWn1sUUpFpdgMcbE4FgDJxOZyEE6mohhKuKYy0248oTCvNTC7VkJ2_EOpcFrw2B-5CcoBAN3f2nyfxTYrvru_3fbuPDDQTWV04NqPITIn2JyZMrFuNaOsHlWXQ/w320-h125/IMG_7644.JPG" width="320" /></a></div><p>To check out these illustrations (and others!), ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/348395">MS-1115</a> Box 7 Folder 6.Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-33165499839643479662023-12-15T11:21:00.000-05:002023-12-15T11:21:39.641-05:00Captured!<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3iSh8mK-4YgQ9IMU5dxIu0dDjKRR52LGHdJxJZCKFUpjgnZVMl07aCjttZoAMQ6_VGRvCCgg498ejo_yXyvUgPzFgBAM51eg7P9iyzN8IcL4z8Dcp9VHK3vpefUJ5GGbk95Ug5agGa7a1NNg40vDKekaXk1QOwUSwnzLfeZSsc4LHYaVQ-HCBZ9ckw/s2556/IMG_6750.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Woodcut of author attempting to escape and being tortured" border="0" data-original-height="2037" data-original-width="2556" height="255" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEic3iSh8mK-4YgQ9IMU5dxIu0dDjKRR52LGHdJxJZCKFUpjgnZVMl07aCjttZoAMQ6_VGRvCCgg498ejo_yXyvUgPzFgBAM51eg7P9iyzN8IcL4z8Dcp9VHK3vpefUJ5GGbk95Ug5agGa7a1NNg40vDKekaXk1QOwUSwnzLfeZSsc4LHYaVQ-HCBZ9ckw/w320-h255/IMG_6750.jpeg" width="320" /></a></div>We have lots of various captivity narratives in our collection. They are usually sensationalized stories set in New England--stories of terror designed to frighten and titillate. There is almost always a racially charged dichotomy set up between the "savage" and the "civilized" reflecting the pervading fears of the white settlers. We just acquired a new one that is both very different and still frighteningly similar. In this second edition of Bartolomej Georgijević's <i>De afflictione tam captivorum quam etiam sub Turcae tributo viuentium Christianorum </i>(Worms: excudebat Gregorius Comiander, 1545), the captive is a Croatian captured and enslaved by the Ottoman Empire. The same tropes appear: a good Christian is captured by a threatening non-Christian other and forced into servitude. <p></p><div class="csl-bib-body"><div class="csl-entry">Interestingly, Georgijević was also a talented linguist and the slender volume contains a basic Latin to Turkish lexicon and a short Croatian-Latin dictionary. The book took off, as so many captivity narratives did, and served as a highly biased account of Turkish culture at a time when Europe was both fascinated and terrified of that which lurked just to the East.</div><div class="csl-entry"><br /></div><div class="csl-entry">To take a look (it has seven wonderful woodcuts), ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033981243505706">Rare DR481 .G46 1545</a>.<br /></div>
</div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-90718792133272972682023-12-01T14:47:00.001-05:002023-12-01T14:47:22.605-05:00Frankenstein on Stage<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIbBXCR12MlYjB1GI67_FpG1uSc_lVC0jloZlyI5qQ6GU101lGavZO0f-UwXY2-JMvURK5egc-tDbmuvmK1-CYZN2GUrQRRmzIsylrOpdTTiSVAK93joS_UwP4-RM7iE8Uyec0Ag9kBjRQB6kD4ERJ0j9AxdFlIceoWcZi7g7S2P1VaPBCHlPDq_1SQ/s1828/IMG_6676.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Depiction of O. Samson in costume as Frankenstein's Monster" border="0" data-original-height="1828" data-original-width="1052" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbIbBXCR12MlYjB1GI67_FpG1uSc_lVC0jloZlyI5qQ6GU101lGavZO0f-UwXY2-JMvURK5egc-tDbmuvmK1-CYZN2GUrQRRmzIsylrOpdTTiSVAK93joS_UwP4-RM7iE8Uyec0Ag9kBjRQB6kD4ERJ0j9AxdFlIceoWcZi7g7S2P1VaPBCHlPDq_1SQ/w184-h320/IMG_6676.jpeg" width="184" /></a>Mary Shelley's <i>Frankenstein</i> wasn't just a hit in the bookstores. Just a few years after its publication it was adapted in 1823 as <i>Presumption! or the Fate of Frankenstein</i>, and then again a few years later, in 1826, as <i>The Man and the Monster! or, the Fate of Frankenstein</i>. The two shows appear to have competed against each other for a period of time in London. We have a set of playbills for <i>Presumption!</i> from the Theatre Royal, English Opera House, on the Strand, starting in 1823 and running through 1827. Then we have the script for the 1826 production of <i>The Man and the Monster!</i> "as it is performed at the London Theatres."<br /><p></p><p></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGh8_uLoXDqLhDiCbmKDLfH9Iz0Ur3ATRhyphenhyphengWf2LFAX6kdlIT4d5fE94fqOlkx-EtntZgYGO4ys5R7SQIGDy8CMJTHcmsXwrhIUmcC6jMSNNBERrwse3yG2exEikU23N5jy7yBrPukpTJwiBUeIk72mK6GvL4Se5YfyilSoHeqTMiRF4o9yvsSgc5c7Q/s3493/IMG_6630.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Playbill for August 15, 1823, performance of Presumption" border="0" data-original-height="3493" data-original-width="2141" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhGh8_uLoXDqLhDiCbmKDLfH9Iz0Ur3ATRhyphenhyphengWf2LFAX6kdlIT4d5fE94fqOlkx-EtntZgYGO4ys5R7SQIGDy8CMJTHcmsXwrhIUmcC6jMSNNBERrwse3yG2exEikU23N5jy7yBrPukpTJwiBUeIk72mK6GvL4Se5YfyilSoHeqTMiRF4o9yvsSgc5c7Q/w196-h320/IMG_6630.jpeg" width="196" /></a>Both the playbill and the script give us all kinds of information about the productions. The August 15, 1823, playbill for <i>Presumption!</i> states it is the 16th performance and they have added new scenes. By 1827 it has a whole new ending "comformably to the termination of the original Story" with a "schooner in a violent storm." Apparently you could keep them coming back if you just kept changing the play. The 1827 playbill has the dream double feature--the evening's entertainment opened with <i>The Vampire!</i>, the stage adaptation of another story conceived late one night on Lake Geneva, followed by <i>Frankenstein</i>.<br /><p></p><p>The script gives us the original cast, instructions on costuming and the basic stage set, but most importantly it shows the actor who played the monster in costume, making this the earliest depiction of the monster.</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgAJv2ptNKwhta653S-jOzXdsBQhSdLr5IxSPOtyCpb5E38FaiQXKg3qrBgiyMQcd8qXh6hXv6XT9eUHdNxedcKc9l5XjHiJBGMBStEanS9gLH2e8dvDTaR06cAbxeYR5RYv0BqrQ2sqXda37w4VHnrXwjvb6egYh2ZeUA9CLiHa6-h5SNfjuAls2_1A/s3573/IMG_6631.jpeg" style="margin-left: 1em; margin-right: 1em;"><img alt="August 3, 1827, playbill for the Vampire and Presumption" border="0" data-original-height="3573" data-original-width="2229" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgAJv2ptNKwhta653S-jOzXdsBQhSdLr5IxSPOtyCpb5E38FaiQXKg3qrBgiyMQcd8qXh6hXv6XT9eUHdNxedcKc9l5XjHiJBGMBStEanS9gLH2e8dvDTaR06cAbxeYR5RYv0BqrQ2sqXda37w4VHnrXwjvb6egYh2ZeUA9CLiHa6-h5SNfjuAls2_1A/w200-h320/IMG_6631.jpeg" width="200" /></a></div><br />When you come in to see them, be sure to ask for the 1831 edition Shelley's classic--it is the first time the Monster's image appears in the novel. You can see the script by asking for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033973043605706">Rare PR5021 .M62 M3 1826</a>. The Playbills are in <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/resources/3681">MS-1414, Box 1</a>, and the 1831 third edition is <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991016891679705706">Rare PR5397 .F7 1831</a>.<br /><p></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-64874720612133669652023-11-22T09:14:00.000-05:002023-11-22T09:14:12.362-05:00Springtime Dreams<p></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdlyuSm5_yIynxwIto6uZ-tjNmliVejn-QezDsZDVdkzWR3oTBUVdtzD8AckkmvfowXUbz2f_FTBU89mUYAzARd0vCY-hyXmqbvhLv12dU5J4xHKg2Z8jCKFHnejD3iRaoz614nYv0Tfg0diVvk7aiAqxQ8SG8KZqnBosaAxbC4I-htnmuJAB6qX0hQA/s4032/IMG_6147.JPG" style="clear: left; float: left; margin-bottom: .2em; margin-right: 1em;"><img alt="A handwritten letter from Robert Frost." border="0" data-original-height="4032" data-original-width="3024" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgdlyuSm5_yIynxwIto6uZ-tjNmliVejn-QezDsZDVdkzWR3oTBUVdtzD8AckkmvfowXUbz2f_FTBU89mUYAzARd0vCY-hyXmqbvhLv12dU5J4xHKg2Z8jCKFHnejD3iRaoz614nYv0Tfg0diVvk7aiAqxQ8SG8KZqnBosaAxbC4I-htnmuJAB6qX0hQA/w240-h320/IMG_6147.JPG" width="240" /></a><p>In the winter of 1956, Robert Frost made inquiries about acquiring apple trees for his home in Ripton, Vermont. Ira Glackens, a farmer with an orchard in New Hampshire, was only too happy to provide: </p><p></p><blockquote><p>It would be a signal honor for me to supply some scions to Robert Frost, -- I am almost tempted to write to Mr. Frost myself, so many years have I been devoted to his poetry. And he wrote, ‘Goodby and Keep Cold’, my favorite poem about Apple trees. </p><p>I can offer, but not in large quantities in most cases, the following which you name; Red Astrachan; Porter; August Sweet (which is the same as Sweet Bough); and Sops of Wine (Sopsevine). A neighbor has the Old Peach, or Montreal Peach. I cannot supply the original Duchess, but only the later sub-variety, Red Van Buren. I do not have Gravenstein, as I lost both trees I set out.</p></blockquote><p>Frost’s response is enthusiastic: “Your letter fills my hibernation with springtime dreams…” The two go on about his aspirations for apple trees, more thoughts on different varieties, and the best way to get new trees started and producing fruit early. <br /><br />To read the whole of this correspondence, ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/258239">MS-1178</a>, Box 15 Folder 1. To read the first appearance of "Good-by and Keep Cold" in print, ask for MS-1178, Box 32 Folder 17.<br /><br /></p><p></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-80408464403643998352023-11-10T11:33:00.002-05:002023-11-10T11:33:59.001-05:00The First Bartender's Guide<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM2aK1My2hw9uYY9BUnyrYweLjfE5xNPo5NI5WSgUSMUhOxBvZUb_A5DuKZH1UiMo0IzRNEwOnDC7xQDLR_JcJjq8TZRhLxPibcINRILgjDQlmeMZOg5Z37nE6mHw9v3eM1U5XhvXJoUWhyvDb1KG9pMYEArBxUGOfIcaxQEJV26WIZs2aajSOMXdmmg/s3312/IMG_3658.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="How to Mix Drinks Preface image of man holding a drink as a muse emerges from a bottle" border="0" data-original-height="3312" data-original-width="3009" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhM2aK1My2hw9uYY9BUnyrYweLjfE5xNPo5NI5WSgUSMUhOxBvZUb_A5DuKZH1UiMo0IzRNEwOnDC7xQDLR_JcJjq8TZRhLxPibcINRILgjDQlmeMZOg5Z37nE6mHw9v3eM1U5XhvXJoUWhyvDb1KG9pMYEArBxUGOfIcaxQEJV26WIZs2aajSOMXdmmg/w182-h200/IMG_3658.jpeg" width="182" /></a></div>Drinking has been around pretty much forever, but it took some time before anyone got around to creating a guide for the budding mixologist. In 1862, the publisher Dick & Fitzgerald stepped in to fill the void with <i>How to Mix Drinks, or, The Bon-Vivant's Companion</i>. It has one of those title pages that tells you everything--practically a table of contents. There is an introduction that carefully distances the author, Jerry Thomas, from advocating for the consumption of ardent spirits, but the details inside, as well as the illustration of the sot with a muse emerging from a bottle tell us otherwise.<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggEmy5CTb-nl3J9alOLeokPIzF8mCc5s4N4VKV66tXNYZr3gNmNQFb9X7KnJXvyQliRKGk9ZqmTin3S66RXCg2UbDmyRuen-eqVi7EQUZdTfh7AUyfDXUhzot6AB8Crs5P5Ou1P9b9m3FryjinchuOoxmMSrgEQRYsFPm5G7ubdVPibc15_aVv8H_pPA/s2789/IMG_3656.jpeg" style="margin-left: 1em; margin-right: 1em;"></a><div class="separator" style="clear: both; text-align: center;"><div class="separator" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img alt="Title page of How to Mix Drinks" data-original-height="3084" data-original-width="2055" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEjAjOJHo4Os24G-5QDvpP59WCtBKmcVKh8VuBgLuDio4Fp5TvkJJkwhVGEuQVhD-8B-XC-RWCsb6x25B5WcPm2J7XMFjutnSpjT1i4iRdNP__yQt8647nEv0Cu1mXholxp_RwDFFgGWHxG7yDxalkdixWSREQx24-kTwkKsOZ83Cv-9_VwaHGnHLRFxnw" width="160" /><img alt="" data-original-height="2789" data-original-width="1773" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEh_2yxI9q04r7gfaUuJVNqZdhY5cOXoGqFRBVjlZxSIwMrqe2URLWHCGDb5h0ZyOOcq5ioPKy1CYDzQNcp3EzFmWpQTEFKAowiUCBt6gzpAn9vz1ds-1shjecI2TO7H2Bi56KpASTKJu0aUIalgdgfmhfMNB3BXLyEsGXxym-iEQQ2B8mR7swBKUeAhjA" width="153" /></div><div style="text-align: left;">There are lots of great recipes, but we were taken by the list of other publications of the firm with titles like: <i>Hard Words Made Easy</i>; <i>The Mother's Medical Advice</i>; <i>The Art of Conversation</i>; <i>The Ladies' Guide to Beauty</i>; and <i>Every Woman her own Lawyer</i>. Dick & Fitzgerald created a self-help wonderland for the young and naive seeking to make their way in the world. But perhaps the most fitting companion volume to <i>How to Mix Drinks</i> is the must-read <i>Blunders in Behavior Corrected</i>, because, you know after you've been drinking, you might need to correct the blunders in your behavior.</div></div></div><p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEgbJsgNkUz7cGuPw9o1niEROrSgWxyDMUZvEQuPox_qVpFsScItYvtCXUB6OTHqvvRsGhy72G--gtvTC8R8tgrZsk48IK9iVA5KCUooAUtUzARSxftVlgJovORdFAcofT2CyWOzlvrbaP3_eaeYfdXYdK33PnhYW6SjxCp4gxgzx7iiejRP7iJiNWRP9g" style="margin-left: 1em; margin-right: 1em;"><img alt="Cover of How to Mix Drinks showing a well-dressed man holding a drink" data-original-height="3097" data-original-width="2191" height="240" src="https://blogger.googleusercontent.com/img/a/AVvXsEgbJsgNkUz7cGuPw9o1niEROrSgWxyDMUZvEQuPox_qVpFsScItYvtCXUB6OTHqvvRsGhy72G--gtvTC8R8tgrZsk48IK9iVA5KCUooAUtUzARSxftVlgJovORdFAcofT2CyWOzlvrbaP3_eaeYfdXYdK33PnhYW6SjxCp4gxgzx7iiejRP7iJiNWRP9g" width="170" /></a></div><br />The binding is a stunner, and this particular book resides in our Bindings Collections. Just ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991029245599705706">Bindings 178</a> to see it.<br /><p></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-46413064769557607402023-10-27T11:42:00.001-04:002023-10-27T11:42:39.598-04:00The Devils at Dartmouth<div class="separator"><div style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQjNDAzqRkGBA1IpQYwT0HYSLz3p48j9VDJ_8lAppb9A_M8f9vJu6wjNMDn66usy_-MNzozxHhnggGjy924Lw-j2dcxIenqMlOW3mXu05I-pTUJ_Eit7IN2Mj8dVV2JaFYC1lhYXXE3n_lb4lFcMrCO__l2pkv_eq4fuLS3LUpXxczHe1nQ9RGS3NlDQ/s3402/IMG_0696.JPG" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Program cover for Whiting's The Devils" border="0" data-original-height="3402" data-original-width="2511" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgQjNDAzqRkGBA1IpQYwT0HYSLz3p48j9VDJ_8lAppb9A_M8f9vJu6wjNMDn66usy_-MNzozxHhnggGjy924Lw-j2dcxIenqMlOW3mXu05I-pTUJ_Eit7IN2Mj8dVV2JaFYC1lhYXXE3n_lb4lFcMrCO__l2pkv_eq4fuLS3LUpXxczHe1nQ9RGS3NlDQ/w236-h320/IMG_0696.JPG" width="236" /></a></div>“This play is based upon historical fact.” So begins the text of a program we found recently for a play written by John Whiting and produced by Dartmouth in 1974. “The Devils,” itself an adaptation of a book by Aldous Huxley, tells the story of the Loudun possessions, in which a 17th-century convent of nuns claimed en masse that they were being possessed and harassed by demons. These declarations led to the trial and execution of a local priest, Urban Grandier. Huxley’s book asserted that the accusations against Grandier were motivated by the Mother Superior’s own personal obsession with him.<p>Huxley’s book (and John Whiting’s play) served as the basis for a controversial 1971 film also called <i>The Devils</i>. Rendering the story as an epic drama filled with sexuality, violence, blasphemy, and a depiction of the Catholic Church as deeply corrupt, <i>The Devils</i> was largely panned, heavily censored, and condemned by the Vatican as “an insult to cinema” and “a crude lynching of the Church of yesterday, of today, of all time, as a political instrument of oppression."</p><p>As such, we’re a little surprised to find that the play, though somewhat separate from the film, was put on at Dartmouth three years later. Notably, and perhaps as part of an effort to create something more careful in its depiction of the Church, the program thanks multiple members of the clergy for their assistance with the play. The director’s note consists, in its entirety, of a quote from William Peter Blatty’s <i>The Exorcist</i>, which has been adapted into its own controversial film the year before. The director, Robert Pridham ’74, stated “I know it sounds like we’re climbing on the ‘Exorcist’ bandwagon, but I’ve actually wanted to do this play since my freshman year, which was before the ‘Exorcist’ was even published.”</p><p>It’s difficult to find much more information, with the exception of some photos from the production and a couple of favorable reviews in the Dartmouth student newspaper. When referenced there, the film is described only as “widely hailed.” <br /><br />To see the program for “The Devils” and a press release, ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/548149">DA-694</a> Box 4082 Folder “The Devils.” To see photographs, ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/510913">DO-60</a> Box 6560 Folder 9. If you want to do a deeper dive, you can find our copy of Whiting’s play (<a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991012108449705706">Williams/Watson PL4413</a>) and Huxley’s book (<a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991007405469705706">Huxley BF1517.F5 H8 1952</a>). If you want to see the film, you’ll have to look elsewhere. <br /></p></div></div><br />Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-82275956403930238502023-10-20T08:27:00.003-04:002023-10-20T08:27:35.092-04:00On Ribs and the Bible: The Implications of Christianity and Colonialism for Native Women <p></p><blockquote>“I find very great Profit by having the other Rib join’d to my Body for
