Friday, November 30, 2012

De architectura

Marcus Vitruvius Pollio was a Roman of the first-century B.C. He served in several of Julius Caesar's campaigns, most likely as an engineer responsible for the construction and maintenance of the army encampment. Little else is known about his life save what is revealed in his only surviving work De architectura, a treatise on architecture which detailed then current Roman practices as well as methods and designs from Greece and earlier cultures. His philosophy on design is often summed up by his statement that a structure should incorporate elements that make it solid, useful and beautiful. Rediscovered in the 15th-century, De architectura had a profound effect on Renaissance design and served as inspiration for Da Vinci and others.

De architecura is divided into ten books and is commonly known as the Ten Books on Architecture. Each book focuses on a related subset of design and construction methods or decorative motifs.  These include sections on temples (book 2), water and aqueducts (book 8) and Roman engines - primarily military in nature (book 10).

Rauner holds several editions of De architectura, the earliest being the first illustrated edition published in Venice in 1511 which is notable not only for the illustrations but also for Fra Giovanni Giocondo's revisions and corrections to earlier published editions. Rauner's copy additionally features numerous notations in the margin. Other editions include the first (1521) and second (1526) Italian translations.

Ask for Red Room 871 V92 1511 to see the first illustrated edition. Other editions can be found by searching the catalog.

Tuesday, November 27, 2012

The Real Little Women

It's no secret among Little Women fans that Louisa May Alcott based her beloved novel on her life growing up with three sisters. However, fewer people know just how much of the Alcott family's work lies within the walls of Rauner Library. Though we are missing works from Abigail May (the wise mother) and Lizzie (who, like her Little Women representation Beth, died young), Rauner has works of the other three sisters and their father: controversial transcendentalist Amos Bronson Alcott.

Amos Bronson Alcott's role as "Father" in Louisa May Alcott's fictional books is mostly off-stage, either due to his fighting in the Civil War or extended recovery from injuries. In reality, Bronson was a huge and active part in the Alcott sisters' lives. The Alcott girls were Bronson's four most consistent pupils. Bronson's innovative and controversial method of teaching art, music, nature study and a curriculum of social reform led many students to withdraw and forced the family to move twenty times in thirty years. However, Bronson's views remain documented in Observations on the Principles and Methods of Infant Instruction. He became well known for his work across New England, forming a Concordian community with transcendentalists such as Ralph Waldo Emerson and Henry David Thoreau. In addition to published works by Bronson, Rauner has one of his private letters of recommendation for a young woman pursuing a musical education, showing just how far-reaching the Alcott family's influence was by the 1890s.

True Little Women fans will remember Amy March's artistic aspirations (as opposed to Jo/Louisa's literary ones). In light of her fictional counterpart, May Alcott's representation in Rauner is unsurprising: a book of sketches of the Alcott's home in Concord and a copy of Little Women illustrated by May. Like her fictional counterpart (Amy), May became a moderately successful artist in Europe. However, while Amy returned to America married to Laurie (to the fury of fans who predicted his eventual pairing with Jo), May Alcott married a Swiss violinist fifteen years her junior at age 38, then died in childbirth in Paris.

Anna Bronson Alcott Pratt's representation in Rauner echoes her place in Little Women even more strongly. Comic Tragedies, written by "Jo" and "Meg" and acted by the "Little Women" smudges the lines between the fictional characters and the realities of the Alcotts' lives. On the first page are pictures of Louisa and Anna, labeled "Daguerreotypes of Jo and Meg," with a quote below from Mrs. Cheney's Life of Louisa M. Alcott. In the introduction, "Meg" describes the complex interplay of personalities and limited cast that caused the enclosed plays to be structured as they were. In fact, Anna Pratt (Meg's real life persona) published the book in 1893, and likely wrote the introduction herself. As Louisa May Alcott died five years prior to the publication, it is unclear if the melodramatic plays were collected from her Little Women material, or from a memory of her and Anna's childhood. Indeed as founding members of the Concord Dramatic Union, Louisa and Anna's love for the stage was greater than, or equal to, that of the March sisters.

Rauner has – of course – a number of writings by Louisa May Alcott, including numerous copies of Little Women, but also lesser-known works, like Louisa's Hospital Sketches and A Free Bed.  Come peruse a copy of Little Women, then read more from the family that inspired the novel!

Ask for Mss 872554 for Bronson's Letter; 1926 Collection A39 for Little Women (Illustrated by May Alcott); Rare PS1019.A2 C65 for Concord Sketches: Consisting Of Twelve Photographs From Original Drawings; and Rare PS1017.C6 1893 for Comic Tragedies, written by "Jo" and "Meg" and acted by the "Little Women."

Posted for Kate Taylor '13