it hath taken away all my Housework from me. But I had very hard spell
geting it up here Rocks and Hills almost broke it into Peices two or
three Times”. <br /></blockquote><div style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1_8CcS3EB2Gd_4jrvAAeVSlNf8WJqSXoCRE3iXAR45jWvADhgQRpp1da0G9ugryHmYrbAEoicApAII0QDP5nYRuEfw9D8XB4_Y0xucXDnePj-Mc3hf2uERd44CIMRU202u2NpZvlueXoHnXI-IzbbC4HCnWE3-Wr-zD7QrRnU1pGkKhei6Jx1m8Aucw/s2177/icon_34_001_crop.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1639" data-original-width="2177" height="241" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh1_8CcS3EB2Gd_4jrvAAeVSlNf8WJqSXoCRE3iXAR45jWvADhgQRpp1da0G9ugryHmYrbAEoicApAII0QDP5nYRuEfw9D8XB4_Y0xucXDnePj-Mc3hf2uERd44CIMRU202u2NpZvlueXoHnXI-IzbbC4HCnWE3-Wr-zD7QrRnU1pGkKhei6Jx1m8Aucw/s320/icon_34_001_crop.jpg" width="320" /></a><br /></div><div><p></p><p>Eleazar Wheelock created Moor’s Charity School in 1754. The goal for this school is apparent through Wheelock’s writings - the objective was to “civilize and Christianize” the Native American students as well as make them instruments of Christ, but also of Wheelock. The instruction of this school focused on Native young men and taught them reading, math, and geography, as well as putting them to work on his farm. Around the late 1750s, Wheelock concluded that when the Native men left his school they would resume the path of a ‘savage’, he had to figure out a way to keep them from turning Indian.</p><p>Wheelock began to admit young Native women into his school in 1761. Hannah Garrett was a Pequot resident and student at the school from 1763 to 1766. Based on Wheelock’s intention and goal for his female students to marry to “...prevent a Necessity of their [Native male students] [from] turning savage in their Manner of Living…”, Garrett was the only successful student. In this post, I will discuss one of the only remaining accounts about Hannah Garrett and deconstruct the gender and religious stereotypes placed upon her, as well as how she navigated these factors. The lens through which we’re viewing her is that of her husband David Fowler since her accounts are greatly limited.</p><p>At the time of their marriage, Garrett was around 17 years old while Fowler was around 30 years old. Fowler had succeeded in finding a wife, however, Garrett was the third woman who attended Moor’s Charity School that he tried to marry. Fowler wrote to Wheelock in search of a wife whom he could take on missions; Fowler had his hopes set on Amy Johnson. He wrote: “I know you love her as much as you do me, all she desires will be given… (if Mr Wheelock, Don’t love my Rib as well as my whole Body”. The reference to her as a Rib is a Biblical allusion to Genesis 2:22-23.</p><blockquote><sup>22</sup> And the rib, which the LORD God had taken from man, made he a woman, and brought her unto the man. <sup>23</sup> And Adam said, This is now bone of my bones, and flesh of my flesh: she shall be called Woman, because she was taken out of Man.</blockquote><p>By referring to Johnson as “my Rib” he describes how he believes his wife should act – as a fixed extension of himself. The visual of the rib is a staple that Fowler held onto during his search for a wife and its prominence in his writing is a testament to the Christian influences of Wheelock. </p><p>After Fowler had moved on from Johnson, he set his mind on another female student at Moor’s Charity School, Hannah Pyamphcouh. He wrote to Wheelock “If she won’t let her Bones be joined with mine. I shall pick out my Rib from your House”. He’s determined to follow Wheelock’s plan and marry a Native woman. His use of words like “pick” and “rib” objectifies the woman he wants to marry, creating a bond that ultimately engulfs his partner. In the end, Hannah Pyamphcouh doesn't marry him and Fowler is forced to look for a new rib.</p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbH8Y6CNR2l3fFDvgq0GA6ECJrUdTsPV3hbPf0Rzl7kddobMoaCH2cjaYI1dnXbRRL0kb6YPxgusgq9ib9VZ-7PbgHxgTTrvrY7ueXOiRm1Wdp7PUqf45UGcvUfRGYCUam15GC6ZTnDT7ZTTimg_90UT3NfrStV2LzNnxWqS7F1m0R_IIByX1F_-zH6w/s3600/dc-hist-mss_766652-2002.jpg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="3600" data-original-width="2250" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhbH8Y6CNR2l3fFDvgq0GA6ECJrUdTsPV3hbPf0Rzl7kddobMoaCH2cjaYI1dnXbRRL0kb6YPxgusgq9ib9VZ-7PbgHxgTTrvrY7ueXOiRm1Wdp7PUqf45UGcvUfRGYCUam15GC6ZTnDT7ZTTimg_90UT3NfrStV2LzNnxWqS7F1m0R_IIByX1F_-zH6w/s320/dc-hist-mss_766652-2002.jpg" width="200" /></a></div>A short time later, in a letter to Wheelock after Fowler has left for his mission with his new wife, Hannah Garrett, Fowler writes:<p></p><p></p><blockquote>“I find very great Profit by having the other Rib join’d to my Body for it hath taken away all my Housework from me. But I had very hard spell geting it up here Rocks and Hills almost broke it into Peices two or three Times”. </blockquote>The language used is objectifying while also lacking compassion and a sense of companionship. From this moment on, Fowler almost exclusively refers to her as his wife or rib. By not calling her by name, he exerts ownership over Garrett: there’s no autonomy in a rib as it serves to protect and support the body of which it’s a part. In the same breath, however, Garrett is forever cementing her name in history and is now attached to her husband's legacy. This begs the question of what it says about women in that period and how they were valued in their communities. Garrett was made to move between the culture of her tribe to adapt to the often demanding and demoralizing pressures of Wheelock’s school.<p></p><p>The juxtaposition between Garrett being successful and the struggle for autonomy brings up the question of how Garrett viewed her experiences. Returning to the biblical verse, God took the rib out of man to make woman, removing her from the inner workings of man. They’re still united but God gave her form, no longer assigning her to the role of supporter and protector. The line “This is now bone of my bones, and flesh of my flesh” adds to this commentary because it’s saying that the woman’s bone and flesh are the same as the man’s. However, given the context of the time and views on women, the phrase “my” in the verse allows for the assertion of beliefs of how a woman should act and how they should serve their male counterparts. In Fowler’s letter to Wheelock, he writes the phrase “joined to my Body” which takes on the meaning of ownership instead of realizing partnership, inadvertently moving away from the message of God to fulfill a socially constructed gender role reinforced by religion. Although no pieces of writing authored by her exist today, she still survives in history and her life is an example of the complex effect of colonialism and the spread of Christianity in the 1700s and 1800s.</p><p>To read the letters quoted in this post, visit Rauner Library and ask for <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/336072">Mss 766652.2</a>, <span class="has-id"><a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/335569">Mss 765302.2</a>, </span>and <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/archival_objects/335877">Mss <span class="tei_fileDesc_id ms-number"></span><span class="tei-hdr-data">766313.1</span></a>; or read the letters about <a href="https://collections.dartmouth.edu/occom/html/occom/diplomatic/765302-2-diplomatic.html">Amy Johnson</a> and <a href="https://collections.dartmouth.edu/occom/html/occom/diplomatic/766313-1-diplomatic.html">Hannah Pyamphcouh</a> on the Occom Circle website. For a compilation of letters like these, see <i>The Letters of Eleazar Wheelock's Indians</i> by James Dow McMcCallum. To read about Moor's Charity School in Wheelock's own words, request <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991032991049705706"><i>A Plain and Faithful Narrative...</i> (1763).</a><br /></p><p><i>Posted for Sydney Hoose '25, recipient of <a href="https://exhibits.library.dartmouth.edu/s/HistoricalAccountability/page/fellowship" style="color: #328060; text-decoration: none;" target="_blank">Historical Accountability Student Research Fellowship </a>for
the 2023 Fall term. The Historical Accountability Student Research
Program provides funding for Dartmouth students to conduct research with
primary sources on a topic related to issues of inclusivity and
diversity in the College's past. For more information, visit the
program's <a href="http://dartgo.org/hasrp" style="color: #328060; text-decoration: none;" target="_blank">website</a>.</i><br /><br /><br /></p></div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-52734632294961579722023-10-13T16:18:00.002-04:002023-10-16T10:59:27.953-04:00A Digital Blast from the Past<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9BzBf54Ec57UCXgoEc5FtsVT6h_8iaomreh0aIAOOMAs4bmUUGMLUKQ07UZTnYIcMBitdKBM7yBb-X3dpN2Az_iIwlD0TE_gqWyDWN_TgcknNDG9n6-B2XeyjhBYggEm7I4K1_wwnJ4trKZl8hewsSoMWJiBVZTMm8BLTGJ1MIVy_WTHPYJWtCfE4A/s1031/Screen%20Shot%202023-10-12%20at%203.38.13%20PM.png" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Screenshot of Sense of Place in HyperCard emulator" border="0" data-original-height="735" data-original-width="1031" height="143" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjB9BzBf54Ec57UCXgoEc5FtsVT6h_8iaomreh0aIAOOMAs4bmUUGMLUKQ07UZTnYIcMBitdKBM7yBb-X3dpN2Az_iIwlD0TE_gqWyDWN_TgcknNDG9n6-B2XeyjhBYggEm7I4K1_wwnJ4trKZl8hewsSoMWJiBVZTMm8BLTGJ1MIVy_WTHPYJWtCfE4A/w200-h143/Screen%20Shot%202023-10-12%20at%203.38.13%20PM.png" width="200" /></a>One night in the 1980s (or perhaps it was the 1970s?) a young computer programmer named Bill Atkinson sat on a park bench near his California home and took a tab of LSD. As he started to trip, he looked up at the stars, those eternal wells of thermonuclear energy blanketing the night sky. Then he looked down and saw the lamp posts lining the street before him. He noticed how the streetlights echoed the stars above, casting little pools of light in a sea of darkness. Two systems speaking the same language, but so separated by time and space that they could not communicate. It made Atkinson think about human knowledge; the ways that physicists know some things about the universe, and biologists some things, and poets and artists and musicians some other things, each contributing their own little pool of light, but not able to connect and see the whole picture. Knowledge, Atkinson realized, lay in the connections between points of information. One might even call them… hyperlinks… in a world wide web. <p>This fateful acid trip ultimately led Bill Atkinson to develop HyperCard, an Apple-based software released in 1987 that would go on to be influential in the development of many computer applications that we take for granted today, from PowerPoint to the World Wide Web. HyperCard stacks were highly customizable, with dynamic and interactive components very similar to HTML components in the websites we used today. Since the Web had yet to be invented, HyperCard stacks were accessed not by visiting a web address, but by downloading files from computer servers or via email. HyperCard’s greatest asset was its graphical user interface that was easy and intuitive to use. Everyone from schoolchildren to artists and educators could create a HyperCard stack to share information. </p><p>One group of people who seized the opportunity were the folks of the Environmental Studies Department (known as ESD) here at Dartmouth. They released the first edition of their digital magazine, <i>Sense of Place</i>, on September 27, 1990 by sending HyperCard stacks via BlitzMail, Dartmouth’s homegrown email system. (Hard copies were available for off-campus readers for a fee of $5 a term.) <i>SOP</i> was the successor to the digital newsletter <i>ESD News</i> (ca. 1989-1990) which was distributed in the form of Microsoft Word files sent through BlitzMail. While the Word files included graphics and text, they lacked the dynamism and interactivity of HyperCards. </p><p>As publisher Lynne Rainville ‘93 explained in the first HyperCard issue of <i>SOP</i>, this change in format represented a new direction for the publication: “The Magazine has outgrown its original function as a newsletter for ESD, taking on the more ambitious goal of informing and meeting the needs of the Dartmouth Community.” Editor Anne Gore ‘91 noted in her column that establishing <i>SOP</i> as an independent publication had allowed it to make the switch to HyperCard and nearly double its readership “in a matter of a few weeks” and to “gain support and encouragement from environmental groups all over the Upper Valley.” </p><p>Read the first issue of <i>Sense of Place</i> in the embedded emulation below. To access the other issues in Dartmouth College, Sense of Place and ESD electronic newsletter records (DO-59), please visit our public <a href="https://dartmouth.access.preservica.com/uncategorized/SO_e9863676-c4ec-4fb1-bba7-c81817739969/">Preservica website</a>. To read, simply download the files to your computer and then upload them to the open source HC Simulator at <a href="https://hcsimulator.com">https://hcsimulator.com</a>.
</p><p><br /></p>
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woba="0,0,342,512,0,0,342,512,1,0,342,512,,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"><field-part fixedlineheight="true" height="109" id="1" locktext="true" name="quote 1" part="field" textfont="148" textheight="18" textsize="14" topleft="167,54" type="transparent" widemargins="false" width="277"><div><br /></div></field-part><field-part fixedlineheight="true" height="34" id="2" locktext="true" name="" part="field" textalign="center" textfont="147" textheight="16" textsize="12" topleft="167,158" type="transparent" widemargins="false" width="276"><div><br /></div></field-part><button-part height="34" icon="25590" id="3" name="Prev" script="on mouseUp
visual effect wipe left
go prev card
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,3" type="transparent" width="34"></button-part><button-part height="34" icon="5993" id="4" name="Help" script="on mouseUp
visual effect dissolve
go cd "help"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="160,3" type="transparent" width="34"></button-part><button-part height="34" icon="20267" id="5" name="Quit" script="on mouseUp
visual effect dissolve
DoMenu "Quit Hypercard"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="318,3" type="transparent" width="34"></button-part><button-part height="34" icon="20901" id="6" name="Next" script="on mouseUp
visual effect wipe right
go next card
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="474,3" type="transparent" width="34"></button-part><button-part height="30" id="7" name="Contents" script="on mouseUp
lock screen
go to card "Contents"
unlock screen with visual effect iris close
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="404,309" type="transparent" width="102"></button-part><field-part fixedlineheight="true" height="23" id="8" locktext="true" name="" part="field" textalign="center" textfont="148" textheight="18" textsize="14" topleft="44,10" type="transparent" widemargins="false" width="110"><div><br /></div></field-part></background-part>
<background-part id="3881" name="Article" part="background" script="on closecard
set the scroll of bg fld 1 to 0
if the visible of bg fld "info" then send mouseup to bg fld "info"
pass closecard
end closecard
on arrowkey direction
put the scroll of fld 1 into thescroll
put the textheight of fld 1 into theheight
if direction is "up" then
if thescroll < theheight then set the scroll of fld 1 to 0
else set the scroll of fld 1 to thescroll - theheight
else if direction is "down" then
get theheight * the number of lines of fld 1
if thescroll + theheight > it then set the scroll of fld 1 to it
else set the scroll of fld 1 to thescroll + theheight
else pass arrowkey
end arrowkey
" woba="0,0,342,512,0,0,342,512,1,0,342,512,,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"><field-part fixedlineheight="true" height="233" id="1" locktext="true" name="Text" part="field" textfont="129" textheight="16" textsize="12" topleft="4,73" type="scrolling" width="503"></field-part><field-part class="bold" fixedlineheight="true" height="22" id="2" locktext="true" name="Title" part="field" textfont="129" textheight="18" textsize="14" textstyle="bold" topleft="5,46" type="opaque" widemargins="false" width="468"></field-part><field-part fixedlineheight="true" height="22" id="11" locktext="true" name="Byline" part="field" textalign="right" textfont="129" textheight="18" textsize="14" topleft="377,46" type="opaque" widemargins="false" width="130"></field-part><field-part fixedlineheight="true" height="219" id="13" locktext="true" name="Info" part="field" script="on mouseup
lock screen
hide me
unlock screen with visual effect dissolve
end mouseup
" textfont="147" textheight="16" textsize="12" topleft="163,82" type="shadow" visible="false" width="240"></field-part><button-part height="34" icon="25590" id="15" name="Prev" script="on mouseUp
visual effect wipe left
go prev card
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,3" type="transparent" width="34"></button-part><button-part height="34" icon="20901" id="16" name="Next" script="on mouseUp
visual effect wipe right
go next card
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="474,3" type="transparent" width="34"></button-part><button-part height="34" icon="20267" id="17" name="Quit" script="on mouseUp
visual effect dissolve
DoMenu "Quit Hypercard"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="318,3" type="transparent" width="34"></button-part><button-part height="34" icon="5993" id="18" name="Help" script="on mouseUp
visual effect dissolve
go cd "help"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="160,3" type="transparent" width="34"></button-part><button-part height="30" id="19" name="Contents" script="on mouseUp
lock screen
go to card "Contents"
unlock screen with visual effect iris close
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="404,309" type="transparent" width="102"></button-part><button-part height="30" id="20" name="Contents" script="on mouseUp
if the optionkey is down then
set the locktext of fld info to not the locktext of fld "info"
else
if the visible of bg fld "info" then send mouseup to bg fld "info"
else
lock screen
show fld "info"
unlock screen with visual effect dissolve
end if
end if
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="233,309" type="transparent" width="166"></button-part><field-part fixedlineheight="true" height="23" id="21" locktext="true" name="" part="field" textalign="center" textfont="148" textheight="18" textsize="14" topleft="44,10" type="transparent" widemargins="false" width="110"></field-part></background-part>
<card-part bkgndid="2784" id="2964" name="Title" script="on mouseUp
visual iris open
go cd "contents"
end mouseUp" woba="0,0,342,512,0,0,342,512,1,0,342,512,,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"><div slot="-24"><div><br /></div></div><div slot="-5"><div><br /></div></div><field-part fixedlineheight="true" height="21" id="2" locktext="true" name="" part="field" textalign="center" textfont="129" textheight="18" textsize="14" topleft="122,129" type="transparent" widemargins="false" width="138"><div>27 September 1990<br /></div></field-part><button-part height="69" id="5" name="Help" script="on mouseUp
visual effect dissolve
go cd "help"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="434,4" type="transparent" width="73"></button-part><button-part autohilite="false" height="43" id="6" name="" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="0,0" type="transparent" width="428"></button-part></card-part>
<card-part bkgndid="2784" cantdelete="true" class="current" id="3253" name="Contents" script="on closecard
push card
pass closecard
end closecard" woba="0,0,342,512,23,0,342,512,25,0,341,512,jeMogAIGrYWjgeIUAeEpCAKkgRAI4x4IvIUQGOMPhq+FooEQCOMeCL+FooEQCOMeCL+FooWigRAI4x4Iv4WihaOBEAjjHgi/hauFp4G/gr+CvoIo,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"><div slot="-24"><div><br /></div></div><button-part height="79" id="12" name="" script="on mouseUp
visual iris open
go cd "Issues"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="347,258" type="transparent" width="73"></button-part><button-part height="78" id="15" name="" script="on mouseUp
visual iris open
go cd "Masthead"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="432,258" type="transparent" width="72"></button-part><button-part height="78" id="16" name="" script="on mouseUp
visual iris open
go cd "Announcements"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="262,258" type="transparent" width="72"></button-part><button-part height="78" id="17" name="" script="on mouseUp
visual iris open
go cd "Letters"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="92,258" type="transparent" width="72"></button-part><button-part height="78" id="18" name="" script="on mouseUp
visual iris open
go cd "Editor"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="7,258" type="transparent" width="72"></button-part><button-part height="78" id="19" name="" script="on mouseUp
visual iris open
go cd "Meeting News"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="177,258" type="transparent" width="73"></button-part><field-part fixedlineheight="true" height="190" id="22" locktext="true" name="" part="field" textfont="148" textheight="17" textsize="14" topleft="7,50" type="transparent" widemargins="false" width="368"><div>Race to Save the Planet: Conception,<br /></div><div> Production, and the Dartmouth Connection<br /></div><div> <br /></div><div>Race to Save the Planet: Topics to be Addressed<br /></div><div><br /></div><div>Centerpiece: A Sense of Place at Dartmouth<br /></div><div><br /></div><div>DEN's Second Environmental Symposium<br /></div><div><br /></div><div>Spirituality and the Environment:<br /></div><div> Enlightening Words in Middlebury, VT<br /></div></field-part><button-part height="44" id="9" name="" script="on mouseUp
visual iris open
go to card id 4164
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,45" type="transparent" width="504"></button-part><field-part fixedlineheight="true" height="204" id="23" locktext="true" name="" part="field" textalign="right" textfont="147" textheight="17" textsize="14" topleft="379,50" type="transparent" widemargins="false" width="126"><div>Ji Yeon Choi<br /></div><div>Deb Koh<br /></div><div><br /></div><div>Greg York<br /></div><div><br /></div><div>Jon Kohl<br /></div><div><br /></div><div>Anne Gore<br /></div><div><br /></div><div><br /></div><div>Ji Yeon Choi<br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div></field-part><button-part height="33" id="10" name="" script="on mouseUp
visual iris open
go to card id 9184
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,91" type="transparent" width="504"></button-part><button-part height="34" id="11" name="" script="on mouseUp
visual iris open
go to card "Centerpiece"
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,127" type="transparent" width="504"></button-part><button-part height="43" id="21" name="" script="on mouseUp
visual iris open
go to card id 8586
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,200" type="transparent" width="504"></button-part><button-part height="34" id="20" name="" script="on mouseUp
visual iris open
go to card id 10943
end mouseUp
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,163" type="transparent" width="504"></button-part><div id="-5" slot="-5"><div>Table of Contents<br /></div></div></card-part>
<card-part 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" bkgndid="2784" id="5583" name="Editor" script="on closecard
set the scroll of cd fld 1 to 0
pass closecard
end closecard
on arrowkey direction
put the scroll of fld 1 into thescroll
put the textheight of fld 1 into theheight
if direction is "up" then
if thescroll < theheight then set the scroll of fld 1 to 0
else set the scroll of fld 1 to thescroll - theheight
else if direction is "down" then
get theheight * the number of lines of fld 1
if thescroll + theheight > it then set the scroll of fld 1 to it
else set the scroll of fld 1 to thescroll + theheight
else pass arrowkey
end arrowkey
"><div slot="-24"><div><br /></div></div><field-part fixedlineheight="true" height="246" id="1" locktext="true" name="Editorial" part="field" textfont="129" textheight="16" textsize="12" topleft="7,53" type="scrolling" width="498"><div>Dear Readers, <br /></div><div><br /></div><div> Welcome to the first issue of SENSE OF PLACE. Although the purpose and structure of the magazine remain more or less the same, many changes have taken place — the most obvious being, of course, our name and the new Hypercard format. These changes finally became feasible and appropriate after a summer of deliberations that led to the seperation of ESD NEWS from ESD and the DOC. As an independent magazine, sponsored by the Environmental Studies Program, SENSE OF PLACE has been able to realize objectives (like switching to Hypercard) and has gained an extensive and enthusiastic new audience. Besides increasing our readership from 320 to just over 600 in a matter of a few weeks, SENSE OF PLACE continues to gain support and encouragement from environmental groups all over the Upper Valley. <br /></div><div><br /></div><div> This issue and the next are designed to introduce you, the reader, to this publication and the many other environmental resources and opportunities at Dartmouth College and the Upper Valley. Today's issue addresses the upcoming RACE TO SAVE THE PLANET television series. Keep your eyes peeled for information about possible public viewings in Collis or the Environmental Studies Library. Also in this issue, Jon Kohl gives his interpretation of the many implications of our name, "Sense of Place," and its relevance to Dartmouth –<br /></div><div>a College with a unique commitment to conservation and environmental action and awareness. Future issues will focus on more specific aspects of our environmental community, but we will continue to keep you informed of local and world events. <br /></div><div> <br /></div><div> I would like to express my gratitude to everyone who helped make this issue possible. Thanks to the subscribers, and general supporters; to those who helped provide office space, funding, computers, and technological expertise; and thanks especially to the dedicated writers and staff members. Everyone, enjoy! aeg<br /></div><div><br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="21" id="4" locktext="true" name="editorname" part="field" textalign="right" textfont="148" textheight="18" textsize="14" topleft="7,300" type="rectangle" widemargins="false" width="359"><div>— Anne E. Gore '91<br /></div></field-part><div id="-5" slot="-5"><div>Message from the Editor<br /></div></div></card-part>
<card-part bkgndid="2784" id="13276" name="Letters" script="on closecard
repeat while word 1 of cd fld "How Many?" is not "1"
send mouseup to cd btn "Next Item"
end repeat
pass closecard
end closecard
" woba="0,0,342,512,49,4,340,507,49,4,340,507,jRAE4x4Qv4W/hb+Fv4W/hb+Fv4W/haWFpYEQCOEUEiYBIOEUgA2/hQ==,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"><div slot="-24"><div><br /></div></div><field-part fixedlineheight="true" height="21" id="5" locktext="true" name="How Many?" part="field" textalign="center" textfont="147" textheight="18" textsize="14" topleft="174,314" type="transparent" widemargins="false" width="57"><div>1 of 1</div></field-part><field-part fixedlineheight="true" height="20" id="4" locktext="true" name="Date" part="field" textalign="center" textfont="147" textheight="16" textsize="12" topleft="7,281" type="rectangle" widemargins="false" width="498"><div>Sense of Place encourages letters from its readership to appear in “Words From the Wilderness.”<br /></div></field-part><field-part fixedlineheight="true" height="229" id="9" locktext="true" name="" part="field" textfont="129" textheight="16" textsize="12" topleft="7,51" type="scrolling" widemargins="false" width="498"><div>This issue marks our one year Anniversary ! Over the last year “Sense of Place,” formerly “ESD News,” has increased its public profile by articles in The Vox, The Dartmouth, Chubbers (DOC alumni publication), and Interface (newsletter of Kiewit), a News Service national press release, an interview on WFRD’s Environmental Insights, and inclusion in Alumni Fund’s 1990 brochure on student activities that has gone out to 21,000 alumni. <br /></div><div><br /></div><div>The Magazine has outgrown its original function as a newsletter for ESD, taking on the more ambitious goal of informing and meeting the needs of the Dartmouth Community. Our new growth is marked by a new sponsor, the Environmental Studies Program, the use of a Macintosh in Murdough, and a subscription list of over 550 Community members. Although we are no longer officially connected with the D.O.C., as a co-chair of ESD I will be strongly encouraging and supporting interaction between “Sense of Place” and the D.O.C. clubs. <br /></div><div><br /></div><div>Saving paper, spreading environmental news, and attending meetings in a moveable office are only the beginnings of the benefits to be had working for SENSE OF PLACE. If you’re interested in writing, drawing, or editing, please blitz SOP. <br /></div><div><br /></div><div> — Lynn Rainville<br /></div><div><br /></div><div><br /></div></field-part><button-part autohilite="false" height="30" id="6" name="Next Item" script="on mousedown
lock screen
set the hilite of me to true
unlock screen with visual effect dissolve
lock screen
set the hilite of me to false
wait until the mouse is up
unlock screen with visual effect dissolve
lock screen
get word 1 of cd fld "How Many?"
if it + 1 > word 3 of cd fld "How Many?" then put 1 into new
else put it + 1 into new
hide cd fld (it + 2)
if the style of cd fld (it + 2) is "scrolling"
then set the scroll of cd fld (it + 2) to 0
delete word 1 of cd fld "How Many?"
put new & " " before cd fld "How Many?"
put new + 2 into new
show cd fld new
unlock screen with visual effect iris open
end mousedown
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="234,308" type="transparent" width="165"></button-part><button-part autohilite="false" height="30" id="10" name="Previous Item" script="on mousedown
lock screen
set the hilite of me to true
unlock screen with visual effect dissolve
lock screen
set the hilite of me to false
wait until the mouse is up
unlock screen with visual effect dissolve
lock screen
get word 1 of cd fld "How Many?"
put word 3 of cd fld "How Many?" into thelast
if it - 1 < 1 then put thelast into new
else put it - 1 into new
hide cd fld (it + 2)
if the style of cd fld (it + 2) is "scrolling"
then set the scroll of cd fld (it + 2) to 0
delete word 1 of cd fld "How Many?"
put new & " " before cd fld "How Many?"
put new + 2 into new
show cd fld new
unlock screen with visual effect iris open
end mousedown
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="5,309" type="transparent" width="165"></button-part><div id="-5" slot="-5"><div>Words from the<br /></div><div>Wilderness<br /></div></div></card-part>
<card-part bkgndid="2784" id="6095" name="Meeting News" script="on closecard
repeat while word 1 of cd fld "How Many?" is not "1"
send mouseup to cd btn "Next Item"
end repeat
pass closecard
end closecard
" woba="0,0,342,512,49,4,340,507,49,4,340,507,jRAE4x4Qv4W/hb+Fv4W/hb+Fv4W/haWFpYEQCOEUEiYBIOEUgA2/hQ==,jBAE4x4QiRAE4x4gv4W/hb+Fv4W/hb+Fv4W/haOFjBAE4x4QpYEQCOEUEiYBIOEUgA2JEAjhFCImAiDhEwEOEAjhFGImAiDhEwMOEAjhFOImAiDhEwcOjhFA4SIR4BcB4RNPDokgCIDhIgHiJgIi4RMPDhAI4SMB4iYCIOETDw6khosnDxwiA8DhJT+AEmAiA8DhBWcHCAADAZjhJRnAEmAiAZjhBYoRgCUCgOEUAhQBE2DhCYsXAsGAYzzAZjOZgOFCATsZ7cGjnceAZjOZgOECRwhRt7Ay2buA4UIBX21kwc3MzIAA2buA4QIHwQ1bUtzC56pE4TMu49XBIRtRCILnqkThAxcFwQpXdQKpKCqA4UIph5WswRUVSwKpKCqA4QIIwaAwJQAoGu6A4UIGKAwVwUAVToAoGu6A4QKKEYBXIrCABBAfAgbBCCgFQhKABBDhBIsXFMFCx6EEiWAAgOFCSACwuMFWxF+EiWAAgOECiSAIgOEiAeImAiLhEw8OEAjhIwHiJgIg4RMPDqKGo4WMIAyA4RMTJgMy4RSADYoQAeEcBOICEALhHAjiAhAE4RQBwf////////wQ4gIAAA=="><div slot="-24"><div><br /></div></div><field-part fixedlineheight="true" height="21" id="5" locktext="true" name="How Many?" part="field" textalign="center" textfont="147" textheight="18" textsize="14" topleft="174,314" type="transparent" widemargins="false" width="57"><div>1 of 4</div></field-part><field-part class="bold" fixedlineheight="true" height="22" id="4" locktext="true" name="byline" part="field" textalign="center" textfont="Palatino" textheight="18" textsize="14" textstyle="bold" topleft="7,51" type="rectangle" widemargins="false" width="498"><div>Think Globally, ACT Locally !<br /></div></field-part><field-part fixedlineheight="true" height="227" id="1" locktext="true" name="." part="field" textfont="Palatino" textheight="18" textsize="14" topleft="7,74" type="rectangle" width="498"><div><br /></div><div>If your environmental consciousness hasn’t persuaded you to attend weekly ESD meetings or take an Environmental Studies class, you can still make a difference in your everyday actions. The following list will be a regular feature of SENSE OF PLACE, promoting environmental education. <br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>— Items excerpted from:<br /></div><div> 50 SIMPLE THINGS YOU CAN DO TO SAVE THE EARTH<br /></div></field-part><field-part fixedlineheight="true" height="227" id="8" locktext="true" name="" part="field" textfont="129" textheight="18" textsize="14" topleft="7,74" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>Fact:<br /></div><div>Americans produce enough styrofoam cups each year to circle the earth 436 times.<br /></div><div><br /></div><div>Action:<br /></div><div>Buy a GO BIG GREEN-KEEP IT CLEAN reuseable plastic mug. Use it instead of paper or polystyrene cups and get a discount from DDA.<br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="227" id="9" locktext="true" name="" part="field" textfont="129" textheight="18" textsize="14" topleft="7,74" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>Fact:<br /></div><div>967 kegs! If each student left a 100-watt bulb burning unnecessarily for only one hour a day, the yearly campus waste would be 14,000 gallons of oil — enough to fill 967 kegs. <br /></div><div><br /></div><div>Action:<br /></div><div>So, turn off all lights in unoccupied rooms, including bathrooms, and use only those lights that you need!<br /></div><div><br /></div></field-part><button-part height="30" id="6" name="Next Item" script="on mouseup
lock screen
get word 1 of cd fld "How Many?"
if it + 1 > word 3 of cd fld "How Many?" then put 1 into new
else put it + 1 into new
hide cd fld (it + 2)
if the style of cd fld (it + 2) is "scrolling"
then set the scroll of cd fld (it + 2) to 0
delete word 1 of cd fld "How Many?"
put new & " " before cd fld "How Many?"
put new + 2 into new
show cd fld new
unlock screen with visual effect iris open
end mouseup
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="5,309" type="transparent" width="165"></button-part><button-part height="30" id="10" name="Previous Item" script="on mouseup
lock screen
get word 1 of cd fld "How Many?"
put word 3 of cd fld "How Many?" into thelast
if it - 1 < 1 then put thelast into new
else put it - 1 into new
hide cd fld (it + 2)
if the style of cd fld (it + 2) is "scrolling"
then set the scroll of cd fld (it + 2) to 0
delete word 1 of cd fld "How Many?"
put new & " " before cd fld "How Many?"
put new + 2 into new
show cd fld new
unlock screen with visual effect iris open
end mouseup
" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="235,309" type="transparent" width="165"></button-part><field-part fixedlineheight="true" height="227" id="11" locktext="true" name="" part="field" textfont="129" textheight="18" textsize="14" topleft="7,74" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>Fact:<br /></div><div>The junk mail Americans receive in one day could produce enough energy to heat 250,000 homes.<br /></div><div><br /></div><div>Action:<br /></div><div>Write to Mail Preference Service, Direct Marketing Association — 11 West 42nd ST, PO Box 3861, NY, NY 10163-3861, and request that your name be taken off nationwide mailing lists. You can also write to individual catalogs and ask to be removed from their lists, while keeping a subscription with your favorites. <br /></div><div><br /></div></field-part><div id="-5" slot="-5"><div>ECO-<br /></div><div>FACTS<br /></div></div></card-part>
<card-part bkgndid="2784" id="8103" name="Announcements" script="on ShowField which
lock screen
get fld "which"
set hilite of btn it to false
set hilite of btn which to true
-- unlock screen with visual effect dissolve
-- lock screen
hide cd field it
show cd field which
put which into fld "which"
unlock screen with visual dissolve
end ShowField
on closecard
lock screen
get fld which
set the hilite of btn it to false
hide cd fld it
show cd fld 1
set the hilite of cd btn 1 to true
put 1 into fld "which"
unlock screen with visual effect dissolve
end closecard
" woba="0,0,342,512,45,3,305,507,45,3,305,507,jRAQ4RQk4RQQ4QW/haOBEBDhFCThFBDhBb+FpoEQBOMeEL+Fv4W/hb+Fv4W/hdtt,jBAQ4RQk4RQQ4QWJEBDhFEThFCDhBRAQ4RTE4RRg4QUQEOEjAcThFODhBY4RgOEyI8Ag4SIJ4OEFiRAR4TMDxEDhIgHg4QUQEOEjA8ThIwHg4QWyhqOFjBAZ4SQmQOETEOEFihAC4RWA4gkQBOEUAeIKEAjhFALiCqOBjBAQ4RQk4RQQ4QWJEBDhFEThFCDhBRAQ4RTE4RRg4QUQEOEjAcThFODhBY4RgOEyI8Ag4SIJ4OEFiRAR4TMDxEDhIgHg4QUQEOEjA8ThIwHg4QWyhqOFjBAZ4SQmQOETEOEFihAC4RWA4gkQBOEUAeIKEAjhFALiCqaBjBAE4x4QiRAE4x4gv4W/hb+Fv4W/hb2FjBAE4x4Q"><button-part autohilite="false" height="30" hilite="true" id="5" name="DEN Enviro-Symposium" script="on mouseUp
ShowField the number of me
end mouseUp
" textalign="center" textfont="147" textheight="16" textsize="12" topleft="4,46" type="transparent" width="165"></button-part><button-part autohilite="false" height="30" id="6" name="Grant Advisory Meeting" script="on mouseUp
ShowField the number of me
end mouseUp
" textalign="center" textfont="147" textheight="16" textsize="12" topleft="174,46" type="transparent" width="164"></button-part><button-part autohilite="false" height="30" id="8" name="NAS 20th Anniversary" script="on mouseUp
ShowField the number of me
end mouseUp
" textalign="center" textfont="147" textheight="16" textsize="12" topleft="4,81" type="transparent" width="165"></button-part><button-part autohilite="false" height="30" id="9" name="Class of '43 Symposium" script="on mouseUp
ShowField the number of me
end mouseUp
" textalign="center" textfont="147" textheight="16" textsize="12" topleft="174,81" type="transparent" width="164"></button-part><field-part fixedlineheight="true" height="183" id="11" locktext="true" name="Reusable" part="field" textfont="129" textheight="18" textsize="14" topleft="7,120" type="rectangle" widemargins="false" width="498"><div><br /></div><div>28–30 September 1990<br /></div><div><br /></div><div>Saturday and Sunday will be spent at Moosilauke, enjoying nature, and attending forums discussing the "Protection of Environmentally Sensitive Areas." The admission fee is $20, and only a limited number of students will be allowed to attend. Please contact Ying Lam (x4149).<br /></div></field-part><field-part fixedlineheight="true" height="183" id="12" locktext="true" name="Graduation" part="field" textfont="129" textheight="18" textsize="14" topleft="7,120" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>12–14 October 1990<br /></div><div><br /></div><div>If you care about the 27,000 acres of wilderness that the College owns and administers, please attend this weekend of discussion. In the past, students have had minimal participation in deciding policy concerning the Grant; here is your chance to make a difference!<br /></div><div><br /></div><div><br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="183" id="13" locktext="true" name="Summer" part="field" textfont="129" textheight="18" textsize="14" topleft="7,120" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>5-7 October 1990<br /></div><div><br /></div><div>Celebrate the 20th Anniversary of the Native American Studies Program at Dartmouth College. Events include student and alumni panel discussions, Pow-Wow and Give-Away, Community Dinner, and a Memorial Service. For a schedule of events please contact the Native American Studies Program at 646-2110, 323 College Hall.<br /></div><div><br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="183" id="15" name="Just" part="field" textfont="129" textheight="18" textsize="14" topleft="7,120" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div>12 October 1990 <br /></div><div><br /></div><div> The Class of 1943 is sponsoring an environmental symposium at 3 pm in 105 Dartmouth Hall. Professor James Hornig, Chair of Environmental Studies, will give the keynote address, then four Dartmouth students will discuss environmentally focused leave terms and experiences they have had. <br /></div><div><br /></div><div><br /></div></field-part><div id="-5" slot="-5"><div>Upcoming<br /></div><div>Events<br /></div></div><div id="-24" slot="-24"><div>1</div></div></card-part>
<card-part bkgndid="2784" id="13604" name="Issues" script="on ShowField which
lock screen
get fld "which"
set hilite of btn it to false
set hilite of btn which to true
unlock screen with visual effect dissolve
lock screen
hide cd field it
show cd field which
put which into fld "which"
unlock screen with visual iris open
end ShowField
on closecard
lock screen
get fld which
set the hilite of btn it to false
hide cd fld it
show cd fld 1
set the hilite of cd btn 1 to true
put 1 into fld "which"
unlock screen with visual effect dissolve
end closecard
on showhide
repeat with i = 1 to the number of cd btns
show cd btn i
end repeat
end showhide" woba="0,0,342,512,45,5,328,507,45,5,328,507,jRAE4S4CIOEeELuFgeIeIuEBEAThTgIgACBnUBABECKgHyDiEiAUBMGAAFMQARAAoOHiRwSAAAPhBa2F4x+gheIQMOEPqYUQBOEeAuKFEAThHgLiqYXiEBjhD7GFEAThHgLihRAE4R4C4rGF4hAY4Q+phRAE4R4C4qWFEAThHxDhHpDiIAeA4Q7iQAOAAALhDOITBuEM4iIEBOEM4jAEAAThDb+Fv4W/hb+FpoXjEYAdELaF,jBAE4S4CIOEeEIkQBOEuBCDhHiAQBOEuDCDhHmAQBOEuHCDhHuCOESDhPAI8AeEtEeCJIARA4S08IuEtAeAQBOEuPCDhLQHgroajhYwgBkDhLQIy4R4QihGA4R4E4Q8QAeEfCOEPEALhHxDhD4GJ4h4o4QGOEAbhTgMQABBnUBABEABQHxAQBeEuBSBWAoAAAoASIuEQII3hLwwgFgMSA+EUIIvhHxgXAhIC4QWOESDhLAI8KwIW4QOLEUDhHSArBdThA40RYOEeIDoIwsDhESCL4jsQg4DhAuI7oAKo4QLiSgFAARThAuJaAggBhoDhAeJLIQNOgOEB4ksIARTA4QHiSyEBDhDhAeJLgAAPTOEB4loERAmudOEB4kvIGBsy4RBA4loERBAgMOEQgOJbSBQBloDh4hAgS7IiAUASBA3iagIAuESCYBIKDRFA4llApKgE0CJRQAziWwWlQpGoIqCoDOI7SJaCwSN0AAUAFAABCo4RYOEdMEsDzkRcwZ4ACCACgAIgCY0RwOEeEEqEuaGGwc4AEMAM4AV4GICLIAGA4kkFIwEGU4ABAAv4CRAD4krBnCKYwYgAEAAIAAh8CY4gBIDhHQNMuV9Oh8GAAUAByAUWqAiN4hAQWnrhP8AFwYAQAAUJpICYF4COEAbhHgNbYjWHJQDBoARAiegKp6AIixAE4R4Eey3YPNIQAALBSVgEPy/8AFAGjhAD4R4MZgPAGSAAxcI3nqVbQHnlgqA+gpOAIICgBIvhHxh1AUEG1WAAwsJIigJfgCA9RwBgGWQAVAVABI4RIOEsAjx1Bw1wMSIABMJWgeVQzE0F/8CqH5igIgiABIsRQOEdIHUEH65gNABAwoGP6k8SKwuAoBABEwAFUUAEjhEg4RwCdgUJ+qwCgALCYEBk8sKjILF48AoCgACKIASL4mUClADgAQDCYIytRI7HCIIvSfACEkAEVAXiZQgdCdABocLiTgmhPSdLS0mgoAABICgoBeJlG9FBAAQVwkGy/YLEBEpCswCoCgOQVUAF4hAQFAHCtQOAGabsTmhgqQARaugiICLKqgbiFQnC10AwPb3Xl3WDsCQC4IYRCjIFUIAF4gXCBTyCAXdSI0yBAAlAU/nI3UILwoCgBeJlAW86cD6CwgnKn8TAIAHQw4eCAG+FAIAF4gXCB9KjQdBAUf3hIAAgRzgkyEJ0qACgBeIFwgMqEgUfygCWtwTAAAng9MAikVAH4jUFtrnCCMBFCYYACYBgBgkm6AA7ngjiNRUiQsFKpk5hNQAt4GLrpE0e4+QI4lUFCXBC8MIEmMWAFGAAAhZiv3v/5AACBuJlDAHGC0MFwkF0gRLwAASAADK/51QBVRAF4mUMBPFhUIHC0MOACvEIyoChIfrEDAKoKAURQOJDFABrm8JiACALCXshgBAa3yixBEQEB+JlJS9R/NyBwkBACufRCMiNuyyAACwpAAgF4mVxLKKucojCQcG3/JAAuGOxVxABIFIABQWOEWDhHTB1i789+cC7QcLz8TBx4Hb6qb6BQMy1aAggBBHA4R0wZReNFBhHpsKaTvO7iUTk8sCIAAIhVr3gBYsgAYDiYgH2/pCrR8IUtXzv58Ld0sWZoQgDghEiBhAD4nMG3tpSwUw+wropJjtGT5k/iuAAHQQQMYAFjiAEgOEdA3QPKQo77o2gwquBesCGatSjjkFKE4FBa8AFEAbhHgNEGwVp6MIpVtyMQVURqwSS96sYABEKCBAG4R4DdHIAyG3tKLbCDr/aSjIwDSUT7AHIC0ipQAWLEAThHgQEwxAIYwUlYHqpQ1Vh3zjaFKdAAMAZvrgAQASOEAPhHgwEw5wAhExLEGu+4pyYNNU5ABG0KWgBiIGAKASL4R8YZCAA2AGWgMJXwoyXAJZLgjiBIABgEFFGBo4RIOEsAjwDwwFFAPgKhzFXIh1kXLEK8B70yCmwApQBEAWLEUDhHSBjAbUeOgCKwSJCiaBIKnhnAsFggAOAAhABwAWNEWDhHghSASOcfAHCQDMN6bg2EZo+giBGyBDACCI8EBOAi+JDAbUWGHIqEIn0R3auwZdEQASwOYAEIjwQBOJ0A8EwA4gAG8JDqi//j/xYQGAiKQAEQAAQBeJ0GwEAAqgIAMK/lJCjBUpDAEAb0AAEQBAsBeJ0tMrACmAABsIAHMz8wDDkQCAH4AAMZAAMBeIEw3ULULjgAAQ+Fo9mFTP1gYABQAAESBFuEATidNWSBfTgAQbBHhj+xAKDIAFSgAACBJAG4mR0ghJFwALBBAIeHfIABkVFAwABXAXiZB3YD0iAC8EiODY0XCAhYFUDBYA4IATidDAoAwWADnjBKQrhNEAsSAJEAUgCkgXidCIfirQABTzBMCO1SICBAAZFxBQ8gATiJQeDwfoAAuYoAaMhIkAJRaADMUAE4hAQJANgImpUwVAcBJoAgAAaNb0BUgXiZQUiEABkOsEANJvAAEBBcDVO+kQF4iUBsCIwHsFJCAowADAE6DULUqgFEUDiRDEQAUDBAkkIAuQAHAE2BQRQBeI2MAARAsFYcCo4AAQUIDUCAqAF4lY5AM+ABMELQipwABAH0CUBVQaOEWDhHTBWKABVAATBOpHS8AADw2ANjRHA4R4QRTgDyADBDGoavPAAAjcdgIsgAYDiRDAHoADBBzJ1vOAAAs4OEAPiRQgZcADBDsOIgkAAAZwOjRAE4S4CEBUkwUpAAAGgGDaA4RCA4hAQBcEPw8AAAcKAl+ERgIviBsEKwoAAAoMAJuEC4hdAEgISIOEC4koCAAfA4QLiSgQACIThAowQBOMeEIkQBOMeIBAE4kkEADLA4REgEATiSQMAIEDhESAQBOI5AQAD4RIgEATiOQHgHuESIBAE4ir9qOESIBAE4ho74RMgEATiGgLhEyAQBOMeIL+Fv4W/hb+FhYwQB+IfAx4QiRAF4h8FD7OFjBAH4i8DgA6JEATiHwEPixAC4h8CDwNF"><button-part autohilite="false" height="26" hilite="true" id="5" name="California Gets Serious" script="on mouseUp
if the optionkey is down then
hide me
else ShowField the number of me
end mouseUp
" textalign="center" textfont="147" textheight="16" textsize="12" topleft="6,46" type="transparent" width="247"></button-part><button-part autohilite="false" height="26" id="6" name="Difficult Digital Destruction Diversion" script="on mouseUp
if the optionkey is down then
hide me
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" textalign="center" textfont="147" textheight="16" textsize="12" topleft="5,106" type="transparent" width="250"></button-part><button-part autohilite="false" height="26" id="10" name="International Ivory Industry Irate" script="on mouseUp
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" textalign="center" textfont="147" textheight="16" textsize="12" topleft="259,106" type="transparent" visible="false" width="247"></button-part><field-part fixedlineheight="true" height="132" id="11" locktext="true" name="Reusable" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" widemargins="false" width="498"><div>Sunday, 16 September 1990, The New York Times , page A30<br /></div><div>California residents are currently considering a bold new environmental initiative aimed at improving air and water quality. Known as the "Big Green," the new plan would call for stricter emissions standards, the phasing out of CFCs and various carcinogenic pesticides and herbicides, the limiting of clear cutting of timber as well as off-shore drilling, and new funding for applied research. Recently, debates over the cost and effectiveness of the plan have escalated as the public prepares to vote on the issue on November 6.<br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="132" id="12" locktext="true" name="Graduation" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div></field-part><field-part fixedlineheight="true" height="132" id="13" locktext="true" name="Summer" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div>Sunday, 23 September 1990, The New York Times, page A30<br /></div><div><br /></div><div>The Yosemite Restoration Trust is a new company formed by wealthy environmentalists with the purpose of forcing out much of the commercialization and overpopulation which has threatened the integrity of Yosemite National Park in recent years. Many argue that the area has turned into a theme park rather than remaining the national treasure it was originally meant to be.<br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="132" id="14" locktext="true" name="Pin" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div>Tuesday, 18 September 1990, The New York Times, page A16<br /></div><div><br /></div><div>Exxon's summer cleanup crews have finished for the year after what some have called a remarkably successful season of removing oil from Prince William Sound. While much oil has been removed, the general condition of the area is debatable, as are the cleanup techniques which Exxon might use when it returns next year. <br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="132" id="15" locktext="true" name="Just" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div>Tuesday, 18 September 1990, The New York Times, page C1<br /></div><div><br /></div><div>Recent studies at a laboratory in Phoenix, Arizona suggest that if rising levels of carbon dioxide do not induce global warming, they may in fact inflict significant alterations on the agricultural environment. The research suggests that the predicted doubling of carbon dioxide concentration in the atmosphere by the turn of the century could result in a massive growth explosion of larger and hardier plants which could disturb the balance of the agricultural ecosphere.<br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="132" id="16" locktext="true" name="Good" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div>Tuesday 22 May, The New York Times, page A14.<br /></div><div> <br /></div><div><br /></div><div> The world ivory ban has begun forcing most Asian carving factories to shut down almost completely.<br /></div><div><br /></div><div><br /></div><div><br /></div></field-part><button-part autohilite="false" height="26" id="22" name="Bill To Ban Garbage Exports" script="on mouseUp
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" textalign="center" textfont="147" textheight="16" textsize="12" topleft="259,136" type="transparent" visible="false" width="247"></button-part><field-part fixedlineheight="true" height="132" id="24" locktext="true" name="new" part="field" textfont="129" textheight="16" textsize="12" topleft="7,171" type="rectangle" visible="false" widemargins="false" width="498"><div>Wednesday, 19 September 1990, The New York Times, page B1<br /></div><div><br /></div><div>The Senate has approved a bill which would allow states to ban imports of garbage. If such a bill were passed, the two hardest-hit states would be New Jersey and New York, each of which currently exports large proportions of its garbage to neighboring states.<br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="105" id="25" locktext="true" name="Another" part="field" textfont="129" textheight="16" textsize="12" topleft="7,198" type="rectangle" visible="false" widemargins="false" width="498"><div>Another New Field<br /></div></field-part><field-part fixedlineheight="true" height="105" id="26" locktext="true" name="Yet" part="field" textfont="129" textheight="16" textsize="12" topleft="7,198" type="rectangle" visible="false" widemargins="false" width="498"><div><br /></div><div><br /></div></field-part><field-part fixedlineheight="true" height="105" id="27" locktext="true" name="Guess" part="field" textfont="129" textheight="16" textsize="12" topleft="7,198" type="rectangle" visible="false" widemargins="false" width="498"><div>Guess what, a new field<br /></div></field-part><button-part autohilite="false" height="26" id="28" name="Yet another new field" script="on mouseUp
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" textalign="center" textfont="147" textheight="16" textsize="12" topleft="259,166" type="transparent" visible="false" width="247"></button-part><field-part class="bold" fixedlineheight="true" height="22" id="30" locktext="true" name="Who?" part="field" textalign="right" textfont="Palatino" textheight="18" textsize="14" textstyle="bold" topleft="155,304" type="transparent" widemargins="false" width="234"><div>— Compiled by Mark McNellis '93<br /></div><div><br /></div></field-part><field-part class="bold" fixedlineheight="true" height="22" id="31" locktext="true" name="Who?" part="field" textfont="Palatino" textheight="18" textsize="14" textstyle="bold" topleft="10,304" type="transparent" widemargins="false" width="144"><div>9/16 to 9/23<br /></div></field-part><div id="-5" slot="-5"><div>Environmental<br /></div><div>News Issues<br /></div></div><div id="-24" slot="-24"><div>1</div></div></card-part>
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end mouseup" textfont="Palatino" textheight="16" textsize="12" topleft="35,41" type="shadow" visible="false" width="442"><div> SENSE OF PLACE is published every other Thursday by the Environmental Studies Program and distributed free over the BlitzMail™ electronic mail system of Dartmouth College. Hard copy subscription is available for those off-campus or unable to use BlitzMail™ (for a $5 per term fee). All correspondence should go to sense.of.place@mac.dartmouth.edu or sent to SENSE OF PLACE, HB 6182, Dartmouth College, Hanover, NH 03755; or call (603) 646-2838. Unsolicited submissions welcomed. <br /></div><div> <br /></div><div> SENSE OF PLACE aims to educate and enhance the communication of environmental issues and events at the College and abroad. No artwork or article may be reproduced or used without permission of the editor. Opinions herein are not necessarily those of the Environmental Studies Program or Dartmouth College. Back issues and writer’s guidelines available upon request, and on the Public File Server. SENSE OF PLACE staff meets weekly on Tuesdays at 9:00 pm at various Dartmouth College locations, all are welcome.<br /></div><div><br /></div><div> — Press me to make me go away.—<br /></div></field-part><button-part height="30" id="7" name="Fine Print" script="on mouseUp
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" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="7,309" type="transparent" width="391"></button-part><div id="-5" slot="-5"><div>SENSE OF PLACE STAFF<br /></div></div></card-part>
<card-part bkgndid="3881" id="4164" name="" woba="0,0,342,512,0,0,0,0,322,374,329,380,,E/AiAbAiAYATwBNgIgNgIgPAAAA="><div id="-13" slot="-13"><div><br /></div><div><br /></div><div><br /></div><div>Ji Yeon and Deb are both Juniors. Ji Yeon is a Visual Studies Major and a free-lance writer. Deb is also a free-lance writer, and a Physics Major. <br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div> —Press me to make me go away.—<br /></div></div><div id="-21" slot="-21"><div>Article<br /></div></div><div id="-2" slot="-2"><div>Conception, Production, and the Dartmouth Connection <br /></div></div><div id="-11" slot="-11"><div>– J. Choi, D. Koh<br /></div></div><div id="-1" slot="-1"><div> Donella Meadows claims that RACE TO SAVE THE PLANET, title for the 10-part PBS series on environmentalism, which begins showing this month on campus and next month on international television, is a poor choice for a title. She criticized the producers for pulling an improper publicity stunt. According to Meadows, a faculty member of the Environmental Studies Program at Dartmouth, the title is inappropriate because it, "makes us sound bigger than the planet. We can't save a planet." It's an example of unfounded human arrogance in her eyes.<br /></div><div><br /></div><div> Admittedly, the world as a whole lacks the commitment and knowledge even to begin an undertaking of such scale. The people, however, behind the creation of the TV series have taken a big step in the right direction toward spurring the world's environmental consciousness. This program has global significance. Not only will it reach public television viewers throughout the US, the production will also be shown in India, Australia, and the Soviet Union. It is intended for public television viewers' interest and education, and even more importantly, the series is structured so that it can aid teachers in a telecourse. For example, this series will provide "Life-Long learners" in Lebanon with the much of the material needed to acquire a college credit. <br /></div><div><br /></div><div> Meadows recounted the story of the beginning of the telecourse's creation, when the idea was conceived. The strongest force behind RACE TO SAVE THE PLANET, according to Meadows, has been Linda Harrar. Linda has worked for the WGBH NOVA team and has produced several NOVA shows. Inspired by Lester Brown's STATE OF THE WORLD, which presents world environmental problems and their possible solutions, Harrar contacted Meadows. Harrar's interest lies not only in developing the mini-series, but also in using the series for a telecourse and student guide for community colleges, and specific universities (i.e. the University of New Hampshire's School for Life-Long Learning). With fellow faculty members Jim Hornig and Colin High, Meadows secured funding for the series from the Annenberg Foundation, the Corporation for Public Broadcasting, and Ocean Spray Cranberries, making the educational program a reality. Annenberg was the first to commit, contributing $2.2 million toward the project. Linda pursued fundraising for four years, raising the rest of the $7 million necessary for completion. Ocean Spray was the only company to support the project. The rest of the funding came from what Donella Meadows calls the "triple-star environmental foundations." <br /></div><div> <br /></div><div> It took three years, "to make the production happen," says Donella. The growth of Linda's idea continued with the appointment of John Angier as the executive producer. The producers for each show were independent and many had no previous experience with environmental subjects. Meadows, Hornig, High, and Brown became educational and scientific consultants for the show, primarily advising the producers on which issues to present in the series. They had to distill the many environmental factors being addressed, narrowing them down to the main organizing ideas. Next they had to search out interesting visuals to support the facts. Special experts were recruited and the first rough scripts for each of the 10 shows, called "treatments," were presented to the Dartmouth crew and Lester Brown to analyze and critique. Then after dissappearing for three to four months to shoot, the producers had to reduce reels of tape down to a roughly-edited hour-long show. The consultants helped review the rough cuts of the film, and later gave their reactions, keeping in mind that the series should be people and story-oriented. The series is arranged in a structure similar to that of Dartmouth's Environmental Studies 2, taught this term by Hornig. <br /></div><div><br /></div><div> Of the consultants, Meadows had perhaps the most influence on the script. With her dedication to the program grew her interest in writing a textbook which she agreed to write to accompany the series as a telecourse. Each script passed through Meadows's office where she worked hard to write a chapter coinciding with each show. The text and program are interwoven to the extent that the producers were prevented from altering the script and format in any way that would force her to alter the already-written parts of her book.<br /></div><div><br /></div><div> Meadows says she hopes that soon many colleges and other teaching institutions will keep a collection of the tapes for teaching purposes and student interest. Meadows's book is currently being published. The first of the nine-part series will air on October 4.<br /></div><div><br /></div><div><br /></div></div></card-part>
<card-part bkgndid="6978" id="9184" name="Quote 1" script="on mouseUp
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end mouseUp"><div id="-1" slot="-1"><div>"What is common to the greatest number gets the least amount of care. Men pay most attention to what is their own: they care less for what is common."<br /></div><div><br /></div></div><div id="-2" slot="-2"><div>Aristotle<br /></div><div>POLITICS, Book II, Chapter 3<br /></div><div><br /></div></div><div id="-8" slot="-8"><div>Quotes<br /></div></div></card-part>
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"><div id="-1" slot="-1"><div>"The preservation for use and enjoyment of natural resources is everybody's concern, everybody's responsibility... But few responsible persons care to give pat answers to large questions of this kind."<br /></div><div><br /></div></div><div id="-2" slot="-2"><div>Henry Jarrett<br /></div><div>Editor, Resources for the Future<br /></div><div><br /></div></div><div id="-8" slot="-8"><div>Quotes<br /></div></div></card-part>
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" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="5,4" type="transparent" width="33"></button-part><div id="-2" slot="-2"><div>Race to Save the Planet: Topics to be Addressed<br /></div></div><div id="-11" slot="-11"><div>– Greg York<br /></div></div><div id="-1" slot="-1"><div> The 10-part series RACE TO SAVE THE PLANET will focus on both the plethora of environmental problems which plague the world and the increasing number of proposed solutions for these problems. Made by the producers of NOVA and hosted by Meryl Streep, the programs will take viewers around the globe to witness the ravages of humankind on land, water, and air, forcefully demonstrating the urgency of environmental issues while also suggesting pathways to improvement.<br /></div><div><br /></div><div> The initial five programs will deal with specific environmental problems. <br /></div><div>"Environmental Revolution" details the history of human interactions with earth, concentrating on the agricultural and industrial revolutions and describing the new environmental revolution. "Only One Atmosphere" details the greenhouse effect and the alarming reduction of the ozone layer. "Do You Really Want to Live this Way?" explores the connection between affluent societies and their pollution. "In the Name of Progress" investigates the contributions of developing nations to environmental problems, specifically focusing on the role the World Bank plays in tropical deforestation. And "Remnants of Eden" discusses the decline of wilderness and wildlife in the modern world, also addressing the problem of protecting endangered species.<br /></div><div><br /></div><div> The final five programs will deal with specific solutions to the problems mentioned. "More for Less" details methods of reducing energy use and developing alternate energy sources. "Save the Earth, Feed the World" explores environmentally sound means of agriculture. "Waste Not, Want Not" discusses solid waste and toxic waste disposal. "It Needs Political Decisions" describes strategies for sustained economic development at a national level. And finally, <br /></div><div>"Now or Never" introduces individuals who are contributing to the improvement of our world in ways great and small.<br /></div><div><br /></div><div> The series will be broadcast in one hour weekly installments on Thursday evenings at 9:00 pm on public televsion, Channel 11, beginning October 4 and ending December 6. Each program will be rebroadcast on Sundays at 2:00 pm. The series will also be broadcast in a blockfeed during the week of October 7. Two programs will be aired in succession each evening from Sunday to Thursday; check local television listings for the times.<br /></div></div><div id="-13" slot="-13"><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Greg York is a junior and a STAFF WRITER for the magazine. He is a Biology Major and plans to study in the rainforests of Costa Rica next term.<br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div> —Press me to make me go away.—<br /></div></div><div id="-21" slot="-21"><div>Article<br /></div></div></card-part>
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" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="5,309" type="transparent" width="223"></button-part><div id="-2" slot="-2"><div>A Sense of Place at Dartmouth<br /></div><div><br /></div></div><div id="-11" slot="-11"><div>– Jon Kohl<br /></div></div><div id="-13" slot="-13"><div><br /></div><div><br /></div><div>Jon Kohl, a junior, founded ESD NEWS in September 1989 and was editor/publisher for the first 25 issues. Jon resigned his position last spring in order to intern with the DARTMOUTH ALUMNI MAGAZINE, but continues his enthusiastic commitment to the environment and SENSE OF PLACE.<br /></div><div><br /></div><div><br /></div><div> —Press me to make me go away.—<br /></div></div><div id="-21" slot="-21"><div>Centerpiece<br /></div></div><div id="-1" slot="-1"><div> ...As when I was a freshman, images still dance in my mind of the mighty skeleton of virgin wood and the heat of the fire keeping back the cold air of a New Hampshire morning. On their trips freshmen felt the cool rain bat down on their heads, inching its way through their dry packs; and the rushing of clear water from the mountains indicated some parts of nature have yet to be conquered. John Sloan Dickey ’29, president of Dartmouth College from 1945 to 1970, dissolved his thoughts in these same observations. While president of Dartmouth, Dickey never missed an opportunity to enjoy the out of doors and commune with nature. It was this sense of place, this place loyalty, that always drew him back. It was this "sense of place" that Dickey described again and again to freshmen at the Lodge as Dean of Freshmen Diana Beaudoin now does in his stead.<br /></div><div><br /></div><div> There is something about Dartmouth from the very outset that continues to draw alumni back: maybe the Lodge Crew singing about aardvarks and frogs, or the history of Dartmouth, or Mount Moosilauke. Whatever it is, Dickey I’m sure, realized its vulnerability. The sense of place that Dickey described was neither irrevocable nor permanent. From the perspective of recreation, the wilds of the North are the out of doors; from the perspective of potential destruction, they are the fragile environment. <br /></div><div><br /></div><div> At high-altitude, red spruce continues to die off from an uncertain poison, whether from the acid rain, or from the pollution-ridden air that greets us on those crisp mornings. What before were pure mountain springs running from the clouds down the side of Moosilauke, are now Giardia-tainted waters. It does not take an environmental zealot to realize the out of doors — the environment — can be damaged and destroyed, and with it Dartmouth’s sense of place. The spiritual conception of sense of place that echoes in our minds has its well of truth, as do all spiritual matters, deep in the physical world. As quiet trails erode away and tracts of forests disappear to the apetite of development, vital chunks of our sense of place are lost.<br /></div><div> <br /></div><div> Despite the efforts of all our scholarly research, of Dartmouth Recycles, of the Environmental Studies Division of the DOC, the environment of Dartmouth is still assaulted from above, from the sides, and from within. Bad habits in otherwise nice people can always enter a campus, however innocuously at first. The harm of one person’s decision to throw away an aluminum can equals nothing. (The equivalent of six ounces of gasoline would have been saved if the can were recycled. If, however, one person’s friends were convinced it is cool to waste that can and many like it, our environment degrades. A can, perhaps, is a mild example of humankind's explosive propensity to damage the world in which we live, but Dartmouth, as anywhere, remains ever vulnerable to new threats.<br /></div><div><br /></div><div> Thus we have this magazine SENSE OF PLACE that aims to enhance and emphasize the environmental component of everything Dickey had in mind. True, even in Dickey's later years, he too expressed explicitly that the environment should be given more attention at Dartmouth. SENSE OF PLACE encourages education and activism, such that no student passes through Dartmouth and fails to realize the significance and fragility of the environment in which they walk.<br /></div><div><br /></div><div><br /></div></div></card-part>
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woba="0,0,342,512,40,0,342,512,40,0,342,512,jRCAFwLiEQEyIAAC4RgC4T9AAAFCIAACgA/iJwJAF6AP4hcCE0AUMA/iO0AAgBIUD7+Cu4LiGQHhEgIDrYXiG4AfEASvheIbgBQCFAQVEASvhbCC4xwGA6+F4hkBFggUAhYEA6+F4hyAEwgUAhQQBa+FsILiGQHhEgIDpIXiHQEcEAWF4j0BAAI6EAAgA6uF4j0BAAI6EAAgA4XiHQEcEAWFv4K/gqeC4hdE4QjiF0jhCKOFsIJlcg==,jBCAFwLiEQEyIAAC4Y4QQOIXQBdAD40QgOImA4AXQA+L4jhVVVUVQA/iZwKqqqqqqhMoD6KEjhcQ4R8E4QiNEIAWIOEfBOEIo4aLWQf+AAf4ZQ4B/AABgDY4cPATDuEKeQW2AAMcADBjZgDMAAGAVWAYOGAYEgbhCo0QgEYgAAYoEhhHCgABQBcGFgThCItpBDHHgBHPw8/uHu6RwBfz/j978/ce/JcABgen/z34wOEJWgFswANnwwO7d2YBYDnZmZ3d2d2zdg2ACwzBtu7hgOEJWgGoQAApw8zdfYiRoAJqZib2am6hmpCADYhmAfs5wOEJjRCAFiBDAiADwDYUAdx0CIAPAAMCICPABOEIEIAWIDMDoB4jHgwSChN4Ig6AAsEBg6GrPABgBOEIi2kCSZuE/pnDDMzfWRmRPkSSZX5GZm6RGmRJi4Uyvylg4QmPEFUmFUDhLgVQ4QeNEIAWIOEfBOEIooaL4S0BgOIBGNjhJAGA4gEY3OFgfv/Pe/Je4gEYbOFgO3Z7zdg24gEYMBYcaU2YM4ZqZuIBGNgWHmkIEHwMQDjiARjoFiJLhxAADuIBGBAWYWkNldm6RHLiARj4FsFpA2d77Zm24gEY2DUDgIAjAcBjDvPee9384gE+AxzAIwHA4goY/DUEPnAjBiATSOIGGJQ1DCY4IwYwEzDiBhi0BcH4TQwAfAAIGBN44gYYzBQBwfBbxwB8ABmMKQHw4Q8YQBQBwQASw4ACABHESQMff8DhDRhYBcEIACCAAwBmY0kD8cDg4Q0YVCQB/MEhoLARA+YjgEgDHr/A4Q0YfCQB6MEhgLAYh4hg4EgCAUDg4Q0YPBV8waAAwIiEGGhwKQHA4Q4YfEVgJFjDwYBwPg4cH///F4DhDhg4VUCcXAMGwXA+hw/////gNuB8EOEMGHglQFjBIAAmCBCQA+AS8GMB4A/wT/zhDBj4VThcJCwgwQgBEwAH//wYcgPj4D8YP9zhDBiYA8NgAdg+GCzCAEEiB////44H/89/4fAMTvrhDBh4A8PwA/giGCDOAFwiB/gAA8YP///b48AGQs/hDCcB+EIBmA4ZwYQAIBxAHEMGM2H4AME3fgIf4wEZ/OELJwfcQgEOHAPBBQ8AMcBCAcczOfD/wQA4AD/hAPz+4QsnBkRCAgdwQ8GJ/8BjgFRA4TMcA//BxwAE4AD/4APhCycGREIOYeHDwTjw40LAPjBBQwY/AOPBAATAHP4P4cDhCicH3EIc/IfGwXEAJwzAyD7jQwP8ADDBgAgAHwP//ODhCicB+EIxnAZGwQP/5BzA4I+OQwHAAdzB/ggAA4fwHjDhChh4QuMDBAbBcv/ocMDgAQRFB/h8EUL8AAMc4Qp4HAAHxgIEBsEwAAhgOOyIDBL8Igf9wQ4TAPB4AAGM4QqOKAUAwgzPA8LTz2GUYzMNmMeAAMByHhFjYoP22BLY4QoKwgo2AoLR7oYUYGoCk6tgAKNyH698ZQDUDBJm4QqLKGgAwhHwAhFCwIYgA4wyIzHwAIBjHEAkAzTYEhzhCgjC7AAXwAIRwmEEAHiA8iJccBUYwTBgAB/oD4AE4QqOSP8AGYDCAqKvNi02YGoACl2AABhvcgLBMdoADzZgAYATAeETEAIIwlAAHgACpw8bMN+2zV1LUoA12A2KQh78AGAUgOESIAKLGFg0BggHwh8BwAQ09nAIAB+daAH+ABAz///g4QoY1EMEQwwDwUUIAG4QozwMJAH/wQEA/74AwH/w4QoYfEMEAcZ4wcUIOOw0BQ4HQhEAAffBwRHh/gCAAfjhChiYcwhgwviIADzCiHTGgmP/gAEAER/gAf49wBJ44QoYeHM4MMGBGAkEwhA8xwPw/4ABAB/J4IHh/sASGOEKGHxDcRHBG8ExD/0YfAWBkBIBwQAP4NCJAYPAEgjhChhkc8OJCDphxv0jA/ASATIwEEgSwOENGGQDwYHMGBBPAgAwIgHwNRAwZOIYfAPBA0YYPZ/GAnAqMCTiGHgDweAiGYwQfAJAWQgAAgAIIgH44QoY5APBATCXwcAbwJAZCMEAAgA+AAfPHOEKJwZ8A8HjGIJ4EGP6sF038Ax9+OEKJwb4MwYPRsE/2AA/IAD//hNAEgTBAAEAAfgfzxzhCo4nB+ZCDM8Gk8HGaivGkAGADBIDEsDBBQAVQA8M22PhC4snBnhCHzg4McEAGGOCQAD//iND/1MYAD/n6OEMJwN4MhDweMM4gDhAjoAB//B/gAP//QACAAgAM/DwAAQWfDTgAAPBzwB54Ax554AEJwN4EhDBIcAwgSBgBoBSP/8AGAPB/QYDAMCAABwSDEUBzAAMMmAABsF5gM8wHM88wASNEIAmIsISDMIDDAAJwAFBgCAAIASAFIABIgKwAsEDCQBIAAQAARJqFgUyoAAwFCACiycD+DIMJnjDAB6wA5kAP//AfwAYH/4GAIP4eAAD7gBwVg3v0vfuwRz35haA1AAQBycGfDIIbHDDwbC+JhoAP4AA+D+A+AAGAMP4XgAB4YBEBcIBezdhm7sXm4C2gDAAMDDABScG+BIMwliDwGCMLG4AP///gf/+H/QyQyQ7MhH4bEUBzhmzwQzdGwzh9P8UIrLABScGeALBKZODMccOSfwCwX//B8B/h/wDIhweMhx8ODb0MQDBGIgQGIPWgDAi55AFjRCAJiByUngSBgwMwRgJAAQAQAAkQlAACqBkgEMCgAAEwQABAAFY6AB0YnQHgACgBRUgAosIwlgAAdbsDEgIMI5gD//9gPgyf+AbcgQAA8Hjg4AVAcL+4aN0zJt0hPaAdtYSKKtABIlAVVVVVcJVVVVAtAAD4PAfB8B+AP/gIh/8cx/f/+ADgf/BAEAPgAAFVVQTBhkMNRVVVY0QgCYgdAPBzAGMYAFBgFByMAIABAAwMFMDUYBgCjIEAAEdChUgAo4Y7lIerwPKUMEB48AYADV4AzIGeCjBABQDYYDAUA/hEg8IiyjoAMMCGEYGAIBABgB////P//AH/8AP+BADg54TQBcJ4QIoEADBA4hjHACecIBDO5///8HgB4A/+AgAcCIf/BgG4QJI+AABCMEh6Ai+IYAD/wLCMAAP//AAMAgP////8D/8QBcP4QKOOMMAAcH0AMwKiM/PBhMYAsEYAYGwHgYAbDIYAGbhCotYOAABMCwCwSDiGAQA///AUgPOAcBwRA/AAHgtA4ALOHwAAsEgJ5OIMQAQCGUB/+AAA+DhNAwZgAtIOAAGQMFL88gRACAH/GQH/DoAB4DhJAwaDI44ZgAPwfDueAAPAHgMFdnBgBmHmzYDAAzhUAN2rW2YCkixAB/gwb4A+goFUAADdAYDNQdGYwNSGAGAAMBbB3AATfwKSHIAPKHByA+qXw+gAAMjBtjBYAwGGbUCgG8UYExGrXCUCjj/AAHB4lTORVodYDB0AYDDAAbMb8ECsAAYAYAY8C5QPAqLSEAAMA/BT4EECBcAP/xzBwGAMAA+fMEB/4P////wQBsFE0AKOFgAEMENCOIETgQAwBQBwecAQA/x8AHAJB/AWwUiBmbgChjUAsEBDHAMSAABwGX+AED/wYZif////4/AWwbMGZuwCo0QgCYlYHLBgoAA6DACEgFXERWAQEBjQOAABAAB4RMgAosXBmIQgwOAAHHB6AH//////+BygP/+OYAfgCN/4OEKNwJ0AMExDgD+yMPYAkIB////wf8DgP/g4IBgFbDhCmcCPAAjDADBf8wCMAB///gyH///IgfAFxjhCkcCiAAGEg/BAEPgP/////5D/AP//3IQP8AAA/8I4QqORwZqAAUCwTHVUzBgYAAGdBgDAAYAoBgVLuEKizcFSADBBgDg8MC4AMBTAcP///gif7/BgA/AP//8APgkHA5iG4AA4AD8UsAADwAHBTcDzADBJ4Dhx4BaAIAjAf9SHAQP//8SDxQgJA4cYhmAAGAAZlLAAAYAAwWNEIAWIHNgGwwAFwCAcwEAhAAGAQhyRABIgA0BATIEAAEUFBegFiACjiigAMEeUAi2B5yAwFMBgMADD8EGDAYAAwBswBMGNAFoZsLPGBvVj8wIt4DYbMAGezPMA4tI4AAcQMGUcAYAH///4HI+B/wYBgAHwf+4AHAACf4BNQEh38K+2DZmGZgabMzO2YAd8GeYA44YY2JQ3SgNgAwjYDAiYwzBGEQGDAMAYYAiAwY0AmWKwhfYAioaSgKEf9eEoBi3TcoDiyh/AMMEAGBgfgAf//8d///B/8PgH4MYf8AAD4ASB0UC0FCnNBgaAMG0AgGABQBaGAOOGFPBMAqgDwK8AAwjqjNikAAYRAAMYgGAGAAbZjQBaETCibAiCg8oCwSZAAKAfEVDqAOPEKoGwSp4OM8PAeYY4TZ/gALDqAC0wC8WWGDg0R4DTY/PEeDg8KFO2oAAjDB////B/////+CgYBESBOEQGBUBMgf//uFRLIAf//+NEIAGwSBmYAMJABTAH1BCSAQEETIEAAHhMX4AIAKOFwbB81AqjMAf4BtsAYANjAGAEwbhFUEEi0cHeAAgwQGAIXAeD8B+Rz/////BkPB/j/gH//jhFV0EFwPC+AADCOAifhIPwH//////wALBP//+P+GQfgwSPuEWYwSNEIAWJkIwxgwKKSQSIwEgIkAKYiCEAAQAAeETIAKOFwPBBgA29mAzApRWGDAZgDBSMGwUYA8iNgbhCosXB8H4ABxD0TBiMCID4ALBf/gDgD///gclA/81B5ngYwHDwAAHniMHAwWOFwPBBgAFAHHAzCgCwWADAAGYoAGwU2NsFAAGEgY1A9vwVNngAAPPMwPDwASNEIAWJmIGYAwCmDBTAgABAcISgBKGIkAEAsFABAAEAAEAMBUYSAKAACACEIAmIERDAoYzFBYzYwhIAMRIwCMCQHIEAAEAwwlAwgDBAAwRgCAAlBlBRJTAECACiwjB+AAIAAMEIhhS/g7AAOJj////eHCgMj//gDUC21vCOdm7ACwzbYDxs7s72LM7MAN42AAYcAAYwcEECAD+Dv/z4CPwcGIBIH////w2AllBwk5gzQA2IYBAABTdTZjUTBADejFwABnBBQhSDsAA4/wSAsEA/4hBAH//wArCCEGIABoDEgDwAIgI4IAIMAMIwfwAI4gOIwAFYvgABghD/FL8P/P4QFsBJJQAAsEAMAwETIABQBI4EkADCMF4AAKIDmIBBFL+Dvj7wFIB/nz/9DwBJJTCyldIsSYuTISTTMyNzMzK4AOMIH//wv//////4gIAIKQJhAEIhCAmECHCAkgAEikgUABAEoBAAAf//hZQFyg0H///jRCAFiBiKAUPDAGLwYACAImEwFICcxgAAwAwERDBQhKARAAEAAEWUBwgAosXA8J8ADgmDggBDwAB/478/eP8MxBoEsEAIB4Qf+MAeBpgDzcD+ADBCDEEwACCAAJShH2AABAyQf8SIx/84RVIBwjB/AAIEeDwEMAzguB9chAAfEOXAhBSEABwYPjhEjAHCMH4ABgI4DA4AlI/D3z9wlP8AgACMFIcf/jh+OESeAdI/AAxDhJswUYAAf8PHPzjMgGAEBIgQhx/iGHhC3g4ACMH4ADAUgHADjz9wdH8AAEAEgACQxwACOAeDgwIwXwAAgHgAYQGYg8DHIHw/EJ4AgCAwQAQABwACAHwPQYAMAoYODQHAAJS/w88/fBj+AEAgCAQQh/wYfA9CAAwCgjBeAADgAMGOH4i8MDBHP3z/AABgAESIEIcP/BwXA5+OA5ICgjBlAAjgAfAeHwz///wwR/+AAEECACAYoIcYAAZ8EsbO2AbCwjBaAAwAATnwAZigD////wCQgQIAYRigCBHg4/gWwFNWAFICgjBzAAYAAQngAQSgCIP4EQg/xRAUiD//nnwHAgNGEAigAdiBAAgf//gRQwg/hjBQAACBAeD/+BLFAAIFAtoWAA4gAPgwgB4ACB/////+AIAAfwkAOgzPP/+XRTI2RSICgjB1AAzH4DgAPw0H///wf4AAfAn/+BgUjg/4P/wWxszbhswCo4IwcYAA9gwA2HgIgGAIgUDEgXBKwDUeACgAeBeDAVQzFYKCMEFAA8AbGAFwBIwdAGKAMMoABTBKACgADAYwAzhCosIwfgADCA//H4+Ev4DwgP+CAH4AAHgYABAAYAAH/DhCgjB+AAN5g8ABD4SwBYBIgPgwcAAfAAP/8fw4QoIwTgAD8/A+ADASgQAAgDBgQA8H8fwHDDhCgjB+AAiGeF8O8E4CAAMIhihUh/ID8bw4QoIwTgAMHAhBj8BeAgAeAAD8OBDSwACwCYB/lUDgB+A7gh4+AAcYAACBCMH/8L////+ACHwAAPgQABhkEfwOccADFMZgDGAZgiNEIBWIGAAAkAWhEtQDBgMwWDAM6AABAABEwYneUAWIAKLaHgAA4AAAhT4RxAGAAjBYAgBiECAbuBnBHPz+4e7waRwUZ4AeeeABRg4IwIORAH///jCABgAIf4fv/gQiAGJwUAtwFjZwO7d2cGAWAB3AM88wAUYeCMB/ETgA//3wv/+ACHuGf/wYPhYGcEAreBYCnM3X2LBJGgAfQCG2EAFjRCAJiDAJBhgY5ACAAwQBRIRRQYABFgzBAABFPA5IbogEiACixj4JCjAciDgA//3/B4SPmUH4AOAgkAnBaAiBQJSEZQAErEGGPhUD4AAB+AkH/gS4HQEQ+AFEIJwdgE/pkMzN9bBRmRfX5m4G4AFjBB/wf///////+DAJ4AAwRAEAAiAAAggUxQGCDANwQIgREAAB//+LgFkMx///40QgCYgZhgBwxAEAAiACABgAAQAEAcMOBgAMGDAAAQAAS4D8BMgAosYfGeAB+AH//DC//8MQAGH/+AE99IVnDBwsOEiAqAGGDgn//51Dw+AIMfAAMEhwBOF/BC/8OEiAugGGHgnf/hmA4DhRj/4wQjEFdPngY7A4SIDGAYYhG+AA9ghwAfBLCfgY5/PRBDhIgHwBhh8b4ADGKA//8EOM+cwmE5l8OEKGLQdDEME0R//wQwcA4CAADzgJDzwJTh4IvPAI+BgBBh8HAPC/wB//ARRgAGGD4DHAA5sMCQYYCUcMCJhgCNgYAThFQfC8+B//AAg3//gM8B/GA5wMCQkkCUmSCKSQCOAYAQY+HwcGOAgAAIowX3+gDB+OBgBJwc/wg9/vfgDA9/4ABz9z88cj/wDGDQcOMJ+APwAAx4/wBwvP/8ESYkgNAeNncK7s2bgBYZtsB42d2d7FmdmAxj8Ngf/gBNhwuYD3wABngIP/C/x//fOgzAWpsK+zMM4BsQwCAACm6mzGomCAxg8Jg//weAA/4DHgQ8DMs5gOMEAHnsA/YYGEDQHgATCCi0GIANAYkAeABEBHBABBgMYfCY4AMF/8f/xjgEccDJmfA7BfB/z/A/ADIBFCgAKLcEIBgGAiZAAKBIHEggDGDgmMP7BH/8AfxgHEPgiMGHBx8P5eP/xwBA1JJpkwm+SXSYkxcmQkmmZkbmZmVwDjxBVNhXEhGMD+8Q8A/zDP7+/32F9AwAB/oCAGBg/x+Qc/wAFUAFUJQwMJgYGMxVAAI0QgBYgwsAABAAICgQmAAIgAGBgVINzAcjAABSgIMEkmAGoAAQAARYKHCACixcGwngAf//4HAfMAAP4BmDB/wYzAfiHweAY+D/3m8EwGgwPFwbB+AB4AA/wABhiPAcgg/gEFIjBB//Av4A8j/7hEwkHB8IGeAAD/wfj/xA+AAQFkAfgJQQHweD8+AAPRj2A4RIGB3cGfAB//gAPw/4A4H8ABtANgAQAA/4AB8f//GBgA+ID0OESDwdoZAB8BwP8wwAhvgGEA0AKAEQEP//IA/AA/Af/8LAAQOEKGHgyBg/wwwEhYH9EAYAGAGIEfAH+AD/+PF/geHECEOEKGHwj/ADD8QIAcehAgIwAIgDBwDcAD//wx//wcYOA4QpoZAB/AfAfwwMHgf5IQEDoP9AAh/4BwAAB8CP/hxyB4OEKWGQAfwECwnjwJ4+PYAAwYAAQGA4/8OBj4///jEBA4QpYfAB+AB/C3wJ2HgHwf/AQIDA4eAH+MHIMYn//gkAw4QpoeAB/CBp4wwHcEPjwf4Ic//B48AAPGAPPDjLAAAIAUDwGQMAUBAZo5AABGB/AwwGv4/8Dg/+P4Ab8BAABjB//9AF//wABQEwCQEAgE0QGaPwAf/HYAcP/J+cHw//9ww//5If8AMY8MP4ZwAAOA4BMBEBAIBNEBo0QgCYgwEMgIQCYEiIiKBhDRwABIBXAMwQAAUhUShi6wYFKq2atMoAgAosY/HM///8eCAA8cj/wAYAH/A/BwcAOAMC//4AuppTBIGSCklTJUiUESDgAfB/DAD/gD4gAB8AD7+ABhAeGCCA////EgADATAe9YS3BULuFrqlypG0EGHzBAH4cf/n/4cgyfAA8UgyAABfgwf/x/wQ//8QDPAGttcHgzAawHZh27QRoOAByA3/8wR/gSAAHzgPgYjiAAAgcwDR/BENLB7wthMHg4YCG7du3BwQYeMEAeQADhgA/BGJ8ADz/5DEiGBxjDF/hgECAOwHEuMFwToc6xIsSrgSMIP//wv//////xQoARIoSISJ4AiATEReAIiMgwQAmQFAAA///4TM///+NEIA2IJAAwWDK0gACcABgExFHwACAg1RgAAQAAeETIAKONwJSAMEpTvsAA0cDMCMZsHRgAMYYYFKAE3jhClcCAgBlYcFAKamMY2DCQELGMANgUhhh+MCVFCjhCotHAxgAGkIv3g/AwgA/gf//3+ADwD9/4AffgAThDwfCA7gAOgABDgAORgDzAef/GCJg/3IBmAAIX/8E4QyOZwMGADVi+cNAFHCGMDLgMwABqAw88MBgADDAD0gAxaAVgOESIAKNEIA2JgYAwjdGGUABXQYEgyFiIhBgGMASFFKgABAA7BME4QiLVwQEAGWFw/HhsZGEB4I+Q8fhQPGE0AAd/yD4AA//QOEMaEOAXAno48PwD6AAgDAABAEHGx6YD4j+GDyAf0CIAcDhCmhnwB0IDM/DQAx0AwA8f8f/fvoLzH+dAz4HgG/8kQPg4QpotcB51gRFwwAMUAfHDH/H/3kYE4cPEH7nwwD/QQEOIOEKWPOAePbkwwyAejQEh4MD/w/iGAYDfwd87/IQ//0QHOELWGgAQCBsw8TIajJAWJPz/wfmAIQgAJ8AHj4Y/gJAEOELWGuAQ4CJw8BIuCLAOJj6wQnkYIlh8Md/EAwo//4GGOELaP/AQ4AIwMM3hjAAIJgN/wfmARnDcB//HgIx/gRGH4DhCmj7wFgHj+DDN8YwgAMHxv54BGEzHtDAnwGCM//4CAeA4QpIHYAKh8OGLDDgLkRHF/H9/g4AL5wRh14/hCIACBjhDGj4ABu5mQzDMAAGxEAgPD+ADAHMA98QWQAMBAAYEBCA4Qpo/AAJO5/gwwCHH8QYGAECEgnhw6BeHwA/iA//8AAZgOEKGDgiBEbD5ADPh3ScPAzADg/vA+PACFhhkAgAEAAv4QtofAAgBlAOwwP4kBiQBwF8FAf/DEAMOMB+EAP/4AMmIOEKGDjDADghwArDs2g4gEOI3wwD8Qx///uAAgEQMgegIOEKWHgAOD3OwwDQQ3MQsGDMY8eGAQCfM8PmB6MQAAIkoOELWPgAMxwewwAUADuIIbBnAPPsfuPgwADm/+Ef4BIkUOELdwZ4ABOHgGDDFEAgiAOeMgQ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slot="-13"><div><br /></div></div><div slot="-11"><div><br /></div></div><div slot="-2"><div><br /></div></div><div slot="-1"><div><br /></div></div><div id="-21" slot="-21"><div>DEN 1990<br /></div></div></card-part>
<card-part bkgndid="3881" id="7469" name="" woba="0,0,342,512,308,4,340,229,308,4,340,229,,jBAI4RsEA4kQCOEbCAMQCOEbGAMQCOEbOAOOEUDhKQR4A4kgCIDhGngDEAjhG3gDo4aLJvHAUgPB4AAcEvwiDgYKNQGYwALBAcHAAwwAA4wiBgYKihGAIwKQFAMVjBMGChGAFAnCWHPbAKADDNWGBQH77uvceAmLFvnCebrZgKYNgBebBQDmZ+nM2AklAvjCQ2pCggdajMQ1AD89iYMR+AmKEYATAcLgSAACgVwGhQSNADIKoQNAChGAUwQCoAAgIgcAwSoOAAFBCrQUCoslBirCoKh1AAgGAKoMBRFDOrRyMAklB/jCCtl3BQpWAQCsB/wDI0BFYAmJEAjhEgwYeAMgCIDhERgYeAMQCOESGBh4A4YQCOEbeAOjhYwgDIDhGgQDihAB4Q8QAuEPEAThDw=="><button-part height="32" id="1" name="" script="on mouseUp
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" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="5,308" type="transparent" width="224"></button-part><div id="-2" slot="-2"><div>DEN's Second Environmental Symposium<br /></div></div><div id="-13" slot="-13"><div><br /></div><div><br /></div><div><br /></div><div>Anne Gore is a senior who transferred from Bryn Mawr College to pursue environmental studies. She is a Government Major and plans to get a dog after graduation (and maybe a job). She is also the editor of SENSE OF PLACE.<br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div> —Press me to make me go away.—<br /></div></div><div id="-11" slot="-11"><div>– Anne Gore<br /></div></div><div id="-21" slot="-21"><div>Article<br /></div></div><div id="-1" slot="-1"><div> This weekend the Moosilauke Ravine Lodge won't feel the pounding of 100s of feet dancing the Salty Dog Rag on its worn wooden floors. The virgin spruce rafters won't hear the familiar words, "I will not eat them, Sam I am." But the Lodge will not stand empty awaiting the onset of another New England winter. Instead it will be the site for conferences, symposia, and alumni groups, including this weekend's major event, the 1990 DEN Environmental Issues Symposium.<br /></div><div><br /></div><div> The Dartmouth Environmental Network (DEN) is a group made up of alumni/ae, faculty, staff, students, and other Dartmouth Community members who are committed to environmental issues in some form or another. DEN was formed a year ago at the 1989 Environmental Issues Symposium, one of several events held in celebration of the Ravine Lodge's 50th Anniversary. DEN acts as a channel of support for academic programs, and provides a "ready source of talented people that can be consulted" for environmental or conservation information. The group was officially recognized by the College on Earth Day 1990. <br /></div><div><br /></div><div> Just as last year's symposium brought the group together for the first time, this year should help strengthen old and facilitate new connections. Panel discussions, field trips, and presentations are scheduled, but there will no doubt be plenty of time for participant interaction between, if not during, organized discussions. Featured speakers include an attorney for the US EPA Region V, a reporter from THE BOSTON GLOBE, and several Dartmouth alums. Topics to be addressed will cover a range of issues within the context of the Symposium's title — Protecting Environmentally Sensitive Areas: "A Good Planet is Hard to Find." <br /></div><div><br /></div><div><br /></div><div> See our next issue for a review of the Symposium and related events.<br /></div><div><br /></div><div><br /></div></div></card-part>
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" woba="0,0,342,512,0,0,342,512,0,0,342,512,,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"><div slot="-13"><div><br /></div></div><div slot="-11"><div><br /></div></div><div slot="-2"><div><br /></div></div><div slot="-1"><div><br /></div></div><div id="-21" slot="-21"><div>Quote<br /></div></div></card-part>
<card-part bkgndid="3881" id="7771" name="" woba="0,0,342,512,308,4,340,229,308,4,340,229,,jBAI4RsEA4kQCOEbCAMQCOEbGAMQCOEbOAOOEUDhKQR4A4kgCIDhGngDEAjhG3gDpIaLJg8cA8E8HgABwAAfgA0mGYwjHBzBADDAADjAAAYLihGAFCkVMCRYoA2LBsIplYc9sAowMM1YYNiu4dmMCgbCD5ebrZgKYNgBebCgBmbgNgoGwi+ENqQoIHWozENQIAiNueoKBsI+gqo0KDXVKFAqUACKqopKCooRgERAKgACY3ACoOAAIBIcCosGwmKqCodQAIBgCqDAo2ECoRgKBsJ/gK2XcFClYBAKwP/CK2JYCokgCIAvHCAZeAMQCOEgP+AZeAMgCIAvI8AZeAMQCOEbeAOjhYwgDIDhGgQDihAB4Q8QAuEPEAThDwQ="><field-part fixedlineheight="true" height="168" id="1" locktext="true" name="Info" part="field" textfont="Chicago" textheight="16" textsize="12" topleft="128,37" type="shadow" visible="false" width="347"><div>Drew Jones is an engineering major and a senior. He has done much for environmentalism at Dartmouth such as leading ESD, Trashcapade ’89, and Dartmouth Earth Day along with Beth Donovan ’91; Drew has published in numerous campus publications, served on ESD News’s Advisory Board, and is currently finishing up a thesis on the social, economic, and scientific challenges of ethanol use as an alternative fuel. ESD and ESD News will miss him dearly.<br /></div></field-part><button-part height="33" id="4" name="New Button" script="on mouseUp
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" showname="false" textalign="center" textfont="Chicago" textheight="16" textsize="12" topleft="4,308" type="transparent" width="225"></button-part><div id="-2" slot="-2"><div>Spirituality and the Environment<br /></div></div><div id="-11" slot="-11"><div>– Ji Yeon Choi<br /></div></div><div id="-13" slot="-13"><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div>Junior Ji Yeon Choi, a talented free-lance writer, is also a Visual Studies Major with a budding interest in environmental issues.<br /></div><div><br /></div><div><br /></div><div><br /></div><div><br /></div><div> —Press me to make me go away—<br /></div></div><div id="-21" slot="-21"><div>Article<br /></div></div><div id="-1" slot="-1"><div>Original articles "Dalai Lama Sees Reason for Hope" and "Symposium Audience Hears Plea to Respect Natural Cycle" by Ed Barna, appeared in THE RUTLAND DAILY HERALD.<br /></div><div><br /></div><div><br /></div><div> Two speakers expressed their environmental concerns on Thursday, September 13, at Middlebury College's four-day symposium on religion, ethics, and the environmental crisis. Audrey Shenandoah, an Onandaga Iroquois elder who is grieved by the increasing destruction of nature on her ancestors' land, gave the opening address. Her speech compared the attitudes of indigenous people in undeveloped lands to those of the people in the "industrial and technical world." <br /></div><div>"In our world there is no such word as a wilderness. It was a free place and there was no reason to fear it." In addition to wilderness, she claimed the words "nature" and <br /></div><div>"religion" are also missing from the Iroquois language. Wilderness and nature are objects of worship and should be respected. She added that all creatures compose the "cycle of creation" which is vulnerable to destruction if even one is malevolently affected.<br /></div><div><br /></div><div> The 1989 Nobel Peace Laureate, the Dalai Lama of Tibet, shared the basic principles of Shenandoah's religious view. Humans are children of the planet, he stated, and the planet is warning its children of their environmental carelessness by altering the environment. <br /></div><div><br /></div><div> In addition to religion, the Dalai Lama equated people's changing attitude toward politics to that of the environment: they have finally realized that nonviolent means of achieving political goals are far more effective, and less costly than war. As with politics, people are beginning to see the need to protect the environment for their self-interests. Like war, exploiting the environment offers no long-term benefits. Instead, it threatens to "leave wounds that would be hard to heal."<br /></div><div><br /></div><div><br /></div></div></card-part>
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</stack-part>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-28573002932321477942023-09-29T08:38:00.003-04:002023-09-29T08:38:38.284-04:00Exhibit: Through the Eyes of a Cat<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXCmdQmEI4cLjgnM_K60X0ycb_rRS7vUJha15vhjeUrdYE0qFz8ypTtZ9s8Oxzl02J7f8MNtf7Kg-D94oYpEGy8wraORNJSPxxnCu8CSnJcr_kogEpNwiElxhlLqbH9m7bxu7z9PrMuSDklGkhi4QCle6cQG202N4UzjvZlnJscjABWMEG0kRPhqqZFQ/s1920/Wrangel%20Island%20(1080%20%C3%97%201920%20px)%20.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Poster of the exhibit" border="0" data-original-height="1920" data-original-width="1080" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjXCmdQmEI4cLjgnM_K60X0ycb_rRS7vUJha15vhjeUrdYE0qFz8ypTtZ9s8Oxzl02J7f8MNtf7Kg-D94oYpEGy8wraORNJSPxxnCu8CSnJcr_kogEpNwiElxhlLqbH9m7bxu7z9PrMuSDklGkhi4QCle6cQG202N4UzjvZlnJscjABWMEG0kRPhqqZFQ/w181-h320/Wrangel%20Island%20(1080%20%C3%97%201920%20px)%20.jpg" width="181" /></a>"I am alive because of the heroism, intelligence, compassion and ingenuity of one person, Ada Blackjack. She is my hero—she feeds me when I am hungry, keeps me warm when I am cold, and gives me attention when I want it. My name is Victoria, but everyone calls me 'Vic'. I’m a tabby cat who went to Wrangel Island in 1921 with five explorers – only Ada and I returned."<p></p>Come to Rauner Special Collections Library to experience my story in the new exhibit "Through the Eyes of a Cat: the Wrangel Island Expedition" in the Class of 1965 Galleries from September 27 to November 10, 2023. The exhibit was curated by Sam Milnes, Collection Management Assistant, and Jay Satterfield, Special Collections Librarian. For more information on the exhibit, including a downloadable version of the poster and a complete handlist of the items on display, visit the <a href="https://www.dartmouth.edu/library/rauner/exhibits/eyes-of-a-cat.html">exhibit website</a>.<div><br /></div><div>You can also learn a lot more about the Wrangel Island Expedition that came to its fateful conclusion 100 years ago by visiting the Library’s digital collection, "<a href="https://www.library.dartmouth.edu/digital/digital-collections/collating-wrangel-island">Collating Wrangel Island: Inhabiting the 'Uninhabitable</a>'." You can also help us correct transcriptions of documents from the collection at <a href="https://fromthepage.com/dartmouthlibrary/wrangel-island-set">From the Page</a>.</div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-57513723451324606082023-09-22T15:34:00.000-04:002023-09-22T15:34:17.543-04:00An Obscene and Poisonous Publication<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP-uJx1AwepxQ3qJg8UHFNqIHIQDyDmwAabxR6RvhW2IRg6B39SkMerp3UPxbsKKnkVRKkweZrQz7i1X7Ej7gDdQyKwYuzBG_ORaJ2sksNKlpmlLGyvlQ8XpdVR2BD-Ww-srTm9LBWXj1jlJqWSmPQuhcYuRGN58QzbzK-49ucKcAJleku1M410UHZzw/s1672/BartlettSuspentionLetterBlog1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="First page of Thomas Bartlett letter to President Smith" border="0" data-original-height="1672" data-original-width="1274" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgP-uJx1AwepxQ3qJg8UHFNqIHIQDyDmwAabxR6RvhW2IRg6B39SkMerp3UPxbsKKnkVRKkweZrQz7i1X7Ej7gDdQyKwYuzBG_ORaJ2sksNKlpmlLGyvlQ8XpdVR2BD-Ww-srTm9LBWXj1jlJqWSmPQuhcYuRGN58QzbzK-49ucKcAJleku1M410UHZzw/w153-h200/BartlettSuspentionLetterBlog1.jpg" width="153" /></a></div>On March 28, 1866, Thomas Bartlett, a Christian clergyman from Maine, wrote to President Asa Dodge Smith of Dartmouth College requesting proof that his son Frank, a recently suspended sophomore at Dartmouth College, had been caught with an obscene book in his possession. Apparently the discovery of the text is what had motivated the trustees to eject his son from the school. However, as Bartlett argues, "[Frank] acknowledges that he drew from the College Library a book entitled Adams' <i>On Poison</i>, but states that he knew nothing of its contents at the time he took it to his room. He says that some of the pictures near the close of the book were hard. He firmly denies even possessing any book that could be properly styled an obscene publication."<p></p><p>Seventeen-year-old Frank had entered Dartmouth with his nineteen-year-old brother, Dwight, in 1864. By 1866 it seems that they had gotten into some trouble, at least some of which Frank was willing to own, per his father's letter: "That he has thrown snowballs at Charles and Rowell at their window, he freely acknowledges, but as firmly denies throwing the bottle." It's not clear what or whom the bottle hit, or if it contained anything, but apparently Frank was a habitual offender and that those incidents alone did not warrant the suspension. The faculty minutes of November 23, 1865, concerning Frank's suspension state that he had a record of "previous disorderly and unscholarly conduct" and indicated "his complicity in recent serious offenses." Unfortunately, those offenses are not listed in detail. </p><p>I was curious about the "obscene" book that the letter mentioned in the letter, <i>Observations on Morbid </i></p><div class="separator" style="clear: both; text-align: center;"><i></i></div><i>Poisons Chronic and Acute</i>, by Joseph Adams. I was able to get the 1807 edition from our library depository, which may be the very same copy that got Frank kicked out of school. I looked at the last four pages of the book which showed skin manifestation of diseases. Would they have been considered obscene? Could the subject matter of the book, dealing with infectious diseases like syphilis, be the cause? Or was the college administration simply looking for a pretense to rid themselves of this nuisance? Looking deeper into college records did not provide any satisfactory answers, so we may never know. <p></p><p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNjUkmiIbl6ilaqcmT9tOpq-S9FQ8G0dreTIGuCFdVr6NRWKOFjwfjmwOm5Y7bLulCDuxxdm5rpLaO8XBIxYhZMnkPov-wf8_PuxboHnTBRjwepuCAlgM9Zj3EnGcSqP4yMkhQmQLqNsqjiv-3dx0HkaQWwU7FQXAH-Kv7MvJr1rDUxrbv0R2epLnbag/s1973/BartlettExpulsionBlog3.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="1973" data-original-width="1422" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhNjUkmiIbl6ilaqcmT9tOpq-S9FQ8G0dreTIGuCFdVr6NRWKOFjwfjmwOm5Y7bLulCDuxxdm5rpLaO8XBIxYhZMnkPov-wf8_PuxboHnTBRjwepuCAlgM9Zj3EnGcSqP4yMkhQmQLqNsqjiv-3dx0HkaQWwU7FQXAH-Kv7MvJr1rDUxrbv0R2epLnbag/w145-h200/BartlettExpulsionBlog3.jpg" title="Image of a naked man with a skin disease" width="145" /></a>By the time Thomas Bartlett writes his letter his older son, Dwight, is dying of consumption and has already left Dartmouth to return home. Ultimately, Dwight died in April 1866 with Frank by his side, something that would not have been possible but for the younger Bartlett's suspension from college. "It seems now that the request of Frank’s mother that he and Dwight might never be separated will be complied with," Thomas Bartlett writes in the letter. In a postscript he adds: "Frank performed his last act for Dwight last night. He wet his lips for the last time, rubbed his hands and saw him expire."</p><p>Frank never returned to Dartmouth, as his father wanted him to stay home. nearly thirty years later, in a passport application dated 1894, his profession is described as "Director of Foreign Tours". He left the US for London, England, that year and died there in 1899 at the age of 50.</p><p>To look at the letter from Thomas Barlett to President Asa Dodge Smith, come to Special Collections and ask for Mss 866228.2. To judge for yourself the prurient nature of John Adams' <i>Observations on Morbid Poisons Chronic and Acute, </i>request the book online from the Dartmouth Library Depository online; the call number is <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991025290859705706">Depository 616.091 A214o</a>.</p><div><br /></div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com1tag:blogger.com,1999:blog-6353902602001719226.post-1611363217635093922023-09-15T15:40:00.003-04:002023-09-15T15:40:39.065-04:00Between Worlds: An Inspiring Alumnus<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht_ou6UgKXFc-hpGoL86U8-r_CSe1UeCK0BarCdJxMgD8MDPHOInP-rJwsyMXXee-LhWFMDnTzER9OhAIgVzmUkuAo85_CRg56anUwKA-PvPbTaUZyz16detqyCb7Y96HE_zoefTwPykS4i6y0qEtM8TCjmkC0eR4Xq79cN4J-2_KjAd3H58BYg5ZWQ/s1373/Pierce%20Blog-1.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Envelope for letter from Pierce to Thayer" border="0" data-original-height="840" data-original-width="1373" height="123" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjht_ou6UgKXFc-hpGoL86U8-r_CSe1UeCK0BarCdJxMgD8MDPHOInP-rJwsyMXXee-LhWFMDnTzER9OhAIgVzmUkuAo85_CRg56anUwKA-PvPbTaUZyz16detqyCb7Y96HE_zoefTwPykS4i6y0qEtM8TCjmkC0eR4Xq79cN4J-2_KjAd3H58BYg5ZWQ/w200-h123/Pierce%20Blog-1.jpg" width="200" /></a></div>At the end of August, we hosted a class for the First Year Student Enrichment Program (FYSEP) for first-generation students in which the students worked through Rauner’s archives on alumni/ae. We had too many first-generation alumni records to include in the session, so as the new students arrive on campus, and classes begin for the fall term, we’d like to share a letter from Maris B. Pierce, a first-generation member of Dartmouth’s class of 1840, to his friend and classmate, Loren Thayer. In the letter, written from Buffalo N.Y. in 1838, Pierce writes that he is attending a council discussing the Treaty of Buffalo Creek and cannot return to Dartmouth until it concludes. See, Pierce wasn’t just a Dartmouth student; he was also the Chief of the Seneca Nation. And with the title of Chief came responsibilities. Pierce notes this split identity as he writes,<div><br />“I shall endeavor to return to Hanover as soon as I can leave the place [and] the Council. I am a chief, therefore it is difficult to leave them before it closes…No man regrets so much as I do, of my absence from the College. But I am placed over this people to see that the republic receive no detriment.”</div><div><br /></div><div>Not only did Pierce fulfill his chiefly duties, but he also spoke out for his beliefs. In his letter to Thayer, Pierce references a speech he had delivered in 1838 at Buffalo, expressing his anti-land-removal stance. This address in particular made its way to the local newspaper, The Daily Buffalonian, and inspired many of his peers. One of his Dartmouth classmates, E.F. Slafter, wrote (“[on] behalf of the Junior class”) a note to Pierce stating his gratitude for Pierce’s inspiring words:<div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzkeuXlFGPPEJKUi60t7KKpxfTWOjOzqAhKPuq8ZARviDzA5u-fWy6D2eFwBiD0vGPuRb_MqTjqo76fyGjZsVUdQaklMwcRf_6CC2GXMAcAAVwJO69H07fAorzRT0_oYwkeDL0i5WjCsDRykced5QuyIGGWAPzJDEM7doTxvQjLUlheJbeab653dqEQ/s2557/Pierce%20Blog-2.jpg" style="clear: right; float: right; margin-bottom: 0.2em; margin-left: 1em;"><img alt="First page of the letter from Pierce to Thayer" border="0" data-original-height="2557" data-original-width="2055" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhFzkeuXlFGPPEJKUi60t7KKpxfTWOjOzqAhKPuq8ZARviDzA5u-fWy6D2eFwBiD0vGPuRb_MqTjqo76fyGjZsVUdQaklMwcRf_6CC2GXMAcAAVwJO69H07fAorzRT0_oYwkeDL0i5WjCsDRykced5QuyIGGWAPzJDEM7doTxvQjLUlheJbeab653dqEQ/w161-h200/Pierce%20Blog-2.jpg" width="161" /></a></div><br />“We would express our hearty thanks for your eloquent and highly valuable address delivered at Buffalo, N.Y. upon the condition etc. of your people Which we shall ever read it with the deepest interest both from its own intrinsic value and the sympathy we feel for your people it will even feel to bring to mind the pleasing associations of College life when we assemble in the same halls of learning and were bound together by a common bond of interest and pursuit.”</div><div><br />After graduating from Dartmouth College in 1840, Pierce pursued law and continued to fight for the Seneca Nation and its land rights. He used his Dartmouth education to become a mediator between the two cultures as he argued against Seneca land removal. In addition, Pierce became an interpreter for the Seneca Nation and the U.S. government, a role perhaps hinted at by his time at Dartmouth. As shown by his transcript for his freshman and sophomore years, Pierce was not only a high-achieving student (with a GPA higher than his classmates), but also had exceptional language skills, receiving an exquisite 4.0 in the language column:</div><div><br /></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2s4lX2D8M_FVeLR7LyCEz5yB1_TWGQFRRna9TRGR5WhpiOAbDv_AB1ViGDuo_y_2Th2bP2KsvaUB_TtI2-QWBiFfjQc0Y2vxFIejDLqSeHoafZlcX0NRWBC1_LYKIMq75W_POyPPeNx6YpRlqeegussiEKFN2sChZRxb7_y394MUG8XNmk3UFW0282Q/s1209/Pierce-Blog-3.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1168" data-original-width="1209" height="193" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2s4lX2D8M_FVeLR7LyCEz5yB1_TWGQFRRna9TRGR5WhpiOAbDv_AB1ViGDuo_y_2Th2bP2KsvaUB_TtI2-QWBiFfjQc0Y2vxFIejDLqSeHoafZlcX0NRWBC1_LYKIMq75W_POyPPeNx6YpRlqeegussiEKFN2sChZRxb7_y394MUG8XNmk3UFW0282Q/w200-h193/Pierce-Blog-3.jpeg" title="Merit Roll showing Pierce's language GPA" width="200" /></a></div><div><br />While Pierce graduated in 1840, we can still learn from him today. Pierce’s experience mirrors the struggles of many students today, particularly first-generation students: many times, issues at home can compete with educational commitments—and sometimes a student’s home community needs to take precedence over the student’s individual betterment, as was the case with Pierce. Like students today, Pierce also had to balance responsibilities on both sides of his life. In addition, throughout his career, he brought his Dartmouth education and his inherent passion to the larger community and applied it to every aspect of his work life: his writings, his speeches, his tribal negotiations.</div><div><br /></div><div>Moreover, Pierce shows us that Dartmouth students don’t need to wait for graduation to have an impact on a surrounding community: his inspiring speech against land removal was delivered in Buffalo while he was still a sophomore in college. Pierce continued this tradition of advocacy long after he graduated, bringing what he had learned at Dartmouth to bear on every aspect of his adult life. His example is an inspiring one for Dartmouth students from all backgrounds and walks of life.</div><div><br />If you’re interested in reading Pierce’s letter to Loren Thayer or a facsimile of E.F. Slafter’s letter to Pierce, come to Special Collections and ask for Mss 838517 and Mss 838540.2 (a transcription is included for both). If you want to see Pierce’s grades as recorded in the College’s Merit Rolls, ask for DA-80, Box 3292 (look for 1837, Freshman Class, and 1838, Sophomore Class). For more about Pierce’s life after Dartmouth, ask for his Alumni File.</div></div>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-17063176903719788522023-09-08T13:41:00.002-04:002023-09-08T13:41:38.534-04:00Dante and Doré<div class="separator"></div><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_vbUzB02aoErj6fP-drnXNK53yZdPeT9fXB8lunC_w3BCrEQ3BrE9egj_T_eN8s3WIZVJPZWHHpDZaQxb-esSb2fPNPVzUuCa9sdJti2xqOiEk-krtzFAQZGZ0dLrrjJ3C47WnYUcZS-8VaDoYDTVklUsNw5dPCTWWC0h-6xAZm5YbXZoDRZ7f6sSVA/s3757/IMG_4811.JPG" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Dante and Virgil observe a group of tortured souls on the ground. Above them, a headless figure holds out its own decapitated head." border="0" data-original-height="3757" data-original-width="2827" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj_vbUzB02aoErj6fP-drnXNK53yZdPeT9fXB8lunC_w3BCrEQ3BrE9egj_T_eN8s3WIZVJPZWHHpDZaQxb-esSb2fPNPVzUuCa9sdJti2xqOiEk-krtzFAQZGZ0dLrrjJ3C47WnYUcZS-8VaDoYDTVklUsNw5dPCTWWC0h-6xAZm5YbXZoDRZ7f6sSVA/w151-h200/IMG_4811.JPG" width="151" /></a>Sometimes we just want to look at something beautiful. Sometimes a thing that is beautiful is also grotesque. This week we're looking at the art of Gustave Doré and his interpretations of some of the most disturbing imagery of medieval literature: Dante's <i>Inferno</i>. <p></p><p>Doré (1832-1883) was a prolific French artist who provided lavish illustrations for over 50 books during his lifetime, not to mention his work in other mediums. His engravings tended to adorn works of classic literature, and if you've seen Dante illustrated before, there's a good chance that it was Doré you were looking at. His style, finely detailed, dark, and dramatic, is a perfect fit for the Italian poet's vision of Hell.</p><p>Written in the early 14th century, <i>The Divine Comedy</i> (of which <i>Inferno </i>is only the first part) follows the author's pilgrimage to the underworld, making his way through each circle of Hell before he is able to move on to Purgatory and then to Heaven. Guided in this first stage of his journey by the poet Virgil, Dante sees and describes layer after layer of sinners in torment. Doré's depictions of each circle are appropriately disturbing and atmospheric. We could say more here, but we really just recommend taking a look for yourself.</p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0St2c9B--F5xBf8RbOD0krkRVWntEDhftQ0cMNpEAFpFDCRNUKiTh1DG5R09jeYG6xrJ7Gzszwbh6zHfYnWPV9sPFJ04QlN1lSGEbm3glUo0BVfPDCC4-bvvtvSc1edxFQ3zdg15MaI3KremvbZ7pR14369CIdOW7Dqzb5LW9_2-7XtY1UcYHRDb7sg/s3648/IMG_4812.JPG" style="margin-left: 1em; margin-right: 1em;"><img alt="Lucifer, shown as a winged, horned giant, is trapped up to his waist in a lake of ice." border="0" data-original-height="2957" data-original-width="3648" height="259" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi0St2c9B--F5xBf8RbOD0krkRVWntEDhftQ0cMNpEAFpFDCRNUKiTh1DG5R09jeYG6xrJ7Gzszwbh6zHfYnWPV9sPFJ04QlN1lSGEbm3glUo0BVfPDCC4-bvvtvSc1edxFQ3zdg15MaI3KremvbZ7pR14369CIdOW7Dqzb5LW9_2-7XtY1UcYHRDb7sg/w320-h259/IMG_4812.JPG" width="320" /></a></div><p></p><p></p><p></p><p></p>To see Doré's version of Dante's <i>Inferno</i>, ask for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991005832379705706">Illus</a><a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991005832379705706">D73dan</a>.Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-19182172014360050922023-09-01T11:52:00.001-04:002023-09-01T11:52:31.260-04:00Picturing Truth<p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhCjoegYRcCk55p7TbqRd_Rc-Pqw3XM4FzFBEmdEudcBXztJB1Sv5Jvkq-t5sqSecDCwRAkr8zqhx-pfEDKEvcDH6FWPJmC7MPG3KlFJo2_SiUu6Br1R4yeI2jxNhTh3HfGLUBFjiyjqZ_lvMyRjYQGFfyL3w2LeG8HmRIBXRpP8SFnhQenBiU-CCISA/s1410/IMG_3651.jpeg" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img alt="Frontispiece to Narrative of Sojourner Truth, 1850" border="0" data-original-height="1410" data-original-width="1365" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhCjoegYRcCk55p7TbqRd_Rc-Pqw3XM4FzFBEmdEudcBXztJB1Sv5Jvkq-t5sqSecDCwRAkr8zqhx-pfEDKEvcDH6FWPJmC7MPG3KlFJo2_SiUu6Br1R4yeI2jxNhTh3HfGLUBFjiyjqZ_lvMyRjYQGFfyL3w2LeG8HmRIBXRpP8SFnhQenBiU-CCISA/w310-h320/IMG_3651.jpeg" width="310" /></a></div>Being bookish types, we are kind of obsessed with the physical manifestation of texts. What makes so many books so special is the interplay between the text and the book itself. Recently we were fortunate to acquire a first printing of the self-published <i>Narrative of Sojourner Truth: A Northern Slave</i> (Boston: The Author, 1850). It is slender work, just 144 pages, but loaded with power. Sojourner Truth had that amazing sense of righteousness, and enough experience on the stump and at religious gatherings, to really pour it on with force.<p></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPVLyb8Ic0Jli1rKEKWSQtL8dRbBUQtmS70dPFjHb6_iRahXc1RVVia4ZyK01or9Ku67xagiDtW5G_ZvTLTmdOMFQbBBhKU9Jm6SJ9S8rVL7AaOqEXReijkDiH4SRpvXAlFDGAIsiWgy8IMlTbk48LwguN6W7gnqtcF_Emz6OaDfHBzbb4-P8EzzxVTQ/s2688/IMG_3652.jpeg" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img alt="Title page to Narrative of Sojourner Truth, 1850" border="0" data-original-height="2688" data-original-width="1676" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhPVLyb8Ic0Jli1rKEKWSQtL8dRbBUQtmS70dPFjHb6_iRahXc1RVVia4ZyK01or9Ku67xagiDtW5G_ZvTLTmdOMFQbBBhKU9Jm6SJ9S8rVL7AaOqEXReijkDiH4SRpvXAlFDGAIsiWgy8IMlTbk48LwguN6W7gnqtcF_Emz6OaDfHBzbb4-P8EzzxVTQ/w200-h320/IMG_3652.jpeg" width="200" /></a></div>The book does its part to help, and since she was involved in the whole enterprise, you know she must have had a say in how it looked. The cover is pretty basic mid-19th century fare. A floral embossed decorative binding with a gold-stamped title. But then you open it up and there you are, face to face with Sojourner Truth and you are immediately struck with her charisma. She owns the narrative and you are going to listen to what she has to say. Opposite is the title page, asserting her identity as "A Northern Slave" but clearly no longer enslaved. As the narrative attests, she walked away from that and became a fighter for the enslaved and for women. But your eyes can't help but go back to the image. The head wrapped in a scarf, tilted just enough to know she is evaluating YOU, giving you a stare that dares you to just try to read her story and not become a convert. <p></p><p>Come be confronted by Sojourner Truth yourself by asking for <a href="https://search.library.dartmouth.edu/permalink/01DCL_INST/16rgcn8/alma991033925741005706" target="_blank">Rare E185.97 .T87 1850</a>.<br /></p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0tag:blogger.com,1999:blog-6353902602001719226.post-13507801303251647492023-08-25T14:36:00.000-04:002023-08-25T14:36:30.922-04:00Rockin' Operatic Style<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlTVqWPh3aaLRLnrI2RNzoXzpUsC_rfe4ABPhmM1cE7YjBYf-0hXCdOmf9JVznkuZM4ts0LMw2O2bzEqsZY2SlUd8W8KsZRc9qKsvNdtxF1GBITyOxU0GTtEW3s8-hdXvyi3gxJqkKgRHixd37Wwmbvo5krItc3m3F_RL5Dgn7h8qxrKoHob6Yt39-5w/s2005/OperaSingerBlog2.jpg" style="clear: left; float: left; margin-bottom: 0.2em; margin-right: 1em;"><img alt="Image of Jen de Rezke as Raoul in Meyerbeer's "The Huguenots"" border="0" data-original-height="2005" data-original-width="1476" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlTVqWPh3aaLRLnrI2RNzoXzpUsC_rfe4ABPhmM1cE7YjBYf-0hXCdOmf9JVznkuZM4ts0LMw2O2bzEqsZY2SlUd8W8KsZRc9qKsvNdtxF1GBITyOxU0GTtEW3s8-hdXvyi3gxJqkKgRHixd37Wwmbvo5krItc3m3F_RL5Dgn7h8qxrKoHob6Yt39-5w/w148-h200/OperaSingerBlog2.jpg" width="148" /></a>This week we stumbled upon a charming little photograph album in our Codex collection. The contents are very niche and extremely fabulous: signed publicity photos of opera singers who performed during the 1899 season for the Metropolitan Opera Company. The book was compiled by a young Edith Lauterbach, whose father, Edward Lauterbach, was legal counsel for the Met as well as a member of the Board of Directors. As such, Edith knew many of the world-famous performers personally. The book came to us through the generous donation of Edith's husband, Clarence "Mac" McDavitt, a member of the class of 1900.<p></p><p></p><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0IfHHPy0BAwHzJmsW6ARR4Kr6xtwJ7EG6iWtQ3_zaRsHsfPVyk-WsALrk7D0rP3fbvDbQ_WRB4AnuIQOrXwO7ATAlU-bMlMOovRJYsp3MytDHKk4MT_dlfoeyd7HIQThS2lso-iNOttIFQdubmodrUZbRcTiB1GezFl1YqocOBkWQbGEbs4JVlhy_bg/s1929/OperaSingerBlog1.jpg" style="clear: right; float: right; margin-bottom: 0.2em; margin-left: 1em;"><img border="0" data-original-height="1929" data-original-width="1478" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0IfHHPy0BAwHzJmsW6ARR4Kr6xtwJ7EG6iWtQ3_zaRsHsfPVyk-WsALrk7D0rP3fbvDbQ_WRB4AnuIQOrXwO7ATAlU-bMlMOovRJYsp3MytDHKk4MT_dlfoeyd7HIQThS2lso-iNOttIFQdubmodrUZbRcTiB1GezFl1YqocOBkWQbGEbs4JVlhy_bg/w153-h200/OperaSingerBlog1.jpg" title="Image of Andreas Dippel as Siegfried" width="153" /></a>Each photograph of a performer in the album, usually in costume, is accompanied by a brief biography along with their notable areas of expertise and, in some cases, their birth name. For example, the renowned American soprano Lillian Nordica, who slayed as Brunhilde, was born Lillian Norton and hailed from the rural hills of Farmington, Maine. Our favorite fashion statements from the season are Jean de Reek, a Polish tenor who is rocking the thigh-high boots with a pair of short shorts, and Andreas Dippel, a French tenor who somehow manages to project a convincing "legendary warrior" vibe despite his lace-up heels.<p>To explore the world of opera costumery at the Met in 1899, come to Special Collections and ask to see <a href="https://archives-manuscripts.dartmouth.edu/repositories/2/resources/3312">Codex 003337</a>.</p>Rauner Libraryhttp://www.blogger.com/profile/10589155083658770095noreply@blogger.com0